Beyond the Hills of Dream is an artistic collection of Canadian poems by Wilfred Campbell, who was a Canadian poet influenced to a great extent by the Romantic movement. Hence, the work contains plenty of beautifully written poems about Nature, such as 'Morning' on the Shore,' 'In the Spring Fields,' 'An August Reverie,' 'Morning,' 'Glory of the Dying Day,' 'Dusk.' The collection also contains poems of Empire, such as 'Victoria,' 'O good gray Queen,' 'England,' 'Tis the name that the world repeats,' and 'The World-Mother', regarding Scotland, the poet's ancestral home. There are also some fantastic poems about biblical figures, Jacob and Lazarus. One verse that stands out is the powerful and lengthy poem called 'The Vengeance of Saki' concerning a woman wronged and replaced. This delightful collection of poetry contains an elevated style and diction and is full of themes of all sorts, making it one of the best sellers of its time.

This is a representative collection of the writings of a neglected Canadian author, William Wilfred Campbell (1858-1918). Among the 112 poems in William Wilfred Campbell: Selected Poetry and Essays are the familiar “Indian Summer” and “How One Winter Came in the Lake Region,” along with many less well-known love poems, patriotic songs, and occasional poems. Some twenty manuscript pieces are published here for the first time. The notorious “Mermaid Inn” essay in which Campbell refers to the mythical nature of the cross is included, and so is the letter of self-justification that Campbell wrote—but never sent—to the editor of the Globe. Here, too, are speeches, essays published in The Week and the Ottawa Evening Journal, and significant sections from Campbells unfinished treatise on evolution, “The Tragedy of Man.” By the time Campbell died on New Year’s Day 1918, shifting values had begun to turn critical opinion against his work. Now William Wilfred Campbell: Selected Poetry and Essays will enable Canadians to appreciate Campbells art and to recognize his place in the development of Canadian thought.

Benjamin Hertwig's debut collection of poetry, Slow War, is at once an account of contemporary warfare and a personal journey of loss and the search for healing. It stands in the tradition of Wilfred Owen's "Dulce et Decorum Est" and Kevin Powers’s "Letter Composed During a Lull in the Fighting." A century after the First World War, Hertwig presents both the personal cost of war in poems such as "Somewhere in Flanders/Afghanistan" and "Food Habits of Coyotes, as Determined by Examination of Stomach Contents," and the potential for healing in unlikely places in "A Poem Is Not Guantánamo Bay." This collection provides no easy answers – Hertwig looks at the war in Afghanistan with the unflinching gaze of a soldier and the sustained attention of a poet. In his accounting of warfare and its difficult aftermath on the homefront, the personal becomes political. While these poems inhabit both experimental and traditional forms, the breakdown of language channels a descent into violence and an ascent into a future that no longer feels certain, where history and trauma are forever intertwined. Hertwig reminds us that remembering war is a political act and that writing about war is a way we remember.

A collection of more than 400 hundred poems from all around the world.

As the Great War dragged on and its catastrophic death toll mounted, a new artistic movement found its feet in the United Kingdom. The Trench Poets, as they came to be called, were soldier-poets dispatching their verse from the front lines. Known for its rejection of war as a romantic or noble enterprise, and its plainspoken condemnation of the senseless bloodshed of war, Trench Poetry soon became one of the most significant literary moments of its decade. The marriage of poetry and comics is a deeply fruitful combination, as evidenced by this collection. In stark black and white, the words of the Trench Poets find dramatic expression and reinterpretation through the minds and pens of some of the greatest cartoonists working today. With New York Times bestselling editor Chris Duffy (Nursery Rhyme Comics, Fairy Tale Comics) at the helm, Above the Dreamless Dead is a moving and illuminating tribute to those who fought and died in World War I. Twenty poems are interpreted in comics form by twenty of today's leading cartoonists, including Eddie Campbell, Kevin Huizenga, George Pratt, and many others.

The renowned poet and author of The Handmaid's Tale "brings a swift, powerful energy" to this "intimate and immediate" poetry collection (Publishers Weekly). These beautifully crafted poems -- by turns dark, playful, intensely moving, tender, and intimate -- make up Margaret Atwood's most accomplished and versatile gathering to date, setting foot on the middle ground / between body and word. Some draw on history, some on myth, both classical and popular. Others, more personal, concern themselves with love, with the fragility of the natural world, and with death, especially in the elegiac series of meditations on the death of a parent. But they also inhabit a contemporary landscape haunted by images of the past. Generous, searing, compassionate, and disturbing, this poetry rises out of human experience to seek a level between luminous memory and the realities of the everyday, between the capacity to inflict and the strength to forgive.