The Collected Critical Writings gathers more than forty years of Hill's published criticism, in a revised final form, and also adds much new work. It will serve as the canonical volume of criticism by Hill, the pre-eminent poet-critic whom A. N. Wilson has called "probably the best writer alive, in verse or in prose." In his criticism Hill ranges widely, investigating both poets (including Jonson, Dryden, Hopkins, Whitman, Eliot, and Yeats ) and prose writers (such as Tyndale, Clarendon, Hobbes, Burton, Emerson, and F. H. Bradley). He is also steeped in the historical context - political, poetic, and religious - of the writers he studies. Most importantly, he brings texts and contexts into new and telling relations, neither reducing texts to the circumstances of their utterance nor imagining that they can float free of them. A number of the essays have already established themselves as essential reading on particular subjects, such as his analysis of Vaughan's "The Night", his discussion of Gurney's poetry, and his critical account of The Oxford English Dictionary. Others confront the problems of language and the nature of value directly, as in "Our Word is Our Bond", "Language, Suffering, and Value", and "Poetry and Value". In all his criticism, Hill reveals literature to be an essential arena of civic intelligence.

This book serves as a welcome addition to the better known "English Dictionary from Cawdrey to Johnson, 1604-1755," by Starnes & Noyes (new edition published by Benjamins 1991). Whereas Starnes & Noyes describe the history of English lexicography as an evolutionary progress-by-accumulation process, Professor Hayashi focuses on issues of method and theory, starting with John Palsgrave's "Lesclarissement de la langue francoyse" (1530), to John Walker's "A Critical Pronouncing Dictionary and Expositor of the English Language" (1791). This book also includes a detailed discussion of Dr. Johnson's influential "Dictionary of the English Language" (1755).

Examines the hidden history through which the Oxford English Dictionary came into being in a study that traces the personal battles involved in chronicling an ever-changing language.

List of Rhodes scholars, 1904-1915: v.2 p. [145]-161. Vol. for 1934- include Addresses and occupations of Rhodes scholars and other Oxonians (called 1934-36, Addresses and occupations of Rhodes scholars).

The legendary Oxford English Dictionary today contains over 600,000 words and a staggering 2,500,000 quotations to illuminate the meaning and history of those words. A glorious, bursting treasure-house, the OED serves as a guardian of the literary jewels of the past, a testament to the richness of the English language today, and a guarantor of future understanding of the language. In this book, Charlotte Brewer begins her account of the OED at the point where others have stopped--the publication of the final installment of the first edition in 1928--and carries it through to the metamorphosis of the dictionary into a twenty-first-century electronic medium. Brewer describes the difficulties of keeping the OED up to date over time and recounts the recurring debates over finances, treatment of contentious words, public vs. scholarly expectations, proper sources of quotations, and changing editorial practices. With humor and empathy, she portrays the predilections and personalities of the editors, publishers, and assistants who undertook the Sisyphean task of keeping apace with the modern explosion of vocabulary. Utilizing rich archives in Oxford as well as new electronic resources, the author uncovers a history no less complex and fascinating than the Oxford English Dictionary itself.

Lexicography and the OED: Pioneers in the Untrodden Forest sets out to explore the pioneering endeavours in both lexicography and lexicology which led to the making of the first English dictionary published by Oxford. Deliberately conceived as a new departure in English lexicography, the first OED, as James Murray stressed, was to be founded on an unequivocal return to first principles, both in the nature of its construction and in the evidence amassed for its compilation. It also produced, as this book shows, a host of problems: on the nature of Englishness, correctness, and general standards of language use, as well as in aspects of pronunciation, semantics, and syntax. Often making use of previously unpublished archive material, this collection of twelve essays provides both a range of perspectives from which the dictionary can be approached, and also explores the particular problems posed by the attempt to realize the pioneering acts of lexicography integral to the making of the dictionary.

Robert Bridges, poet laureate of England from 1913 to 1930, is an important cultural link between the Victorian Age and the modern period. This bibliography updates and expands George McKay's A Bibliography of Robert Bridges (1933) and is the first gathering of reviews, articles, essays, books, and other scholarly notes about Bridges.