James Genius is a traveler hiding a secret. While trying to fit into a community that thrives off death, James begins building a new life that quickly turns into a personal hell in futuristic America. A new Civil War brews in America while James simultaneously fights his own internal demons and hallucinations as he attempts to locate the survivors of his hidden family. While the government promises to protect and separate citizens from one another, obsessive political control and suspicious behavior begins to confuse and upset the public. As a result, survival groups start preparing for the collapse of the government while a news organization, The Zoo Trials, tries to explain and solve the country's seemingly inevitable demise. James holds the key to a major change, but in a futile attempt to protect himself, he pretends he doesn't recall his past. Meanwhile, others encourage James to reveal his true self, but he waits for the right moment to fuel his transformation. Only time will tell if James finds the real life he's been desperately seeking and if the citizens of this revolutionary community will pull together and plant the seeds of positive change.

The King James Bible was the result of an extraordinary effort over nearly a century to make many good English translations and turn them into what the translators called 'one principal good one, not justly to be excepted against'. David Norton traces the work of Tyndale and his successors, analysing the translation and revisions of two representative passages. His fascinating new account follows in detail the creation of the KJB, including attention to the translators' manuscript work. He also examines previously unknown evidence such as the diary of John Bois, the only man who made notes on the translation. At the centre of the book is a thorough discussion of the first edition. The latter part of the book traces the printing and textual history of the KJB and provides a concise account of its changing scholarly and literary reputations.

Ezra Pound referred to 1922 as Year One of a new era. It was the year that began with the publication of James Joyce's Ulysses and ended with the publication of T. S. Eliot's The Waste Land, two works that were arguably "the sun and moon" of modernist literature, some would say of modernity itself. In Constellation of Genius, Kevin Jackson puts the titanic achievements of Joyce and Eliot in the context of the world in which their works first appeared. As Jackson writes in his introduction, "On all sides, and in every field, there was a frenzy of innovation." It is in 1922 that Hitchcock directs his first feature; Kandinsky and Klee join the Bauhaus; the first AM radio station is launched; Walt Disney releases his first animated shorts; and Louis Armstrong takes a train from New Orleans to Chicago, heralding the age of modern jazz. On other fronts, Einstein wins the Nobel Prize in Physics, insulin is introduced to treat diabetes, and the tomb of Tutankhamun is discovered. As Jackson writes, the sky was "blazing with a ‘constellation of genius' of a kind that had never been known before, and has never since been rivaled." Constellation of Genius traces an unforgettable journey through the diaries of the actors, anthropologists, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works—over the course of twelve months—brought a seismic shift in the way we think, splitting the cultural world in two. Was this a matter of inevitability or of coincidence? That is for the reader of this romp, this hugely entertaining chronicle, to decide.