The King James Version has shaped the church, our worship, and our mother tongue for over 400 years. But what should we do with it today? The KJV beautifully rendered the Scriptures into the language of turn-of-the-seventeenth-century England. Even today the King James is the most widely read Bible in the United States. The rich cadence of its Elizabethan English is recognized even by non-Christians. But English has changed a great deal over the last 400 years—and in subtle ways that very few modern readers will recognize. In Authorized Mark L. Ward, Jr. shows what exclusive readers of the KJV are missing as they read God's word.#In their introduction to the King James Bible, the translators tell us that Christians must "heare CHRIST speaking unto them in their mother tongue." In Authorized Mark Ward builds a case for the KJV translators' view that English Bible translations should be readable by what they called "the very vulgar"—and what we would call "the man on the street."

The King James Version (KJV) has been a gift of God to the Body of Christ. It has been the standard of truth and inspiration which has stabilized the Protestant Church and blessed millions of people. Still, someone needs to say it: the KJV is an inferior translation. In these pages, Dr. Harold R. Eberle clearly shows the errors and biases of the KJV, hoping that you will consider the advantages of more modern translations.

For 400 years the King James Version of the Holy Bible has been the most influential book to be published in the English language. Now Bible collector and expert Donald L. Brake brings to life the fascinating story of its creation and proliferation throughout the English-speaking world. With beautiful and informative photos, illustrations, charts, and sidebars, Brake invites readers to explore the KJV's mysterious beginnings, the men who translated it, the manuscripts upon which that translation was based, the important people and places that influenced its production, and even Shakespeare's involvement in it. In an age where a new translation of the Bible seems to come about every few years, discover what has made the King James Version endure for four centuries.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

David Norton re-edited the King James Bible for Cambridge, and this 2005 book arose from his intensive work on that project. Here he shows how the text of the most important Bible in the English language was made, and how, for better and for worse, it changed in the hands of printers and editors until, in 1769, it became the text we know today. Using evidence as diverse as the manuscript work of the original translators, and the results of extensive computer collation of electronically held texts, Norton has produced a scholarly edition of the King James Bible for the new century that will restore the authority of the 1611 translation. This book describes this fascinating background, explains Norton's editorial principles and provides substantial lists and tables of variant readings. It will be indispensable to scholars of the English Bible, literature, and publishing history.

In this collection of essays, thirty scholars from diverse disciplines offer their unique perspectives on the genius of the King James Version, a translation whose 400th anniversary was recently celebrated throughout the English-speaking world. While avoiding nostalgia and hagiography, each author clearly appreciates the monumental, formative role the KJV has had on religious and civil life on both sides of the Atlantic (and beyond) as well as on the English language itself. In part 1 the essayists look at the KJV in its historical contexts—the politics and rapid language growth of the era, the emerging printing and travel industries, and the way women are depicted in the text (and later feminist responses to such depictions). Part 2 takes a closer look at the KJV as a translation and the powerful precedents it set for all translations to follow, with the essayists exploring the translators’ principles and processes (with close examinations of “Bancroft’s Rules” and the Prefaces), assessing later revisions of the text, and reviewing the translation’s influence on the English language, textual criticism, and the practice of translation in Jewish and Chinese contexts. Part 3 looks at the various ways the KJV has impacted the English language and literature, the practice of religion (including within the African American and Eastern Orthodox churches), and the broader culture. The contributors are Robert Alter, C. Clifton Black, David G. Burke, Richard A. Burridge, David J. A. Clines, Simon Crisp, David J. Davis, James D. G. Dunn, Lori Anne Ferrell, Leonard J. Greenspoon, Robin Griffith-Jones, Malcolm Guite, Andrew E. Hill, John F. Kutsko, Seth Lerer, Barbara K. Lewalski, Jacobus A. Naudé, David Norton, Jon Pahl, Kuo-Wei Peng, Deborah W. Rooke, Rodney Sadler Jr., Katharine Doob Sakenfeld, Harold Scanlin, Naomi Seidman, Christopher Southgate, R. S. Sugirtharajah, Joan Taylor, Graham Tomlin, Philip H. Towner, David Trobisch, and N. T. Wright.

Published on the occasion of two exhibitions, held in 2011 at the Bodleian Library and the Folger Shakespeare Library respectively, celebrating the 400th centenary of the publication of the King James Bible.