Canadian Performance Documents and Debates provides insight into theatrical activities from the seventeenth century to the early 1970s, and probes important yet vexing questions about Canada as a country and a concept. The volume collects playscripts and archival material such as photographs, petitions, performance programs, and musical scores to explore what these documents tell us about the values, debates, and priorities of artists and their audiences from the past 400 years. For each of the 31 chapters, leading and emerging scholars offer introductions that rethink the artistic, economic, and socio-political significance of plays, dance, opera, circuses, and other performance genres and events. This collection challenges readers to rethink Canadian theatre and performance history, and will be of interest to students and scholars of theatre, dance, music, and Performance Studies. Contributors: Clarence S. Bayne, Kym Bird, Justin A. Blum, Amy Bowring, Jill Carter, Jenn Cole, Cynthia Cooper, Heather Davis-Fisch, Moira J. Day, Ray Ellenwood, Alan Filewod, Howard Fink, Liza Giffen, J. Paul Halferty, James Hoffman, Erin Hurley, John D. Jackson, Stephen Johnson, Sasha Kovacs, Sylvain Lavoie, Louis Patrick Leroux, Allana C. Lindgren, Denyse Lynde, Erin Joelle McCurdy, Wing Chung Ng, Glen F. Nichols, M. Cody Poulton, VK Preston, Daniel J. Ruppel, Jordan Stanger-Ross, Paul J. Stoesser, Christl Verduyn, Anthony J. Vickery, Anton Wagner

The essays in Writing between the Lines explore the lives of twelve of Canada's most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada. Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process and the diverse roles of the translator as social agent. The first text on Canadian anglophone translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.

What is center and periphery? How can centers and peripheries be recognized by their ontological and axiological features? How does the axiological saturation of a literary field condition aesthetics? How did these factors transform center-periphery relationships to the former metropolises of Romance literatures of the Americas and Africa? What are the consequences of various deperipheralization contexts and processes for poetics? Using theoretical sections and case studies, this book surveys and investigates the limits of globalization. Through explorations of the intercultural dynamics, the aesthetic contributions of former peripheries are examined in terms of the transformative nature of peripheries on centralities.

The concise version of the critically acclaimed second edition of The Oxford Companion to Canadian Literature offers all the authority of the original in a smaller more affordable format. Entries have been updated and over sixty new entries have been added, making it an indispensable resource.

A great storyteller, Barry Callaghan is one of the most distinctive man of letters Canada has ever produced. He is fascinated by the no-man's land that stands between fiction and journalism. Politically and culturally engaged, he is a public scholar and acute critic in the tradition of Edmund Wilson. Barry Callaghan's fiction and poetry have been translated into seven languages. Among the contributorsare Margaret Atwood, Timothy Findley, Marie-Claire Blais, William Kennedy, Janice Kulyk Keefer, Dennis Lee, Hayden Carruth, Patrick Lane, Seán Virgo, Robert Marteau, James Hart, David Lampe, Joe Rosenblatt, Leon Rooke, Brunella Antomarini, John Montague, Ray Robertson, Ray Ellenwood, Kathleen McCracken, Michel Deguy, Branko Gorjup, Michael Keefer, Rosemary Sullivan, David Sobelman and Gale Zoë Garnett. Priscila Uppal, Ph.D. English Literature, is a poet and a novelist. She is also a professor of Humanities and English at York University.

A groundbreaking multilingual collection promoting a global poetic consciousness, this volume presents the works of 20 international poets, all in their original languages, alongside English translations by some of Canada's most esteemed poets. Providing an introductory statement about the translation process of each poem, translating poets include Canadians Ken Babstock, Dionne Brand, Nicole Brossard, Barry Callaghan, A. F. Moritz, and Paul Vermeersch, among others; while subjects include poems by Pablo Neruda, Horace, Ezra Pound, Arthur Rimbaud, Alexander Pushkin, and Rainer Maria Rilke. Spanning several time periods and more than a dozen nations, this compendium paints a truly unique portrait of cultures, nationalities, and eras.