The Caruso of Colleen Bawn and Other Short Writings is a collection of short stories and poems from the Zimbabwean author John Eppel. The pieces range from poetry evocative of the sights, sounds and smells of the Zimbabwean bush and suburbia to bitingly satirical prose about present day Zimbabwe. Eppel has proved himself in both fields of writing, being awarded the M-Net Prize for fiction and the Ingrid Jonker Prize for poetry.

The third in the prize winning Short Writings from Bulawayo series - a collection of 25 short stories and 7 poems about life in Zimbabwe. In the collections are writers who have stayed in Zimbabwe, who have passed through, or who live in the diaspora. "Here, the realities of society are captured in motion, as they happen, with the socio-economic hardships in Zimbabwe today continuing to offer a fertile template for literary works. The short stories and poetry collected here are a reflection of the diversity of cultures, races and generations from which Zimbabwean writers come." - Phillip Chidavaenzi, Sunday Mirror

Long Time Coming brings together short stories and poems from thirty-three writers that provide snapshots of this turbulent period in Zimbabwe's history. Snapshots of living in a country where basic services have crumbled: where shops have no food, taps no water, banks no money, hospitals no drugs, bars no beer. Snapshots of characters surviving against seemingly insurmountable odds. Horrific snapshots of the abuse of power, of violence and oppression, of the destruction of dreams. But this is Zimbabwe and there are lighter moments and moments of hope: in some of life's simple pleasures, in the coming of the rains, in the wink and the smile of a stranger, in a challenge to patriarchy, in the inner strength of the people, in fighting back. The writers are Raisedon Baya, Wim Boswinkel, Diana Charsley, Brian Chikwava, Julius Chingono, Mathew Chokuwenga, Bhekilizwe Dube, John Eppel, Peter Finch, Petina Gappah, David Goodwin, Anne Simone Hutton, Monireh Jassat, Ignatius Mabasa, Fungai Rufaro Machirori, Judy Maposa, Deon Marcus, Christopher Mlalazi, Gothataone Moeng, Wame Molefhe, Linda Msebele, Mzana Mthimkhulu, Peter Ncube, Thabisani Ndlovu, Pathisa Nyathi, Andrew Pocock, John S. Read, Bryony Rheam, Lloyd Robson, Ian Rowlands, Owen Sheers, Chaltone Tshabangu and Sandisile Tshuma.

Short Writings from Bulawayo won the Literature in English category at the 2005 Zimbabwe Book Publishers Association awards. It is a book of stories, poems and non-fiction pieces that are evocative of Zimbabwe's second city and its rural surroundings. The collection from 23 contributors tells of many things: of family and friendship, or fear and death, or witches and spirits, of hunger and drought, of dreams and aspirations, of leaving home and leaving Zimbabwe, of queues and loneliness, of football and bicycles and of growing old and of love. A unifying theme of many of the stories and poems is loss - of innocence, of purpose, of love, of culture, of belonging, and of life.

White Man Crawling is a collection of short stories and poems by the award winning Bulawayo writer John Eppel. His stories are uncomfortably funny; his poems uncomfortably sad. His stories speak first to all of us, then to his own quirky nature; his poems speak first to himself and to those few who know him nearly, and then to all of us. For more than forty years John Eppel has been a unique double-voice in the annals of Zimbabwean literature: the satirist and the lyricist.

Intwasa Poetry is a book of memorable poems from inside and outside Zimbabwe. The fifteen poets who are brought together in this collection have all read from their work at the Intwasa Arts Festival koBulawayo. There is a diversity in their work. The poems of love, of sensuality, of humour, of compassion, of yearning, of sadness, of loss and of outrage. They range from the intensely personal to reflections of life at this pivotal time in Zimbabwe's history.

" It is New Year in Bulawayo, and anybody who is anybody is out celebrating. Hatchings, with an introduction by Khombe Mangwanda, was chosen by Professor Anthony Chennells in the Times Literary Supplement as his choice for the most significant book to have come out of Africa. ""The story is simple. In a sentence it can be described as a love story centered on a young couple who discover the true power of love amid the social, economic and moral decay that threatens to swallow their love and everything else. But to say Hatchings is merely a love story would be criminal. It is more than that. Hatchings is a story about Bulawayo, about Zimbabwe, about corruption and cultural decay. In Hatchings John Eppel spares no one. With his sharp and yet witty pen he exposes corruption and pokes fun at those that are abusing power and this means literally everyone. Rich, poor, white, black , Indian, foreigner or local."" - Raisedon Baya, Sunday News, Zimbabwe"

Moving On bristles with the talent of writers from Zimbabwe. This collection brings together twenty of Zimbabwe’s finest storytellers, from within the country and without. Many of the characters in this anthology are themselves moving on: from the chains of the past, from the loss of loved ones, from long-held beliefs. Some from life itself and others to a brighter future. Between the covers the reader will encounter the father who uses his take on democracy to name the family dog, the villager who desperately waits for shoes and salt to ward off witchcraft, the young man who flees with the book, the boys who hide from the big noise, and a host of other characters. The featured writers are: Togara Muzanenhamo; Mzana Mthimkhulu; Bryony Rheam; Thabisani Ndlovu; John Eppel; Melissa Tandiwe Myambo; Raisedon Baya; Donna Kirstein; Christopher Mlalazi; T.L. Huchu; Patricia Brickhill; Tariro Ndoro; Christopher Kudyahakudadirwe; Ignatius Mabasa; Barbara Mhangami-Ruwende; Bongani Kona; Adrian Fairbairn; Murenga Joseph Chikowero; Gamu Chamisa; and Blessing Musariri

From the outset, South Africa's history has been marked by division and conflict along racial and ethnic lines. From 1948 until 1994, this division was formalized in the National Party's policy of apartheid. Because apartheid intruded on every aspect of private and public life, South African literature was preoccupied with the politics of race and social engineering. Since the release from prison of Nelson Mandela in 1990, South Africa has been a new nation-in-the-making, inspired by a nonracial idealism yet beset by poverty and violence. South African writers have responded in various ways to Njabulo Ndebele's call to "rediscover the ordinary." The result has been a kaleidoscope of texts in which evolving cultural forms and modes of identity are rearticulated and explored. An invaluable guide for general readers as well as scholars of African literary history, this comprehensive text celebrates the multiple traditions and exciting future of the South African voice. Although the South African Constitution of 1994 recognizes no fewer than eleven official languages, English has remained the country's literary lingua franca. This book offers a narrative overview of South African literary production in English from 1945 to the postapartheid present. An introduction identifies the most interesting and noteworthy writing from the period. Alphabetical entries provide accurate and objective information on genres and writers. An appendix lists essential authors published before 1945.

Africa, UK, and Ireland: Writing Politics and Knowledge Production comprises 6 scholarly/nonfiction essays, 7 short stories, 67 poems, and 2 plays from writers and poets based in the UK, Africa and Ireland the diasporas. It focuses on politics and knowledge production acting as a vehicle in which the production of new knowledge between these three regions/countries intersects in the literary sphere. It dissects the scientific methods of producing knowledge through the act of producing new knowledge, it looks at the management of knowledge, the processing and sharing of knowledge, and dissects, artistically and critically. It further stresses the importance of the ownership of knowledge and how this knowledge shapes politics. The collection contains work from up-and-coming poets and writers, alongside established ones, also included are pieces from academic scholars, essayists, poets, writers of fiction, playwrights. Africa, UK, and Ireland: Writing Politics and Knowledge Production will prove useful to literary and language theorists, poetry collections, political sciences, social sciences and human sciences, general academia and readers, education departments and students.