Afghanistan, 1977. Kanishka Nurzada, the son of a leading carpet seller, falls in love with his friend Maihan, with whom he shares his first kiss at the age of sixteen. Their romance must be kept secret in a nation where the death penalty is meted out to those deemed to be kuni, a derogatory term for gay men. And when war comes to Afghanistan, it brings even greater challenges-and danger-for the two lovers. From the cultural melting pot of Kabul to the horrors of an internment camp in Pakistan, Kanishka's arduous journey finally takes him to the USA in the desperate search for a place to call home-and the fervent hope of reuniting with his beloved Maihan. But destiny seems to have different plans in store for him. Intimate and powerful, The Carpet Weaver is a sweeping tale of a young gay man's struggle to come of age and find love in the face of brutal persecution.

Set amidst the timeless landscape and remote villages of Anatolia, The Carpet Weaver of Uşak is the haunting and unforgettable story of a deep friendship between two women, one Greek Orthodox, the other a Muslim Turk: a friendship that transcends an atmosphere of mistrust, fear and ultimate collapse, long after the wars have ended.

Since the time of pre-history, carpetmakers tie intricate knots to form carpets for the court of the Emperor. These carpets are made from the hairs of wives and daughters; they are so detailed and fragile that each carpetmaker finishes only one single carpet in his entire lifetime. This art descends from father to son, since the beginning of time itself. But one day the empire of the God Emperor vanishes, and strangers begin to arrive from the stars to follow the trace of the hair carpets. What these strangers discover is beyond all belief, more than anything they could have ever imagined... Brought to the attention of Tor Books by Orson Scott Card, this edition of The Carpet Makers contains a special introduction by Orson Scott Card. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Learn weaving basics or hone your skills with this invaluable guidebook Originally published in 1984 (under the name Learning to Weave with Debbie Redding), Learning to Weave is now on the verge of its 40th Anniversary in print. This unparalleled study guide teaches readers to weave on four shaft looms, whether they are learning from scratch or honing their skills. Written with a mentoring voice, each lesson includes friendly, straightforward advice and is accompanied by illustrations and photographs. Budding floor and table loom weavers need only to approach this subject with a sense of adventure and willingness to learn such basics as step-by-step warping, basic weaving techniques, project planning, reading and designing drafts, the basics of all the most common weave structures, and many more handy hints. Beginners will find this guidebook an invaluable teacher, while more seasoned weavers will find food for thought in the chapters on weave structures and drafting.

An unforgettable portrait of a place and a people shaped by centuries of art, trade, and war. In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban. As Badkhen follows the carpet out into the world beyond, she leaves the reader with an indelible portrait of fates woven by centuries of art, war, and an ancient trade that ultimately binds the invaded to the invader.

An L.A. Times Book Prize Finalist | An O Magazine Best Book of the Year “Stylish… a compelling take on the eternal question of how good people morph into criminals. Terrific.”—People, Book of the Week From the author of The Destroyers comes an "intricately plotted and elegantly structured" (Newsday) story of intrigue and deception, set in contemporary Venice and featuring a young American couple who have set their sights on a risky con. When Nick Brink and his boyfriend Clay Guillory meet up on the Grand Canal in Venice, they have a plan in mind—and it doesn’t involve a vacation. Nick and Clay are running away from their turbulent lives in New York City, each desperate for a happier, freer future someplace else. Their method of escape? Selling a collection of counterfeit antiques to a brash, unsuspecting American living out his retirement years in a grand palazzo. With Clay’s smarts and Nick’s charm, their scheme is sure to succeed. As it turns out, tricking a millionaire out of money isn’t as easy as it seems, especially when Clay and Nick let greed get the best of them. As Nick falls under the spell of the city’s decrepit magic, Clay comes to terms with personal loss and the price of letting go of the past. Their future awaits, but it is built on disastrous deceits, and more than one life stands in the way of their dreams. A Beautiful Crime is a twisty grifter novel with a thriller running through its veins. But it is also a meditation on love, class, race, sexuality, and the legacy of bohemian culture. Tacking between Venice’s soaring aesthetic beauty and its imminent tourist-riddled collapse, Bollen delivers a "brilliantly conceived international crime story" (Good Morning America).

The Seerkind, a people who possess the power to make magic, have weaved themselves into a rug for safekeeping. Now, with the last human caretaker dead, a variety of humans vie for ownership of the rug.

Tomie dePaola matches his storytelling talent with the richly patterned artwork of Claire Ewart to provide a tale that brings magnificent detail and feeling to this Middle Eastern fable of loss overcome by art. Full color.

Geraldine, a goat, describes each step as she and her Navajo friend make a rug, from the hair clipping and carding to the dyeing and actual weaving.