Since the time of pre-history, carpetmakers tie intricate knots to form carpets for the court of the Emperor. These carpets are made from the hairs of wives and daughters; they are so detailed and fragile that each carpetmaker finishes only one single carpet in his entire lifetime. This art descends from father to son, since the beginning of time itself. But one day the empire of the God Emperor vanishes, and strangers begin to arrive from the stars to follow the trace of the hair carpets. What these strangers discover is beyond all belief, more than anything they could have ever imagined... Brought to the attention of Tor Books by Orson Scott Card, this edition of The Carpet Makers contains a special introduction by Orson Scott Card. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Silk Road conjures images of the exotic and the unknown. Most travellers simply pass along it. Brit Chris Alexander chose to live there. Ostensibly writing a guidebook, Alexander found life at the heart of the glittering madrassahs, mosques and minarets of the walled city of Khiva - a remote desert oasis in Uzbekistan - immensely alluring, and stayed. Immersing himself in the language and rich cultural traditions Alexander discovers a world torn between Marx and Mohammed - a place where veils and vodka, pork and polygamy freely mingle - against a backdrop of forgotten carpet designs, crumbling but magnificent Islamic architecture and scenes drawn straight from "The Arabian Nights". Accompanied by a large green parrot, a ginger cat and his adoptive Uzbek family, Alexander recounts his efforts to rediscover the lost art of traditional weaving and dyeing, and the process establishing a self-sufficient carpet workshop, employing local women and disabled people to train as apprentices. A Carpet Ride to Khiva sees Alexander being stripped naked at a former Soviet youth camp, crawling through silkworm droppings in an attempt to record their life-cycle, holed up in the British Museum discovering carpet designs dormant for half a millennia, tackling a carpet-thieving mayor, distinguishing natural dyes from sacks of opium in Northern Afghanistan, bluffing his way through an impromptu version of "My Heart Will Go On" for national Uzbek TV and seeking sanctuary as an anti-Western riot consumed the Kabul carpet bazaar. It is an unforgettable true travel story of a journey to the heart of the unknown and the unexpected friendship one man found there.

A Chinese girl learns about Holy Week customs in Guatemala. She and some other children make a sawdust carpet in the path of the religious procession.

This moving and poignant work gives the reader a rare insight into the contented ‘milk and honey’ life of a simple Afghan family before the civil war ripped their country apart. The lives and centuries-old livelihood of farmers, craftsmen and small business owners were destroyed in just weeks and months. As a member of the Hazara tribe, hated and targeted by the Taliban, Najaf was forced to flee the brutal attacks on his people when the Northern Alliance fell to the advancing Taliban insurgents. His flight to Pakistan, from there to Indonesia, then by boat to Australia, ends with incarceration in Woomera, where the story begins. From the compelling opening sentence to the beautiful final chapter, Najaf’s integrity, his extraordinary optimism and his generosity of spirit will win the hearts and minds of all readers.

THE CARPET WARS is foreign correspondent Christopher Kremmer's riveting and timely account of a decade spent living, travelling and reporting from Asia and the Middle East. During his time reporting from Asia and the Middle East he formed an obsession with carpets and the 'perfect rug' - an obsession that saw him trace the threads of the carpet-making trade through the Islamic nations of Pakistan, Afghanistan, Iran, Iraq and the former Soviet republics of Central Asia. Along the way he made lifelong friendships, but he also discovered societies ripped apart by war, religion and fratricide, and ruled over by warlords like 'the Lion of Panjsher' Ahmed Shah Massoud - and terrorist mastermind Osama bin Laden. tHE CARPEt WARS tells the story of Kremmer's amazing journey and his fascinating but fraught experiences in one the most ancient, misunderstood and least-touristed parts of the world.

Winner of the 2012 Kurd-Laßwitz-Preis They are just children when they first meet: Charlotte, daughter of the French ambassador, and Hiroshi, a laundress's son. One day on the playground, Hiroshi declares that he has an idea that will change the world. An idea that will sweep away all differences between rich and poor. When Hiroshi runs into Charlotte several years later, he is trying to build a brighter future through robotics. Determined to win Charlotte's love, he resurrects his childhood dream, convinced that he can eradicate world poverty by pushing the limits of technology beyond imagination. But as Hiroshi circles ever closer to realizing his vision, he discovers that his utopian dream may contain the seeds of a nightmare--one that could obliterate life as we know it. Crisscrossing the globe, from Tokyo to the hallowed halls of MIT to desolate Arctic islands and Buenos Aires and beyond--far beyond--Lord of All Things explores not only technology's dizzying potential, but also its formidable dangers.

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

Part memoir, part detective story, part untold history of museums - The Museum Makers is a fascinating and moving family story. 'Rachel Morris is one of the smartest storytellers I have ever met ... a wonderful and beguiling book' James Rebanks, author of The Shepherd's Life Without even thinking I began to slide all these things from the dusty boxes under my bed into groups on the carpet, to take a guess at what belonged to whom, to match up photographs and handwriting to memories and names - in other words, to sort and classify. As I did so I had the revelation that in what we do with our memories and the stuff that our parents leave behind, we are all museum makers, seeking to makes sense of the past.; Museum expert Rachel Morris had been ignoring the boxes under her bed for decades. When she finally opened them, an entire bohemian family history was laid bare. The experience was revelatory - searching for her absent father in the archives of the Tate; understanding the loss and longings of the grandmother who raised her - and transported her back to the museums that had enriched her lonely childhood. By teasing out the stories of those early museum makers, and the unsung daughters and wives behind them, and seeing the same passions and mistakes reflected in her own family, Morris digs deep into the human instinct for collection and curation.

Afghanistan, 1977. Kanishka Nurzada, the son of a leading carpet seller, falls in love with his friend Maihan, with whom he shares his first kiss at the age of sixteen. Their romance must be kept secret in a nation where the death penalty is meted out to those deemed to be kuni, a derogatory term for gay men. And when war comes to Afghanistan, it brings even greater challenges-and danger-for the two lovers. From the cultural melting pot of Kabul to the horrors of an internment camp in Pakistan, Kanishka's arduous journey finally takes him to the USA in the desperate search for a place to call home-and the fervent hope of reuniting with his beloved Maihan. But destiny seems to have different plans in store for him. Intimate and powerful, The Carpet Weaver is a sweeping tale of a young gay man's struggle to come of age and find love in the face of brutal persecution.

Yearning for freedom and schooling for himself and the other children who toil in a carpet factory in Pakistan to repay loans from the factory owner to their parents, Nadeem is inspired by a former carpet boy named Iqbal to lead the way.