Investigating how intimacy is constructed across the restless world of empire

The first major biography of eighteenth-century writer and socialite Lady Anne Barnard. Born in Scotland in 1750, Lady Anne Barnard lived at the heart of Georgian society. She wrote one of the most popular ballads of her day, captivated Sir Walter Scott with her poetry, rubbed shoulders with the Prince of Wales, and dazzled Samuel Johnson with her repartee. Lady Anne’s charisma and talent were undeniable; she was well known as both a beauty and a wit. However, she was also seen as an eccentric—an artist defined by her defiance of convention. Lady Anne had romantic affairs with several prominent men, but she married none of them. She preferred to live independently—even traveling alone to Paris during the upheaval of the French Revolution. When she did marry, it was to an impoverished army officer many years her junior. The pairing scandalized polite society. Hounded by gossip, the couple escaped to the Cape Colony—England’s first African possession—where Lady Anne painted the vibrant landscapes and penned her memoirs. An indefatigable diarist, she proved herself one of the extraordinary chroniclers of the era. Stephen Taylor draws on Lady Anne’s private papers, including six volumes of her never-before-published memoirs, to construct a vivid biography of her remarkable life. Illustrated with Lady Anne’s own drawings as well as portraits by her contemporaries, Defiance offers a lively and wholly absorbing portrayal of a woman far ahead of her time.

The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.

While setting up a refreshment station in the Cape of Good Hope, Jan van Riebeeck tried his hand at making wine and brewing beer. This introduction, partnered with its trusty bedfellow, sex, set the tone for what would become a hedonistic metropolis. Wine, Women and Good Hope is a romp through this more salacious history of the Cape, looking at the antics of certain missionaries from the London Missionary Society, whose wandering eyes and love of the flesh took precedence over their moral duty to the church, and Cecil John Rhodes, whose excessive indulgence in alcohol contributed to his own demise and no doubt influenced the disgraceful behaviour of some of his contemporaries. Using her knowledge as a genealogist, June McKinnon traces the lineages of many well-known family trees to overturn the notion that those who lived in the past were nobler or had more sense than their modern descendants. Encompassing tales that are both humorous and tragic in their revelations of past misdeeds, this book will give you access to the little-known history of the Cape of Good Hope, and leave you asking the question, ‘What were my ancestors really up to?’