Investigating how intimacy is constructed across the restless world of empire

The Russian view of the Cape as represented in this volume may be unique. During the period in question, Russia had no cultural, political or economic ties with South Africa. Russians saw the Cape only as a convenient stopover en route to the Far East, to their country’s distant domains that could not be reached by sea otherwise. The Cape was one of the ‘exotic’ lands they would visit on such journeys, their first and only introduction to the African continent. Although amazed and perplexed by the ‘entirely different world’ they found here, Russian travellers would often draw unexpected parallels between life in their motherland and the realities of the Cape Colony. The selections include memoirs of such important Russian personalities as Yuri Lisyansky, Vasily Golovnin, Ivan Goncharov and Konstantin Posyet. Most of the texts appear in English for the first time.

The first major biography of eighteenth-century writer and socialite Lady Anne Barnard. Born in Scotland in 1750, Lady Anne Barnard lived at the heart of Georgian society. She wrote one of the most popular ballads of her day, captivated Sir Walter Scott with her poetry, rubbed shoulders with the Prince of Wales, and dazzled Samuel Johnson with her repartee. Lady Anne’s charisma and talent were undeniable; she was well known as both a beauty and a wit. However, she was also seen as an eccentric—an artist defined by her defiance of convention. Lady Anne had romantic affairs with several prominent men, but she married none of them. She preferred to live independently—even traveling alone to Paris during the upheaval of the French Revolution. When she did marry, it was to an impoverished army officer many years her junior. The pairing scandalized polite society. Hounded by gossip, the couple escaped to the Cape Colony—England’s first African possession—where Lady Anne painted the vibrant landscapes and penned her memoirs. An indefatigable diarist, she proved herself one of the extraordinary chroniclers of the era. Stephen Taylor draws on Lady Anne’s private papers, including six volumes of her never-before-published memoirs, to construct a vivid biography of her remarkable life. Illustrated with Lady Anne’s own drawings as well as portraits by her contemporaries, Defiance offers a lively and wholly absorbing portrayal of a woman far ahead of her time.

The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.