Excerpt from The Campaign of Trafalgar, Vol. 1 of 2: With Crafts and Diagrams Of these charts, which have now been constructed for the first time, and which are the necessary basis of all strategical criticism, it must be explained that they should not be taken as absolutely correct. Except where otherwise indicated the tracks are simply plotted between noon positions, and owing to the uncertainty of longitude observations, even these posi tions are sometimes only approximate. This is especially the case with the smaller cruisers, whose neglected movements are not infrequently vital to a correct view of fleet operations, such as Orde's retreat from Cadiz and Nelson's final decision to chase to the West Indies. In the important case, for instance, of the Iris, which observed Villeneuve's final movement from Ferrol, no one on board seems to have been able to work out a longitude at all. At least none are entered in her master's log, and m running down from Ushant she made Cape Pefias instead of Ortegal, nearly a hundred miles to the westward. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Presents the battle of Trafalgar in it's historical scope and context. Quotes extensively from journals and sources and brings to life the whole story of the British-French conflict, at sea and on land, at the dawn of the nineteenth century.

The extraordinary story of the mighty Temeraire, the ship behind J. M. W. Turner's iconic painting. The H.M.S. Temeraire, one of Britain’s most illustrious fighting ships, is known to millions through J. M. W. Turner’s masterpiece, The Fighting Temeraire (1839), which portrays the battle-scarred veteran of Britain’s wars with Napoleonic France. In this evocative new volume, Sam Willis tells the extraordinary story of the vessel behind the painting. This tale of two ships spans the heyday of the age of sail: the climaxes of both the Seven Years’ War (1756–63) and the Napoleonic Wars (1798–1815). Filled with richly evocative detail, and narrated with the pace and gusto of a master storyteller, The Fighting Temeraire is an enthralling and deeply satisfying work of narrative history.