Named a Best Book of the Year by NPR and The New Yorker The Boy from Kyiv is the life story of Alexei Ratmansky, the most celebrated ballet choreographer of our time. “A revelatory book about how [Ratmansky] evolved into the internationally sought-after choreographer of the moment . . . A must-read.” — Martha Anne Toll, NPR Alexei Ratmansky is transforming ballet for the twenty-first century. An artist of daring imagination, the choreographer has created breathtakingly original works for the world’s most revered companies. He has fashioned a singular approach to balletic storytelling that bridges the space between narrative and abstraction and heightens ambiguity and surprise on the stage. He has boldly restored great centuries-old ballets to their former glory, combining archival research with his own choreographic genius to retrieve detail and color once lost to the ages. And above all, he is renowned for fusing the Western and Eastern ballet traditions, and for drawing on the visual arts, literature, music, film, and beyond with inspired vim, to forge a style that is vibrant, eclectic, and utterly new: one that promises to leave an indelible mark on this venerable art form. But before Ratmansky was the artistic director of the Bolshoi Ballet, the resident choreographer at American Ballet Theatre, the artist in residence at New York City Ballet, and generally, as The New Yorker has it, “the most sought-after man in ballet,” he was just a boy from Kyiv, sneaking into the ballet at night, concocting his own juvenile adaptations of novels and stories, and dreaming up new possibilities for bodies in motion. In The Boy from Kyiv, the first biography of this groundbreaking artist, the celebrated dance writer Marina Harss takes us behind the curtain to reveal Ratmansky’s fascinating life, from his Soviet boyhood through his globe-spanning career. Over a decade in the making, this biography arrives at a pivotal moment in Ratmansky’s journey, one that has seen him painfully and publicly break ties with Russia, the country in which he made his name, in solidarity with his native Ukraine, and take on a new challenge at the storied New York City Ballet. Told with the lyricism, drama, and verve that befit its subject, The Boy from Kyiv is a riveting account of this major artist’s ascent to the peaks of his field, a mesmerizing study of creativity in action, and a triumphant testament to ballet’s enduring vitality.

Maya Plisetskaya rose to become a prima ballerina of Moscow's Bolshoi Ballet after an early life filled with tragedy. Here Plisetskaya reflects on her personal and professional odyssey presenting the life of a Soviet artist from the 1930s to 1990s.

Nadia's memories of her father are not happy ones. An angry, secretive man, he died when she was thirteen, leaving his past shrouded in mystery. When a stranger claims to have known her father during his early years in Eastern Europe, she agrees to meet--only to watch the man shot dead on a city sidewalk. With his last breath, he whispers a cryptic clue, one that will propel Nadia on a high-stakes treasure hunt from New York to her ancestral homeland of Ukraine. There she meets an unlikely ally: Adam, a teenage hockey prodigy who honed his skills on the abandoned cooling ponds of Chernobyl. Physically and emotionally scarred by radiation syndrome, Adam possesses a secret that could change the world--if she can keep him alive long enough to do it. A twisting tale of greed, secrets, and lies, The Boy from Reactor 4 will keep listeners guessing until the very end.

Everyone has heard of George Balanchine. Few outside Russia know of Leonid Yakobson, Balanchine's contemporary, who remained in Lenin's Russia and survived censorship during the darkest days of Stalin. Like Shostakovich, Yakobson suffered for his art and yet managed to create a singular body of revolutionary dances that spoke to the Soviet condition. His work was often considered so culturally explosive that it was described as like a bomb going off.” Based on untapped archival collections of photographs, films, and writings about Yakobson's work in Moscow and St. Petersburg for the Bolshoi and Kirov ballets, as well as interviews with former dancers, family, and audience members, this illuminating and beautifully written biography brings to life a hidden history of artistic resistance in the USSR through this brave artist, who struggled against officially sanctioned anti-Semitism while offering a vista of hope.

On the precipice of a serious illness, Sylvie wakes up to find a snow angel who tells her he will protect her, and when she finally recovers, she purposefully puts herself in precarious situations to try and meet him again.

Petrograd, 1914. A country on a knife edge. The story of two people caught in the middle – with everything to lose... A stunning debut from a talented new Australian voice in historical fiction. Valentina Yershova's position in the Romanovs' Imperial Russian Ballet is the only thing that keeps her from the clutches of poverty. With implacable determination, she has clawed her way through the ranks, relying not only on her talent but her alliances with influential men that grant them her body, but never her heart. Then Luka Zhirkov - the gifted son of a factory worker - joins the company, and suddenly everything she has built is put at risk. For Luka, being accepted into the company fulfils a lifelong dream. But in the eyes of his proletariat father, it makes him a traitor. As civil war tightens its grip and the country starves, Luka is torn between his growing connection to Valentina and his guilt for their lavish way of life. For the Imperial Russian Ballet has become the ultimate symbol of Romanov indulgence, and soon the lovers are forced to choose: their country, their art or each other... A powerful novel of revolution, passion and just how much two people will sacrifice… 'A wonderful debut from author, Kerri Turner ... Through her own work as a dancer, and thorough historical research, Turner has created figures that literally dance off the page. Like the influence of the ballet company itself, the characters will stay with you long after you have finished reading it.' -- Caroline Beecham, author of Eleanor's Secret and Maggie's Kitchen '...beautiful, daring, deceptive and surprising.' The Australian Women's Weekly 'an accomplished debut' Sunday Mail Adelaide

During the years of World War II many people despite the jeopardy to their own lives rescued thousands of humiliated and persecuted citizen of their country, Jews doomed by Nazi regime only on account of their ethnic descent. Those people are called Righteous among the nations. This title was granted to 2515 citizens of Ukraine. There is no region or a town in our country where there are no such people.The book is about them.The list of the Righteous is enriches with the names of people who were granted this title after 2008.

Ryden was recently commissioned to create the set and costume design for a new production of Whipped Cream, put on by the American Ballet Theatre with choreography by Alexei Ratmansky. Whipped Cream is based on Schlagobers, a two-act ballet with libretto and score by Richard Strauss that was first performed at the Vienna State Opera in 1924. Premiered the MET new york, this ballet is already consider as a new classic masterpiece which would continue to be perform year after year. In partneship with Mark ryden and the crew of ABT, this book tells the story of this artistic journey. « A fantastical ballet of candyland delights » LA Times « A Sweetly Disturbing Confection » The New York Times « A Glutton's Fantasia" The Wall Street Journal

Before, during, and after World War II, Maria Savchyn Pyskir served in the Ukrainian Underground resistance. Her dramatic and poignant memoir tells of her recruitment into underground service at age 14, her participation in resistance activities during the War, her bittersweet marriage to revolutionary leader “Orlan,” her struggle against Stalinist forces, and her captures by and escapes from the KGB. In the 1950s when she escaped to the West, she began these memoirs, which were not published in Ukrainian until after the fall of the Soviet Union. Their appearance in Ukrainian caused a sensation, as she remains the only survivor of the Ukrainian Insurgent Army (UPA) to have told her tale, now offered in English. Pyskir, whose escape came at the cost of her husband, children, and family, recreates in her memoir an astonishing account of her experiences as a Ukrainian partisan, a woman, a wife, a mother, and an outcast from her own land. The book contains maps, many of the author’s own photographs, and a foreword by John A. Armstrong.

Discover an extraordinary tale of innocence, friendship and the horrors of war. 'Some things are just sitting there, minding their own business, waiting to be discovered. Like America. And other things are probably better off left alone' Nine-year-old Bruno has a lot of things on his mind. Who is the 'Fury'? Why did he make them leave their nice home in Berlin to go to 'Out-With' ? And who are all the sad people in striped pyjamas on the other side of the fence? The grown-ups won't explain so Bruno decides there is only one thing for it - he will have to explore this place alone. What he discovers is a new friend. A boy with the very same birthday. A boy in striped pyjamas. But why can't they ever play together? ‘A small wonder of a book’ Guardian BACKSTORY: Read an interview with the author JOHN BOYNE and learn all about the Second World War in Germany.