A big, rewarding novel about art, politics, family, terrorism, courage, and happiness. Promise Whittaker, the diminutive but decisive acting director of the National Museum of Asian Art, is pregnant again--and that's just the beginning of her difficulties. Her mentor, the previous director, suddenly walked away from his job with no explanation, and now is on a dig somewhere in the Taklamakan desert. Her favorite curator has dropped their newest treasure, a bowl once owned by Thomas Jefferson, during the ceremony celebrating its acquisition. Another colleague, desperate for a son, has been embezzling from the museum to pay for her fertility treatments. And her far too handsome, far too elusive ancillary director is clearly up to no good. Confronting challenge after challenge at work and at home, Promise is one of the most offbeat, original, winning characters in recent fiction. The Bowl Is Already Broken is all brains, all soul, and all heart--brimming with ideas, provocative, and deeply satisfying.

In this big, rewarding novel about art, politics, family, terrorism, courage, and happiness, Promise Whittaker, the diminutive but decisive acting director of the National Museum of Asian Art, is pregnant again--and that's just the beginning of her difficulties.

Armstrong suggests that James's perspective is essentially phenomenological--that his understanding of the process of knowing, the art of fiction, and experience as a whole coincides in important ways with the ideas of the leading phenomenologists. He examines the connections between phenomenology's theory of consciousness and existentialism's analyses of the lived world in relation to James's fascination with consciousness and what is commonly called his Originally published in 1983. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Sing, and Don't Cry is Cate Kennedy's sensual and touching evocation of her time spent working as a volunteer in small town Mexico. The people she comes to love in Tequisquiapan, and their gusto for celebration, pilgrimage and family, force her to cast a penetrating light on her own Western values and ways. ?What is truly essential, and who is truly poor?' asks Kennedy in a book that also challenges the reader to care more for his or her world. Described as ?a travel book with a social conscience' this essential memoir, from the award'winning fiction writer and poet, is funny, warm, yet ultimately disarming.

"Indexes to papers read before the Museums Association, 1890-1909. Comp. by Charles Madeley": v. 9, p. 427-452.