Zola and the art of fiction -- Before the Rougon-Macquart -- The fat and the thin: The belly of Paris -- 'A work of truth': L'assommoir -- The man-eater: Nana --The dream machine: The ladies' paradise -- Down the mine: Germinal -- The great mother: Earth -- After the Rougon-Macquart.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

'in this life, even if you don't ask for much you still end up with bugger all!' In a run-down quarter of Paris, Gervaise Macquart struggles to earn a living and support her family. She earns a pittance washing other people's dirty clothes in the local washhouse, and dreams of having her own laundry. But in order to start her business she must incur debt, and her feckless husband cannot resist the lure of the Assommoir, the local bar that supplies all the working men with cheap spirits and absinthe. As her money troubles grow, so Gervaise's life begins to spiral out of control, and she is trapped in a vicious web of want and neglect. The Assommoir is a pivotal novel in Zola's Rougon-Macquart series. In it he lays bare the terrible poverty of the Parisian underclass, living in overcrowded tenements, addicted to drink, a world of squalor, and casual violence. It contains some of Zola's most powerful and graphic writing, unforgettable portrayals of individuals and their environment, and the fine line between self-respect and ruin.

Feminist City is an ongoing experiment in living differently, living better, and living more justly in an urban world. We live in the city of men. Our public spaces are not designed for female bodies. There is little consideration for women as mothers, workers or carers. The urban streets often are a place of threats rather than community. Gentrification has made the everyday lives of women even more difficult. What would a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment. In Feminist City, through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities built into our cities, homes, and neighborhoods. Kern offers an alternative vision of the feminist city. Taking on fear, motherhood, friendship, activism, and the joys and perils of being alone, Kern maps the city from new vantage points, laying out an intersectional feminist approach to urban histories and proposes that the city is perhaps also our best hope for shaping a new urban future. It is time to dismantle what we take for granted about cities and to ask how we can build more just, sustainable, and women-friendly cities together.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Inspired by true events, an epic and emotional novel about one woman's strength to survive in the most difficult circumstances and the power of love in the face of darkness--perfect for fans of Natasha Lester, Catherine Hokin, and Lily Graham. Paris, 1940: He pressed the tattered book into her hands. 'You must go to the café and ask at the counter for Pierre Duras. Tell him that I sent you. Tell him you're there to save the people of France.' Sliding the coded message in between the crisp pages of the hardback novel, bookstore owner Laurence slips out into the cold night to meet her resistance contact, pulling her woollen beret down further over her face. The silence of the night is suddenly shattered by an Allied plane rushing overhead, its tail aflame, heading down towards the forest. Her every nerve stands on end. She must try to rescue the pilot. But straying from her mission isn't part of the plan, and if she is discovered it won't only be her life at risk... America, years later: when Jeanne uncovers a dusty old box in her father's garage, her world as she knows it is turned upside down. She has inherited a bookstore in a tiny French village just outside of Paris from a mysterious woman named Laurence. Travelling to France to search for answers about the woman her father has kept a secret for years, Jeanne finds the store tucked away in a corner of the cobbled main square. Boarded up, it is in complete disrepair. Inside, she finds a tiny silver pendant hidden beneath the blackened, scorched floorboards. As Jeanne pieces together Laurence's incredible story, she discovers a woman whose bravery knew no bounds. But will the truth about who Laurence really is shatter Jeanne's heart, or change her future?

Originally published in 1999, Cathedrals of Consumption examines the history of the department store. After many decades in which it was almost exclusively historians of retailing and company biographers who were interested in the phenomenon, the department store has now come to attract the attention of historians of culture, consumption, gender, urban life and much more. Indeed, the department store in its classic era of expansive growth has often seemed better than anything else to embody the cultural and social modernity of its time. The articles in this book range widely in presenting the breadth of these new approaches to department store history. An introductory essay explores the questions that surround the department store from its appearance in the mid-nineteenth century, through its golden age in the decades before the First World War, to the challenges posed in the more competitive world of inter-war Europe. A dozen contributors - writing about Britain, France, Germany, Belgium and Hungary - then examine themes as varied as the new public space which department stores provided for women, the politics of consumption, the architecture of the new stores, the training of the workforce, the cult of shopping, advertising strategies, shoplifting, employer organisations, and the geographical spread of the new stores, while a comparison with eighteenth-century London raises the question of just how new the department store was.