Zola and the art of fiction -- Before the Rougon-Macquart -- The fat and the thin: The belly of Paris -- 'A work of truth': L'assommoir -- The man-eater: Nana --The dream machine: The ladies' paradise -- Down the mine: Germinal -- The great mother: Earth -- After the Rougon-Macquart.

'in this life, even if you don't ask for much you still end up with bugger all!' In a run-down quarter of Paris, Gervaise Macquart struggles to earn a living and support her family. She earns a pittance washing other people's dirty clothes in the local washhouse, and dreams of having her own laundry. But in order to start her business she must incur debt, and her feckless husband cannot resist the lure of the Assommoir, the local bar that supplies all the working men with cheap spirits and absinthe. As her money troubles grow, so Gervaise's life begins to spiral out of control, and she is trapped in a vicious web of want and neglect. The Assommoir is a pivotal novel in Zola's Rougon-Macquart series. In it he lays bare the terrible poverty of the Parisian underclass, living in overcrowded tenements, addicted to drink, a world of squalor, and casual violence. It contains some of Zola's most powerful and graphic writing, unforgettable portrayals of individuals and their environment, and the fine line between self-respect and ruin.

Excerpt from The Bonheur Des Dames, or the Shop Girls of Paris The other characters are drawn with' equal skill and effect, and from the leading personages to those of but slight importance not one is carelessly passed over, a circumstance which shows Zola's profound knowledge of humanity, and the conscientiousness with which he executes all his tasks. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A comprehensive exploration of Paris through the texts and experiences of a vast and vibrant range of authors.

Feminist City is an ongoing experiment in living differently, living better, and living more justly in an urban world. We live in the city of men. Our public spaces are not designed for female bodies. There is little consideration for women as mothers, workers or carers. The urban streets often are a place of threats rather than community. Gentrification has made the everyday lives of women even more difficult. What would a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment. In Feminist City, through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities built into our cities, homes, and neighborhoods. Kern offers an alternative vision of the feminist city. Taking on fear, motherhood, friendship, activism, and the joys and perils of being alone, Kern maps the city from new vantage points, laying out an intersectional feminist approach to urban histories and proposes that the city is perhaps also our best hope for shaping a new urban future. It is time to dismantle what we take for granted about cities and to ask how we can build more just, sustainable, and women-friendly cities together.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

'Melvyn Bragg's account of the passionate and painful love affair between the 12th century radical theologian, Peter Abelard, and the brilliant young convent-educated Eloise springs magnificently to life . . . Thrilling.' Piers Plowright, Tablet Within the Cloisters of Notre-Dame, a charismatic philosopher and a young woman renowned for her scholarship embark on an ardent, secret affair. It will send shockwaves through Paris, incur savage retribution and lead to years of separation, though nothing will break the bond between them. Bringing the true story of Heloise and Abelard to vivid life, this engrossing novel conveys the powerful emotions and beliefs that drove them. It captures a couple who defied the conventions and religious orthodoxies of their times with striking audacity, and illuminates why their extraordinary tale still resonates today.

Originally published in 1999, Cathedrals of Consumption examines the history of the department store. After many decades in which it was almost exclusively historians of retailing and company biographers who were interested in the phenomenon, the department store has now come to attract the attention of historians of culture, consumption, gender, urban life and much more. Indeed, the department store in its classic era of expansive growth has often seemed better than anything else to embody the cultural and social modernity of its time. The articles in this book range widely in presenting the breadth of these new approaches to department store history. An introductory essay explores the questions that surround the department store from its appearance in the mid-nineteenth century, through its golden age in the decades before the First World War, to the challenges posed in the more competitive world of inter-war Europe. A dozen contributors - writing about Britain, France, Germany, Belgium and Hungary - then examine themes as varied as the new public space which department stores provided for women, the politics of consumption, the architecture of the new stores, the training of the workforce, the cult of shopping, advertising strategies, shoplifting, employer organisations, and the geographical spread of the new stores, while a comparison with eighteenth-century London raises the question of just how new the department store was.