This book is an indispensable resource for readers who want to know the whole, comprehensive story of ancient naval warfare. The Blood-Drenched Sea describes all the naval battles and wars fought in the ancient Mediterranean. In one volume are the ships, crews, and leaders who determined the course of ancient history, along with the wars and battles, told through artifacts, extant literary and visual sources, and modern reconstructions—the Egyptian mortuary temple, the Minoan domain, the legendary sack of Troy, the expansion of Greeks throughout the Mediterranean, the Athenian victory over the Persians at Salamis, and the Athenian empire, ruined by one moment of superstition. Then the Romans learned how to build ships, man them, row in tiers, and command fleets, and the volume recounts their contributions to history as well. They fought three wars with Carthage that cost them hundreds of thousands of casualties and expenditures of vast wealth, and they conquered the whole of the Mediterranean. Meanwhile, Julius Caesar expanded the empire with the conquest of Gaul and the invasion of Britain, and his adoptive son, Octavian settled the question of who would rule the new empire by winning the naval battle at Actium.

In the second book of the suspense-filled Gentleman Bastard Sequence, hailed by George R. R. Martin as “fresh, original, and engrossing,” Locke Lamora faces a caper so death-defying that nothing short of a miracle will pull it off. For some, only a prize worth dying for makes life worth living. . . . After a brutal battle with the underworld, Locke and his sidekick, Jean, fled to the exotic shores of Tal Verrar to nurse their wounds. But they are soon back to what they do best—stealing from the rich and pocketing the proceeds. Now, however, they have targeted the grandest prize of all: the Sinspire, the world’s most exclusive, most heavily guarded gambling house. But there is one cardinal rule: it is death to cheat at any game. Brazenly undeterred, Locke and Jean have orchestrated an elaborate plan to lie, trick, and swindle their way straight to the Sinspire’s teeming vault. But someone knows the duo’s secret—and has every intention of making them pay for their sins. . . . Don’t miss any of Scott Lynch’s epic fantasy Gentleman Bastard Sequence: THE LIES OF LOCKE LAMORA • RED SEAS UNDER RED SKIES • THE REPUBLIC OF THIEVES

Elizabeth DeLoughrey invokes the cyclical model of the continual movement and rhythm of the ocean (‘tidalectics’) to destabilize the national, ethnic, and even regional frameworks that have been the mainstays of literary study. The result is a privileging of alter/native epistemologies whereby island cultures are positioned where they should have been all along—at the forefront of the world historical process of transoceanic migration and landfall. The research, determination, and intellectual dexterity that infuse this nuanced and meticulous reading of Pacific and Caribbean literature invigorate and deepen our interest in and appreciation of island literature. —Vilsoni Hereniko, University of Hawai‘i "Elizabeth DeLoughrey brings contemporary hybridity, diaspora, and globalization theory to bear on ideas of indigeneity to show the complexities of ‘native’ identities and rights and their grounded opposition as ‘indigenous regionalism’ to free-floating globalized cosmopolitanism. Her models are instructive for all postcolonial readers in an age of transnational migrations." —Paul Sharrad, University of Wollongong, Australia Routes and Roots is the first comparative study of Caribbean and Pacific Island literatures and the first work to bring indigenous and diaspora literary studies together in a sustained dialogue. Taking the "tidalectic" between land and sea as a dynamic starting point, Elizabeth DeLoughrey foregrounds geography and history in her exploration of how island writers inscribe the complex relation between routes and roots. The first section looks at the sea as history in literatures of the Atlantic middle passage and Pacific Island voyaging, theorizing the transoceanic imaginary. The second section turns to the land to examine indigenous epistemologies in nation-building literatures. Both sections are particularly attentive to the ways in which the metaphors of routes and roots are gendered, exploring how masculine travelers are naturalized through their voyages across feminized lands and seas. This methodology of charting transoceanic migration and landfall helps elucidate how theories and people travel, positioning island cultures in the world historical process. In fact, DeLoughrey demonstrates how these tropical island cultures helped constitute the very metropoles that deemed them peripheral to modernity. Fresh in its ideas, original in its approach, Routes and Roots engages broadly with history, anthropology, and feminist, postcolonial, Caribbean, and Pacific literary and cultural studies. It productively traverses diaspora and indigenous studies in a way that will facilitate broader discussion between these often segregated disciplines.

The young man’s father, dying, at last tells him the truth about his grandfather – or at least the truth as he knows it. The mean old gaucho was murdered by some fellow villagers in Garopaba, a town on the Atlantic now famous for its surfing and fishing. It was during a Sunday dance at a community hall. The lights went out suddenly and when they came up, his grandfather was lying on the ground in a pool of blood…or so the story goes. It is as if his father has given him a deathbed challenge. And his girlfriend has just left him, so he has no strong ties. He is a great ocean swimmer, so why not strike out for Garopaba, and see what he can discover? The young man travels up the coast, finds an apartment by the water, and begins to build a simple new life, taking his father’s old dog as a companion. He swims in the sea every day, makes a few friends, falls into a relationship, begins to make enquiries. But information doesn’t come easily. A rare neurological condition means that the young man doesn’t recognize the faces of people he’s met – leading frequently to awkwardness and occasionally to violence. And the people who do know about his grandfather are fearful to give anything away. Life becomes complicated for him in Garopaba, and even dangerous. Steeped in tension, atmosphere and the sultry allure of south Brazil, Daniel Galera’s masterfully spare and powerful prose unfolds a story of discovery that feels mythic, elemental and archetypal – a wise and potent display of storytelling sorcery that announces one of Brazil's very greatest young writers as a blazing new literary talent to the English-speaking world.

"Despite its surreal and even frightening images, the Book of Revelation is a work of real hope, filled with magnificent scenes and poetry. In Apocalypse Then and Now: A Companion to the Book of Revelation, Roland Faley makes this mysterious part of scripture accessible to a popular audience. Evil may seem insurmountable, explains Faley, but this book, rooted in faith and written in a time of trial, shows that Christ will ultimately triumph."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In the second book of the Astral Wanderer series, the dread Wanderer screams across a sea of cancerous flesh in a craft of unbridled speed and destruction, bound for the heart of the undying forest, and the daughter he forsook in ages past. On his journey, he must contend with incarnations of his terrifying past; pirates who have abandoned their souls to the ceaseless hunger; the whispers of insanity that claw at his mind; and a star-maddened captain hunting him to the eye of creation itself.

One of The New York Times Book Review's 10 Best Books of the Year National Bestseller Longlisted for the Man Booker Prize Winner of the RSL Encore Award Finalist for the Los Angeles Book Prize A New York Times and Wall Street Journal Bestseller Named a Best Book of the Year by Chicago Tribune, The Wall Street Journal, The Guardian, New Statesman, Publishers Weekly, and Chicago Public Library Behold the man: stinking, drunk, and brutal. Henry Drax is a harpooner on the Volunteer, a Yorkshire whaler bound for the rich hunting waters of the arctic circle. Also aboard for the first time is Patrick Sumner, an ex-army surgeon with a shattered reputation, no money, and no better option than to sail as the ship's medic on this violent, filthy, and ill-fated voyage. In India, during the Siege of Delhi, Sumner thought he had experienced the depths to which man can stoop. He had hoped to find temporary respite on the Volunteer, but rest proves impossible with Drax on board. The discovery of something evil in the hold rouses Sumner to action. And as the confrontation between the two men plays out amid the freezing darkness of an arctic winter, the fateful question arises: who will survive until spring? With savage, unstoppable momentum and the blackest wit, Ian McGuire's The North Water weaves a superlative story of humanity under the most extreme conditions.

"Urgently pursues those nameless ghosts of Haitians lost in the liminal space of the Black Atlantic."--New West Indian Guide "Foregrounds the experiences of refugees (particularly those refused asylum and detained in camps), the political mobilization of the diaspora in the United States, the ramifications of the policies and adjustment programmes imposed on Haiti by the World Bank, the International Monetary Fund and USAID."--Bulletin of Latin American Research "Theoretically sound and well researched. Braziel has written a compelling book on the literatures of post-Duvalier Haiti."--Millery Polyne, New York University "A very original study, a tour-de-force that crisscrosses the disciplinary boundaries typically separating the social sciences and the humanities. It is richly researched, beautifully written, and will surely attract much critical attention and praise."--Valerie Kaussen, University of Missouri From a position of urgent political engagement, this provocative book offers novel and compelling interpretations of several well-known Haitian-born authors, particularly regarding U.S. intervention in their homeland. Drawing on the diasporic cultural texts of several authors, such as Edwidge Danticat and Dany Laferrière, Jana Evans Braziel examines how writers participate in transnational movements for global social justice. In their fictional works they discuss the United States’ many interventionist methods in Haiti, including surveillance, foreign aid, and military assistance. Through their work, they reveal that the majority of Haitians do not welcome these intrusions and actively criticize U.S. treatment of Haitians in both countries. Braziel encourages us to analyze the instability and violence of small nations like Haiti within the larger frame of international financial and military institutions and forms of imperialism. She forcefully argues that by reading these works as anti-imperialist, much can be learned about why Haitians and Haitian exiles often have negative perceptions of the U.S.

SOME DAYS IT JUST DOESN'T PAY TO GET OUT OF YOUR SLEEPING BAG. The successor to March Upcountry It wasn't so much that Prince Roger and his surviving remnant of elite bodyguards are marooned on a barbarian planet. Or that they have been on continuous operations for so long they are getting shocky. Or that they still have half a planet to cross. Or that they are basically out of ammunition for their plasma and bead rifles and just about out of cash. Sure, those are all problems, but they're not the real problem. No, the problem is Roger is in love. With one of his bodyguards. And the romance is not going well. Damnbeast Sure. Vampiric moths Okay. Screaming waves of barbarians No problem. But when you have Nimashet Despreaux and Prince Roger Ramius Sergei Chiang MacClintock at sword's point, that's real danger. And it's just the beginning. To get to the distant port that is their only way off the planet, they'll be forced to battle enraged monsters, displaced mercenaries, religious fanatics and a barbarian horde to shame the Huns. Along the way they'll have to recreate the Reformation, the Renaissance and the Industrial Revolution. And do it all in a context their four-armed, horned, grizzly-bear sized native allies can handle. It will strain all their experience and knowledge, as the most elite, the most multitalented and above all the toughest bodyguards in human space. But the really hard part will be keeping Roger and Nimashet from killing each other. At the publisher's request, this title is sold without DRM (Digital Rights Management).