From Brazil’s most acclaimed young novelist, the mesmerizing story of how a troubled young man’s restorative journey to the seaside becomes a violent struggle with his family’s past —So why did they kill him? —I’m getting there. Patience, tchê. I wanted to give you the context. Because it’s a good story, isn’t it? A young man’s father, close to death, reveals to his son the true story of his grandfather’s death, or at least the truth as he knows it. The mean old gaucho was murdered by some fellow villagers in Garopaba, a sleepy town on the Atlantic now famous for its surfing and fishing. It was almost an execution, vigilante style. Or so the story goes. It is almost as if his father has given the young man a deathbed challenge. He has no strong ties to home, he is ready for a change, and he loves the seaside and is a great ocean swimmer, so he strikes out for Garopaba, without even being quite sure why. He finds an apartment by the water and builds a simple new life, taking his father’s old dog as a companion. He swims in the sea every day, makes a few friends, enters into a relationship, begins to make inquiries. But information doesn’t come easily. A rare neurological condition means that he doesn’t recognize the faces of people he’s met, leading frequently to awkwardness and occasionally to hostility. And the people who know about his grandfather seem fearful, even haunted. Life becomes complicated in Garopaba until it becomes downright dangerous. Steeped in a very special atmosphere, both languid and tense, and soaked in the sultry allure of south Brazil, Daniel Galera’s masterfully spare and powerful prose unfolds a story of discovery that feels almost archetypal—a display of storytelling sorcery that builds with oceanic force and announces one of Brazil’s greatest young writers to the English-speaking world. Look for Daniel's new book, The Shape of Bones.

From Brazil’s most acclaimed young novelist, the mesmerizing story of how a troubled young man’s restorative journey to the seaside becomes a violent struggle with his family’s past —So why did they kill him? —I’m getting there. Patience, tchê. I wanted to give you the context. Because it’s a good story, isn’t it? A young man’s father, close to death, reveals to his son the true story of his grandfather’s death, or at least the truth as he knows it. The mean old gaucho was murdered by some fellow villagers in Garopaba, a sleepy town on the Atlantic now famous for its surfing and fishing. It was almost an execution, vigilante style. Or so the story goes. It is almost as if his father has given the young man a deathbed challenge. He has no strong ties to home, he is ready for a change, and he loves the seaside and is a great ocean swimmer, so he strikes out for Garopaba, without even being quite sure why. He finds an apartment by the water and builds a simple new life, taking his father’s old dog as a companion. He swims in the sea every day, makes a few friends, enters into a relationship, begins to make inquiries. But information doesn’t come easily. A rare neurological condition means that he doesn’t recognize the faces of people he’s met, leading frequently to awkwardness and occasionally to hostility. And the people who know about his grandfather seem fearful, even haunted. Life becomes complicated in Garopaba until it becomes downright dangerous. Steeped in a very special atmosphere, both languid and tense, and soaked in the sultry allure of south Brazil, Daniel Galera’s masterfully spare and powerful prose unfolds a story of discovery that feels almost archetypal—a display of storytelling sorcery that builds with oceanic force and announces one of Brazil’s greatest young writers to the English-speaking world.

"From Brazil's most acclaimed young novelist, the mesmerizing story of how a troubled young man's restorative journey to the seaside becomes a violent struggle with his family's past - So why did they kill him? - I'm getting there. Patience, tchê. I wanted to give you the context. Because it's a good story, isn't it? A young man's father, close to death, reveals to his son the true story of his grandfather's death, or at least the truth as he knows it. The mean old gaucho was murdered by some fellow villagers in Garopaba, a sleepy town on the Atlantic now famous for its surfing and fishing. It was almost an execution, vigilante style. Or so the story goes. It is almost as if his father has given the young man a deathbed challenge. He has no strong ties to home, he is ready for a change, and he loves the seaside and is a great ocean swimmer, so he strikes out for Garopaba, without even being quite sure why. He finds an apartment by the water and builds a simple new life, taking his father's old dog as a companion. He swims in the sea every day, makes a few friends, enters into a relationship, begins to make inquiries. But information doesn't come easily. A rare neurological condition means that he doesn't recognize the faces of people he's met, leading frequently to awkwardness and occasionally to hostility. And the people who know about his grandfather seem fearful, even haunted. Life becomes complicated in Garopaba until it becomes downright dangerous. Steeped in a very special atmosphere, both languid and tense, and soaked in the sultry allure of south Brazil, Daniel Galera's masterfully spare and powerful prose unfolds a story of discovery that feels almost archetypal-a display of storytelling sorcery that builds with oceanic force and announces one of Brazil's greatest young writers to the English-speaking world."--

A dark and masterful portrait of a generation in crisis, from one of the most exciting young voices in international literature The world had been theirs in the late 90s: they were the young provocateurs behind a countercultural scene, digital bohemians creating a new future. But fifteen years later, Duke, the leader and undisputed genius of their group, has been murdered, and the three remaining members of their circle reunite to piece together what became of their lives and how they fell so short of their expectations. Now in their thirties, Aurora, Antero, and Emiliano have succumbed to the pressures of adulthood, the exigencies of carving out a life in a country that is fraying at the seams. Reunited after years of long-held grudges and painful crushes, the three try to resurrect the spirit of the all-night parties and early morning trysts, the protests and pornography of their youths. Lurking over them, as they puzzle out their fates, is the question of whether or not there is a future for them to believe in, or if the end has already arrived. Twenty After Midnight is a portrait of the first generation of the digital age, a group that was promised everything but handed a fractured world. Daniel Galera has written a pre-apocalyptic tale of millennial longings.

'Like a cross of The Brief Wondrous Life of Oscar Wao and American Psycho' Financial Times From one of Brazil's foremost literary voices comes a gripping, visceral new novel about youth, power and the nature of manhood A man rises at 5 a.m. and leaves his home. He does not wake his wife or child to bid them goodbye. He starts his car - an SUV filled with survival gear - but does not drive to his friend's house as planned. Instead he glides through the sleeping streets of Porto Alegre, haunted by ghosts of himself: the fearless boy riding a battered stunt bike, the silent adolescent fascinated by bodies and violence, the obsessive young surgeon, the distant husband. As the dawn comes on and people slowly fill the streets, the man drives unthinkingly, inexorably, toward the old neighbourhood of his youth. What is pulling him back there? Perhaps the need to make something happen, perhaps just nostalgia. Or perhaps the search for absolution - from a crime he has carried in his heart for fifteen years.

A HEART-STOPPING ADVENTURE BASED ON THE TRUE STORY OF THE TEENAGE REBELS WHO STOOD UP TO THE NAZIS When sixteen-year-old Daniel befriends Josef Gerlach, he feels the old man is haunted by a secret from his past. Sure enough when Josef gives him his teenage diary to read, Daniel discovers a shocking story of rebellion and struggle. The diary tells how Josef left the Hitler Youth for a gang called The Edelweiss Pirates. Their uniform: long hair and cool clothes. Their motto: freedom! At first the Pirates are only interested in hanging out and having a good time, but as the situation in Nazi Germany gets worse, they start to plan dangerous missions against Hitler's regime-soon they are fighting for their lives.

Thirteen-year-old Boli and his friends are deep in the middle of a game of marbles. An older boy named Mosca has won the prized Devil's Fire marble. His pals are jealous and want to win it away from him. This is Izayoc, the place of tears, a small pueblo in a tiny valley west of Mexico City where nothing much happens. It's a typical hot Sunday morning except that on the way to church someone discovers the severed head of Enrique Quintanilla propped on the ledge of one of the cement planters in the plaza and everything changes. Not apocalyptic changes, like phalanxes of men riding on horses with stingers for tails, but subtle ones: poor neighbors turning up with brand-new SUVs, pimpled teens with fancy girls hanging off them. Boli's parents leave for Toluca and don't arrive at their destination. No one will talk about it. A washed out masked wrestler turns up one day, a man only interested in finding his next meal. Boli hopes to inspire the luchador to set out with him to find his parents. Phillippe Diederich was born in the Dominican Republic and raised in Mexico City and Miami. His parents were forced out of Haiti by the dictatorship of Papa Doc Duvalier in 1963. As a photojournalist, Diederich has traveled extensively through Mexico and witnessed the terrible tragedies of the Drug Wars.

A big, panoramic story of the new America, as told by our master chronicler of the way we live now. As a police launch speeds across Miami's Biscayne Bay -- with officer Nestor Camacho on board -- Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the 'hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night's orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.

Presents a collection of short horror fiction by such authors as Charlaine Harris, Jim Butcher, Sherrilyn Kenyon, and Kelley Armstrong.

Sixteen-year-old Amber, hoping to spend one perfect day alone at the beach before her world is turned upside down, meets and feels a strong connection to Cade, who is looking for his own escape, for a very different reason.