The Sasquatch film genre, devoted to the legendary and notoriously elusive creature also known as Bigfoot, and its Himalayan counterpart, the Yeti, is the focus of this illustrated reference guide. Here is a fascinatingly detailed look at the cinematic history of Sasquatch, from the earliest trick films of Georges Melies to the most up-to-date CGI efforts. Critical insights regarding the genre's development are offered, along with an exhaustively researched filmography that gathers every known film or television appearance (including ads!) of Sasquatch, Bigfoot and Yeti in both fictitious and documentary formats. Included are in-depth interviews with such filmmakers as Kevin Tenney, Adam Muto, Ryan Schifrin, Tim Skousen and Michael Worth, as well as reproductions of rare movie stills, posters, lobby cards and behind-the-scenes production photos. Renowned cryptozoologist Loren Coleman (no relation) provides an insightful foreword.

Bigfoot Film Journal provides a detailed account and analysis of the circumstances and aftermath of one of the most controversial motion picture films in world history--the Patterson/Gimlin film. In October 1967, Roger Patterson and Robert Gimlin filmed what many people believe was an actual sasquatch or bigfoot on a shore of Bluff Creek in Northern California. The one-minute film they took of the creature has been vigorously debated for over 40 years, and it continues to reside in the annals of the "unexplained." The creature filmed cannot be proven to be either an actual primate of some sort or a fabrication. Much has been written about the film in the past, but the details of the filming and its aftermath have not been thoroughly researched and subjected to in-depth critical analysis. With the assistance and cooperation of Robert Gimlin and several major sasquatch/bigfoot researchers, the author has methodically detailed the fascinating story of the filming and the subsequent events. Many little known (or indeed previously unknown) facts are presented that dismiss, or at the very least challenge, current beliefs and understandings. For those interested in the bigfoot/sasquatch issue, here is the "behind the scene" account of what has become to many people the most compelling evidence of the creature's existence.

Film journalist Phil Hall traces the convoluted history of how Bigfoot was captured on film.

The essential story as we know it of Roger Patterson's Bigfoot research and the 1967 Bigfoot film at Bluff Creek California. In December 1959 Roger C. Patterson of Tampico, Washington took up the challenge to prove the existence of North America's elusive Sasquatch or Bigfoot creature that for centuries had evaded capture and had never been filmed. At age 26, Patterson attacked the issue with tremendous zeal and enthusiasm. Despite serious health problems, he diligently interviewed witnesses, listened to the stories of native people, read all he could find on the subject and with his partner, Robert Gimlin, explored wilderness areas in the Pacific Northwest. In 1966, Patterson published a book on the subject, Do Abominable Snowmen of America Really Exist? the first book to provide a detailed account of Bigfoot sightings and footprint findings. In October 1967 Patterson and Gimlin captured a Bigfoot on motion picture film in Northern California, the first scientifically authenticated footage of the creature. In less than five year's time, Patterson succumbed to Hodgkins disease and passed away on January 15, 1972. Continually in demand, Patterson's book has had three printings. This, the fourth printing, provides not only the complete Patterson book, but also a detailed account of the filming, its aftermath and a dissertation on the recent controversy regarding the film's authenticity. Full-page color enlargements of the twelve clearest film frames and many supporting photographs/illustrations make this work a highly valuable research resource. The information gathered and assembled by Roger Patterson in his epic work will truly impress the reader. One cannot help but feel this author's passion for the subject and associate with his burning desire to fully substantiate the remarkable accounts he has collected. Chris Murphy's detailed but easy-reading documentation of the filming, its aftermath and the film controversy is both very informative and entertaining. Chris has provided us with a nice clean highly illustrated package. He keeps it frank, simple and factual, saving the reader the trouble of wading through superfluous page fillers.

Eleven year investigation over the Patterson / Gimlin Bigfoot film. In this investigation, I show proof through photos and testimonies.

Awarded Best Popular Culture Cryptid Book of the Year in the Top Ten Best Cryptozoology Books of the 2017 by America's Premiere Cryptozoologist Loren Coleman (at cryptozoonews)! Enter, if you dare, the realm of Cryptid Cinema(tm)...the Movie-land of Sasquatch, Bigfoot, Bayou Beasts, Backwoods Bogeymen and Bloodwater Brutes! From filmland's fear & fun-filled real & 'reel' history, SWAMP THING artist & CONSTANTINE co-creator Stephen R. Bissette (Rondo Award 'Monster Kid Hall of Fame' winner, 2012) presents an astonishing, fully-illustrated menagerie of monstrosities, curiosities, and wild & woolly weirdos from the 1950s to the present day! In these pages, you'll find celluloid and TV incarnations of 'real world' cryptids like the Yeti, Sasquatch, and the Jersey Devil, 'reel world' critters from THE KILLER SHREWS to the Demogorgon of STRANGER THINGS, and all manner of bizarre swamp-and-bayou beings from the Gillman to the Nutria-Man, from the reviled CREATURE to the revelatory THE SHAPE OF WATER. CRYPTID CINEMA(tm) covers cryptid appearances in TV series from ONE STEP BEYOND to STRANGER THINGS (offering a complete 'study & viewing guide' to the first season), as well as comic books, toys, action figures, and other media. In these pages, you'll meet a host of eccentric creators like (and the creations of) H.P. Lovecraft, Ron & June Ormond, Jerry Warren, Arthur C. Pierce, Virgil W. Vogel, Janos Prohaska, and others, on up to today's trail-blazers like Kevin Smith, Stefan Avalos, Lance Weiler, and the Duffer Brothers! This isn't a comprehensive guide or history book-it is an illustrated celebration of Cryptid Cinema(tm) via in-depth essays on a few favorite (and often long-forgotten) film fiends, designed and written for older readers (there is some mature content in this first volume, given the nature of the 1960s and 1970s Bigfoot novels, movies and comics). Independent filmmakers and low-budget 'grindhouse' and drive-in exploitation features are given special attention, as are the first-ever Bigfoot documentaries. Read about the stop-motion animation 'amateur' movie that could, EQUINOX; the behind-the-scenes secrets of the rare direct-to-video Upper New York State gem THE GLASSHEAD; the backstories behind the Swedish-American extraterrestrial Yeti opus TERROR IN THE MIDNIGHT SUN, the made-in-Florida Walking Catfish-Man epic ZAAT (aka BLOOD WATERS OF DR. Z), and the surgically-created Walrus-Man movie, TUSK! This jam-packed 245-page extravaganza is just the first in a series of books on Cryptid Cinema(tm) and Paleo Pop(tm) Culture from an author and artist who knows & loves monsters!

Last August, two men in rural Georgia announced that they had killed Bigfoot. The claim drew instant, feverish attention, leading to more than 1,000 news stories worldwide—despite the fact that nearly everyone knew it was a hoax. Though Bigfoot may not exist, there’s no denying Bigfoot mania. With Bigfoot, Joshua Blu Buhs traces the wild and wooly story of America’s favorite homegrown monster. He begins with nineteenth-century accounts of wildmen roaming the forests of America, treks to the Himalayas to reckon with the Abominable Snowman, then takes us to northern California in 1958, when reports of a hairy hominid loping through remote woodlands marked Bigfoot’s emergence as a modern marvel. Buhs delves deeply into the trove of lore and misinformation that has sprung up around Bigfoot in the ensuing half century. We meet charlatans, pseudo-scientists, and dedicated hunters of the beast—and with Buhs as our guide, the focus is always less on evaluating their claims than on understanding why Bigfoot has inspired all this drama and devotion in the first place. What does our fascination with this monster say about our modern relationship to wilderness, individuality, class, consumerism, and the media? Writing with a scientist’s skepticism but an enthusiast’s deep engagement, Buhs invests the story of Bigfoot with the detail and power of a novel, offering the definitive take on this elusive beast.

One of America’s most esteemed natural history writers takes to the hills of the Pacific Northwest in search of Bigfoot—and finds the wildness within ourselves. “A unique book in the bigfoot literature . . . that understands what most lifetime bigfooters eventually come to know: that bigfooting is about the journey more than the destination.” —Cliff Barackman, field researcher and star of Animal Planet’s Finding Bigfoot Awarded a Guggenheim Fellowship to investigate the legends of Sasquatch, Yale–trained ecologist Dr. Robert Pyle treks into the unprotected wilderness of the Dark Divide near Mount St. Helens, where he discovers both a giant fossil footprint and recent tracks. On the trail of what he thought was legend, he searches out Indians who tell him of an outcast tribe, the Seeahtiks, who had not fully evolved into humans. A handful of open–minded biologists and anthropologists counter the tabloids Pyle studies, while rogue Forest Service employees and loggers swear of a vast conspiracy to deep–six true stories of unknown, upright hominoid apes among us. He attends Sasquatch Daze, where he meets scientists, hunters, and others who have devoted their lives to the search, only to realize that “these guys don't want to find Bigfoot―they want to be Bigfoot!” Where Bigfoot Walks was the inspiration for the 2020 film The Dark Divide, starring David Cross and Debra Messing. Since the book’s original publication, Pyle’s fresh experiences and findings have been added to his original work through an updated chapter. With an evaluation of recent DNA evidence from Bigfoot hair and scat, the study of speech phonemes in the “Sierra Sounds” purported Bigfoot recordings, an examination of the impact of the wildly popular Animal Planet series Bigfoot Hunters, the reemergence of the famous Bob Gimlin into the Bigfoot community, and more, Walking With Bigfoot keeps every Bigfoot enthusiast’s mind wide open to one of the biggest questions in the land and brings Pyle’s work on the “legend” of Bigfoot into the new century.

NEW YORK TIMES BESTSELLER • The #1 New York Times bestselling author of World War Z is back with “the Bigfoot thriller you didn’t know you needed in your life, and one of the greatest horror novels I’ve ever read” (Blake Crouch, author of Dark Matter and Recursion). FINALIST FOR THE LOCUS AWARD As the ash and chaos from Mount Rainier’s eruption swirled and finally settled, the story of the Greenloop massacre has passed unnoticed, unexamined . . . until now. The journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and, inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before. Praise for Devolution “Delightful . . . [A] tale of supernatural mayhem that fans of King and Crichton alike will enjoy.”—Kirkus Reviews (starred review) “The story is told in such a compelling manner that horror fans will want to believe and, perhaps, take the warning to heart.”—Booklist (starred review)

Bigfoot! Huge, hairy, foul smelling, this legendary apelike animal continues to captivate the public''s imagination. This fascination hinges on a single piece of motion-picture film shot in northern California in 1967. For thirty-five years, Bigfoot believers have been convinced that this sixty-second piece of film proves the physical reality of Bigfoot. But now comes a book that demolishes that belief, that produces final proof that the film footage is a hoax. The Making of Bigfoot tells the amazing story of Roger Patterson of Yakima, Washington. A part-time rodeo rider, chronically unemployed and dying of cancer, Patterson propelled himself into short-lived fame and fortune by exploiting his obsession with the Bigfoot subject and leveraging his expertise in manipulating and conning people to pull off one of the world''s great hoaxes. Living within two hours of Patterson''s hometown, for three years paranormal investigator and author Greg Long interviewed more than forty witnesses in Yakima who knew Patterson intimately. The voices of these witnesses, combined with facts unearthed from newspaper archives, books, and court documents, tell the real story of Roger Patterson. Both tragic and comical, a unique slice of Americana, The Making of Bigfoot captures the testimony of a colorful cast of characters who bring to life a man and a time in the 1960s when Bigfoot strode into the American imagination, and the world embraced a myth.