Film journalist Phil Hall traces the convoluted history of how Bigfoot was captured on film.

The essential story as we know it of Roger Patterson's Bigfoot research and the 1967 Bigfoot film at Bluff Creek California. In December 1959 Roger C. Patterson of Tampico, Washington took up the challenge to prove the existence of North America's elusive Sasquatch or Bigfoot creature that for centuries had evaded capture and had never been filmed. At age 26, Patterson attacked the issue with tremendous zeal and enthusiasm. Despite serious health problems, he diligently interviewed witnesses, listened to the stories of native people, read all he could find on the subject and with his partner, Robert Gimlin, explored wilderness areas in the Pacific Northwest. In 1966, Patterson published a book on the subject, Do Abominable Snowmen of America Really Exist? the first book to provide a detailed account of Bigfoot sightings and footprint findings. In October 1967 Patterson and Gimlin captured a Bigfoot on motion picture film in Northern California, the first scientifically authenticated footage of the creature. In less than five year's time, Patterson succumbed to Hodgkins disease and passed away on January 15, 1972. Continually in demand, Patterson's book has had three printings. This, the fourth printing, provides not only the complete Patterson book, but also a detailed account of the filming, its aftermath and a dissertation on the recent controversy regarding the film's authenticity. Full-page color enlargements of the twelve clearest film frames and many supporting photographs/illustrations make this work a highly valuable research resource. The information gathered and assembled by Roger Patterson in his epic work will truly impress the reader. One cannot help but feel this author's passion for the subject and associate with his burning desire to fully substantiate the remarkable accounts he has collected. Chris Murphy's detailed but easy-reading documentation of the filming, its aftermath and the film controversy is both very informative and entertaining. Chris has provided us with a nice clean highly illustrated package. He keeps it frank, simple and factual, saving the reader the trouble of wading through superfluous page fillers.

Essays examining the work of maverick scientific documentary filmmaker Jean Painleve.

"A Story Is a Promise offers a new model for understanding one of the most difficult of all arts: writing dramatic, engaging stories." "Written in a style reminiscent of a workshop, A Story Is a Promise guides the writer toward a keen understanding of the principle underlying all well-told stories, that a story is both a promise made and a promise kept. Step by step, this book teaches writers how to set out a story's promise in an active voice, which is the voice of the true storyteller."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A celebration of the most obscure, bizarre, and brain-busting movies ever made, this film guide features 250 in-depth reviews that have escaped the radar of people with taste and the tolerance of critics ― Goregasm! I Was a Teenage Serial Killer! Satan Claus!Die Hard Dracula! Curated by the enthusiastic minds behind BleedingSkull.com, this book gets deep into gutter-level, no-budget horror, from shot-on-VHS revelations (Eyes of the Werewolf) to forgotten outsider art hallucinations (Alien Beasts). Jam-packed with rare photographs, advertisements, and VHS sleeves (most of which have never been seen before), Bleeding Skull is an edifying, laugh-out-loud guide to the dusty inventory of the greatest video store that never existed.

Steve Hutchison reviews 100 amazing weird horror films from the 1980s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?

Oral history and essays about the weird and wild B-movies screened at Austin's Alamo Drafthouse cinemas, and how the series later grew into today's American Genre Film Archive.

"Something is on the prowl in the forests and foothills outside the small Wyoming town of Potter's Field, something that mutilates but does not feed, that kills indiscriminately and without reason, at night, by moonlight. As the body count mounts, police chief Nathan Slaughter and the town's medical examiner try to find out who or what is doing the killing....Morrell embeds compelling human drama in a taut, hell-for-leather plot consisting of equal parts police procedural, medical detective story, biological horror story, disaster novel and Gothic thriller. Beneath its multi-genre surface, The Totem engages broader sociological issues....A thriller of rare ambition and achievement, as thought-provoking as it is exciting and scary." Washington Post Book World

A collection of some of the Pulitzer Prize–winning film critic’s most scathing reviews, from Alex & Emma to the remake of Yours, Mine, and Ours. From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.' Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind . . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers . . . .” Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a bestseller. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel.

From Faust (1926) to The Babadook (2014), books have been featured in horror films as warnings, gateways, prisons and manifestations of the monstrous. Ancient grimoires such as the Necronomicon serve as timeless vessels of knowledge beyond human comprehension, while runes, summoning diaries, and spell books offer their readers access to the powers of the supernatural--but at what cost? This collection of new essays examines nearly a century of genre horror in which on-screen texts drive and shape their narratives, sometimes unnoticed. The contributors explore American films like The Evil Dead (1981), The Prophecy (1995) and It Follows (2014), as well as such international films as Eric Valette's Malefique (2002), Paco Cabeza's The Appeared (2007) and Lucio Fulci's The Beyond (1981).