Complete digitally restored reprint (facsimile) of the original edition of 1898. With 58 Masks and Carvings of the Bella Cola Indians and with music notes (Indian music). The title-page is fictitiously. In relation to the original edition extra large font (+60 %).

A comprehensive guide to Nuxalk culture and a central document in the study of ethnographic methods.

When Clayton Mack was a child, his parents wrapped him in wolf skin and dumped him in water four times so he would grow up strong and fierce in the woods like a wolf. True to this Nuxalk tradition, Mack grew up to be a world-famous grizzly bear hunter and guide. Clayton Mack's first book of amazing tales about bears and q'umsciwas (white men), Grizzlies and White Guys, became an instant best seller when it was published in 1993. In Bella Coola Man, Clayton Mack continues his hair-raising stories about pulling bears out of the bushes by their legs, eating fresh bear meat with Thor Heyerdahl, finding gold nuggets in the bush, murder in the Big Ootsa country and dead men's talking beans, plus Crooked Jaw the Indian agent and where to find good fishing. Clayton Mack was a walking encyclopedia of tribal lore, and one of the best storytellers ever born. The stories in Bella Coola Man are the last he told, and reflect his desire to pass on as much information about Nuxalk life and legends as he could before his death. Hear about the man-eater dance performed at River's Inlet where the dancers ate a dead woman's head, or about the last Indian war on the coast, native remedies like devil's club tea which is "good for anything," Alexander Mackenzie's travels through Bella Coola country along the Grease Trail, how native hunters killed mountain goats by prying them off cliffs with sticks, and about forgotten villages and places, which come alive again through Clayton Mack's words. Clayton Mack had a deep understanding and appreciation of life on British Columbia's rugged coast. His stories are unique lessons in history, as well as pure entertainment. Here are the stories of the legend himself, Clayton Mack.

A study of the interaction between Northwest Coast Indian Strutures and their Functional Context.

Between 1922 and 1924, the young Canadian anthropologist T.F. McIlwraith spent eleven months in the isolated community of Bella Coola, British Columbia, living among the people of the Nuxalk First Nation. During his time there, McIlwraith gained intimate knowledge of the Nuxalk culture and of their struggle to survive in the face of massive depopulation, loss of traditional lands, and the efforts of the Canadian government to ban the potlatch. McIlwraith’s resulting ethnography, The Bella Coola Indians (1948), is widely considered the finest published study of a Northwest Coast First Nation. This volume is a rich complement to McIlwraith’s classic work, incorporating his letters from the field as well as previously unpublished essays on the Nuxalk. Vivid and lively, the letters show the human side of the anthropologist, and provide a fascinating insight into the famous Northwest winter ceremonials and potlatch -- events in which McIlwraith was one of the few white men privileged to participate as a dancer and partner. Extensive editorial annotations and striking photographs make this book a pleasurable read that will appeal to anthropologists and historians, as well as those with interests in Northwest cultures and the history of anthropology in Canada.

In fulfilling their traditional roles as leaders in their communities, American Indian women are oftenat the core of American Indianresistance and struggle for liberation. Native women have a long history of assuming leadership positions within their particular tribes. Theirstruggles share many of the characteristics of women's struggles associated with feminism in the larger society, yetmany Native American women explicitly reject the label of feminism. This book takes into account the historical oppression of Native peoples, as well as the relative exclusion of Native women in the existing feminist research. What became apparent despite their more central position in their societies, traditional Native women tend not to view themselves as feminists. An important theme running through the book was although Native women, in general, do not have equality of opportunity within larger American society in terms of economic resources, employment, education, health care, etc, and in many cases are solely responsible for the survival of their families. Native women do not view their struggles for more power within their communities and the larger society as being incompatible with the primacy of home and family.

Crossing time and oceans, this fascinating history of the McIlwraiths tracks the family's imperial identities across the generations to tell a story of anthropology and empire.

The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027

Bella Coola is a name that became familiar to millions recently thanks to a worldwide campaign to protect vast tracts of the region's rainforest and grizzly bear habitat under the banner of the Great Bear Rainforest, but despite the attention it has received, the area remains enigmatic to much of the outside world. In this magnificently illustrated book, long-time Bella Coola residents Hans Granander and Michael Wigle explore both the human settlements of Bella Coola country and the awe-inspiring wilderness that encircles them. Between the sea and mountains of British Columbia's Central Coast, fog shrouds 2.7 million hectares of largely old-growth forest, including a protected area twice the size of Yellowstone Park that harbours Canada's largest grizzly bears. The authors' brilliant images of the region's spectacular scenery and abundant wildlife show why it has been a magnet for world-class adventurers like Thor Heyerdahl and Sir Edmund Hillary for over a century.