Writing the Empire is a collective biography of the McIlwraiths, a family of politicians, entrepreneurs, businesspeople, scientists, and scholars. Known for their contributions to literature, politics, and anthropology, the McIlwraiths originated in Ayrshire, Scotland, and spread across the British Empire, specifically North America and Australia, from the mid-nineteenth century onwards. Focusing on imperial networking, Writing the Empire reflects on three generations of the McIlwraiths’ life writing, including correspondence, diaries, memoirs, and estate papers, along with published works by members of the family. By moving from generation to generation, but also from one stage of a person’s life to the next, the author investigates how various McIlwraiths, both men and women, articulated their identity as subjects of the British Empire over time. Eva-Marie Kröller identifies parallel and competing forms of communication that involved major public figures beyond the family’s immediate circle, and explores the challenges issued by Indigenous people to imperial ideologies. Drawing from private papers and public archives, Writing the Empire is an illuminating biography that will appeal to readers interested in the links between life writing and imperial history.

This study, first published in 2000, examines the role of language as an instrument of empire in eighteenth-century British literature.

This book builds upon critical reevaluations of modernism and British literature of the 1930s with a simultaneous focus on discourses of race, gender, and empire. The essays direct attention to the complications and ambivalence accumulating around the meanings of Englishness. They reject analyses of texts as chronicles of personal psychological development in favor of analyses that assume texts are shaped by their authors' public intellectual involvement. In addition, they offer detailed, specific explorations of ways in which British women in the 1930s narrativize empire and war. Thus they will resonate with significance for readers in the early twenty-first century for whom empire and war, as well as terror and security, are part of the discourse of everyday life. Robin Hackett is an Associate Professor of English at the University of New Hampshire. Freda S. Hauser is an independent scholar. Gay Wachman is retired from the State University of New York-Old Westbury.

For almost two hundred years Britain dominated the world, its naval supremacy enabling it to acquire a vast empire, including India, Canada, Australia, New Zealand and much of Africa. Although it could not prevent its American colonies from becoming independent, its industrial and commercial power helped it to keep its scattered possessions under control, while a small army was sufficient to put down native rebellions in the absence of the involvement of oher Euroean states. A dwindling economy, and the cost of two world wars, saw this once-mighty empire crumble, giving in the process independence to nearly all of its dominions in the years after 1945. Empire is a succinct and highly readable account of this extraordinary rise and fall.

This book is about the Booker Prize - the London-based literary award made annually to "the best novel written in English" by a writer from one of those countries belonging to, or formerly part of, the British Commonwealth. The approach to the Prize is thematically historical and spans the award period to 1999. The novels that have won or shared the Prize in this period are examined within a theoretical framework mapping the literary terrain of the fiction. Individual chapters explore themes that occur within the larger narrative formed by this body of novels - collectively invoked cultures, social trends and movements spanning the stages of imperial heyday and decline as perceived over the past three decades. Individually and collectively, the novels mirror, often in terms of more than a single static image, British imperial culture after empire, contesting and reinterpreting perceptions of the historical moment of the British Empire and its legacy in contemporary culture. The body of Booker novels narrates the demise of empire and the emergence of different cultural formations in its aftermath. The novels are grouped for discussion according to the way in which they deal with aspects of the transition from empire to a post-imperial culture - from early imperial expansion, through colonization, retrenchment, decolonization and postcolonial pessimism, to the emergence of tribal nationalisms and post-imperial nation-states. The focus throughout is primarily literary and contingently cultural.

The essays in this collection show how histories written in the past, in different political times, dealt with, considered, or avoided and disavowed Britain’s imperial role and issues of difference. Ranging from enlightenment historians to the present, these essays consider both individual historians, including such key figures as E. A. Freeman, G. M. Trevelyan and Keith Hancock, and also broader themes such as the relationship between liberalism, race and historiography and how we might re-think British history in the light of trans-national, trans-imperial and cross-cultural analysis. ‘Britishness’ and what ‘British’ history is have become major cultural and political issues in our time. But as these essays demonstrate, there is no single national story: race, empire and difference have pulsed through the writing of British history. The contributors include some of the most distinguished historians writing today: C. A. Bayly, Antoinette Burton, Saul Dubow, Geoff Eley, Theodore Koditschek, Marilyn Lake, John M. MacKenzie, Karen O’Brien, Sonya O. Rose, Bill Schwarz, Kathleen Wilson.

Die Studien zur Geschichte und Kultur des Vorderen Orients erscheinen als Supplement der Zeitschrift Der Islam, gegründet 1910 von Carl Heinrich Becker, einem der Väter der modernen Islamwissenschaft. Ganz im Sinne Beckers ist das Ziel der Studien die Erforschung der vergangenen Gesellschaften des Vorderen Orients, ihrer Glaubenssysteme und der zugrundeliegenden sozialen und ökonomischen Verhältnisse, von der Iberischen Halbinsel bis nach Zentralasien, von den ukrainischen Steppen zum Hochland des Jemen. Über die grundlegende philologische Arbeit an der literarischen Überlieferung hinaus nutzen die Studien die archivalischen, sowie materiellen und archäologischen Überlieferungen als Quelle für die gesamte Bandbreite der historisch arbeitenden Geistes- und Sozialwissenschaften.

In Experiments with Empire Justin Izzo examines how twentieth-century writers, artists, and anthropologists from France, West Africa, and the Caribbean experimented with ethnography and fiction in order to explore new ways of knowing the colonial and postcolonial world. Focusing on novels, films, and ethnographies that combine fictive elements and anthropological methods and modes of thought, Izzo shows how empire gives ethnographic fictions the raw materials for thinking beyond empire's political and epistemological boundaries. In works by French surrealist writer Michel Leiris and filmmaker Jean Rouch, Malian writer Amadou Hampâté Bâ, Martinican author Patrick Chamoiseau, and others, anthropology no longer functions on behalf of imperialism as a way to understand and administer colonized peoples; its relationship with imperialism gives writers and artists the opportunity for textual experimentation and political provocation. It also, Izzo contends, helps readers to better make sense of the complicated legacy of imperialism and to imagine new democratic futures.

This book argues that political persuasion expanded in early imperial China through diverse written genres, and that what ancient Chinese called wenti jingwei, or genre networks, provides the central means to understand rhetoric and government at the time.