"This is quintessential Merton."--The Catholic Review.

Merton, one of the rare Western thinkers able to feel at home in the philosophies of the East, made the wisdom of Asia available to Westerners. "Zen enriches no one," Thomas Merton provocatively writes in his opening statement to Zen and the Birds of Appetite—one of the last books to be published before his death in 1968. "There is no body to be found. The birds may come and circle for a while... but they soon go elsewhere. When they are gone, the 'nothing,' the 'no-body' that was there, suddenly appears. That is Zen. It was there all the time but the scavengers missed it, because it was not their kind of prey." This gets at the humor, paradox, and joy that one feels in Merton's discoveries of Zen during the last years of his life, a joy very much present in this collection of essays. Exploring the relationship between Christianity and Zen, especially through his dialogue with the great Zen teacher D.T. Suzuki, the book makes an excellent introduction to a comparative study of these two traditions, as well as giving the reader a strong taste of the mature Merton. Never does one feel him losing his own faith in these pages; rather one feels that faith getting deeply clarified and affirmed. Just as the body of "Zen" cannot be found by the scavengers, so too, Merton suggests, with the eternal truth of Christ.

Merton's journal, between the ages of 24-26, prior to entering the monastery.

Reprint. Originally published: New York: Farrar Straus Giroux, c1979.

The Eastern religious traditions, especially the varieties of Buddhism, were the last great passion in Thomas Merton's life. His participation in a monastic conference in Asia led to his premature, accidental death. He discoursed on equal terms with the Dalai Lama, and extracts from their interviews appear in this book. The introduction brings together extracts from Merton's "Asian Journal" (Hinduism and varieties of Buddhism), and other short works on Eastern religions written in the last few years of his life. They all combine to demonstrate the breadth of vision that is such an integral part of Merton's lasting appeal, his quest for a deeper unity underlying apparent fragmentation. They might be regarded as steps toward the great book on monasticism that Merton might have written but never did. As they stand, they provide Merton's essential definitions of the religions that so interested him in the last years of his life, and of which he became a skilful Western interpreter.

Free renderings of selections from the works of Chuang-tzŭ, taken from various translations.

A collection of thirty-nine short essays in which Thomas Merton examines what true contemplation is and how it can impact one's spirituality.

Discusses Blake, Joyce, Pasternak, Faulkner, Styron, O'Connor, Camus, symbolism, creativity, alienation, contemplation, and freedom.

Thomas Merton's final testament as a poet is his most ambitious long work and a remarkable poetic achievement.