Merton's journal, between the ages of 24-26, prior to entering the monastery.

An intensely personal devotional book from Thomas Merton, the ultimate spiritual writer of our time, showing his contemplative and religious side through his prayers and rarely-seen drawings. The only Merton gift book available. Dialogues with Silence contains a selection of prayers from throughout Merton's life--from his journals, letters, poetry, books--accompanied by all 100 of Merton's rarely seen, delightful Zen-like pen-and-ink drawings, and will attract new readers as well as Merton devotees. There is no other Merton devotional like this, and the paperback edition will be elegantly designed and packaged.

"A secular journal" covers the years from 1939 to 1941, from the period shortly after the author's reception into the Catholic Church to his entering the Abbey of Gethsemani. It shows the young Merton embarked on a voyage of self-discovery and trying to find out just what his vocation was to be. At that time, he still considered that he was destined to be a writer pure and simple, and hence his journal is filled with comments upon literature, art and his contemporaries

This diary of a monastic life is “a continuation of The Seven Storey Mountain . . . Astonishing” (Commonweal). Chronicling six years of Thomas Merton’s life in a Trappist monastery, The Sign of Jonas takes us through his day-to-day experiences at the Abbey of Our Lady of Gethsemani, where he lived in silence and prayer for much of his life. Concluding with the account of Merton’s ordination as a priest, this diary documents his growing acceptance of his vocation—and the greater meaning he found within his private world of contemplation. “This book is made unmistakably real and almost, at times, unbearably poignant by the fact that the exuberance of youth so often wells up through it with rapture, impatience, and even bluster.” —TheNew York Times “A stirring book—the most readable and on the whole, most illuminating of the author’s writings.” —Catholic World

Discusses Blake, Joyce, Pasternak, Faulkner, Styron, O'Connor, Camus, symbolism, creativity, alienation, contemplation, and freedom.

This guide to monastic prayer, written in 1968 and thus turning out to be Thomas Merton’s final testament to us, is now available in a new edition commemorating the fiftieth anniversary of his death. While he wrote it for other monastics, all seekers drawn to explore the full dimensions of prayer will be enriched by his words, especially as they take on added meaning in today’s dizzying world. The climate in which monastic prayer flowers is that of the desert, where human comfort is absent, where the secure routines of the “earthly city” offer no support, and where prayer must be sustained by God in the purity of faith.

Here is a lavish pictorial biography of Thomas Merton, the extraordinary Trappist monk whose writings--including his classic autobiography The Seven Storey Mountain--exerted a profound influence on millions. An extensive collection of photographs captures the life and vision of one of the greatest spiritual figures of the century.

Thomas Merton: Social Critic organizes and critically analyzes the social thought of the Cistercian monk who has become an internationally known symbol of the spiritual element in man. The author evaluated all of Merton's writings, published and unpublished, then discussed his interpretations with Merton personally. The result is a perceptive relation of Merton's social thought to its genesis in his own life experiences and contemplation, a faithful rendering of Merton's thought on the problems of our time. Merton, the author makes clear, called for a spiritual, social, and religious union. It was a poetic and sometimes unimplemented solution to alienation and division, a valid and authentic, if at times limited, response to the contemporary chaos. This study will be greeted by a strong reaction from Mertonians everywhere.

In 1969, one year after Thomas Merton's tragic (and suspicious) death, John Howard Griffin was invited to write a biography of America's most famous monk, a monk who strangely had become a best-selling theologian. The result was Follow the Ecstasy: The Hermitage Years of Thomas Merton (1983). Both Merton and Griffin were converts to Catholicism, and they had become fast friends during Griffin's occasional retreats to the Trappist Abbey of Gethsemani where Merton was cloistered. As Robert Bonazzi writes in his Foreword, "With natural humility and intense spirituality, they taught each other by example and silence." Merton and Griffin were both photographers as well as writers. Griffin wrote about Merton's painting and photography in A Hidden Wholeness: The Visual World of Thomas Merton (1970). They also shared a fascination with the French theologian Jacques Maritain, as well as French modernists Pierre Reverdy, George Braque, and Albert Camus. Griffin fell ill before he could finish his biography of Merton, and the mantle of official biographer passed to Michael Mott, author of The Seven Mountains of Thomas Merton, an essential compendium of the monk's life. Yet Follow the Ecstasy gets closer to the man--a portrait made by one who shared not only personal histories and interests with Merton, but an "intuitive perspective of solitude."