With this book, the Hungarian Academy of Rome offers to the medievalist community a thematic synthesis about Hungarian medieval art, reconstructing, in a European perspective, more than four hundred years of artistic production in a country located right at the heart of Europe. The book presents an up-to-date view from the Romanesque through Late Gothic up to the beginning of the Renaissance, with an emphasis on the artistic relations that evolved between Hungary and other European territories, such as the Capetian Kingdom, the Italian Peninsula and the German Empire. Situated at the meeting point between the Mediterranean regions, the lands ruled by the courts of Europe west of the Alps and the territories of the Byzantine (later Ottoman) Empire, Hungary boasts an artistic heritage that is one of the most original features of our common European past. The book, whose editors and authors are among today's foremost experts in medieval art history, is divided into four thematic sections - the sources and art historiography of the medieval period, the boundary between history, art history and archaeology, church architecture and decorations, religious cults and symbols of the power -, with a selection of essays on the main works of Hungarian medieval art held in museums and public collections.

The Economy of Medieval Hungary is the first concise, English-language volume about the economic life of medieval Hungary. It is a product of the cooperation of specialists representing various disciplines of medieval studies, including archaeologists, archaeozoologists, specialists in medieval demography, historical hydrologists, climate and environmental historians, as well as archivists and church historians. The twenty-five chapters of the book focus on structures of medieval economy, different means and ways of human-nature interactions in production, and offer an overview of the different spheres of economic life, with a particular emphasis on taxation, income and commercial activity. Thanks to its interdisciplinary character, this volume is a basic handbook for the history of economy, production and material culture. Contributors are Krisztina Arany, László Bartosiewicz, Zoltán Batizi, Anna Zsófia Biller, Péter Csippán, László Daróczi-Szabó, Márta Daróczi-Szabó, István Draskóczy, István Feld, László Ferenczi, Erika Gál, Márton Gyöngyössy, István Kenyeres, István Kováts, András Kubinyi, Kyra Lyublyanovics, Árpád Nógrády, Éva Ágnes Nyerges, István Petrovics, Zsolt Pinke, Beatrix F. Romhányi, Katalin Szende, László Szende, Magdolna Szilágyi, Csaba Tóth, and Boglárka Weisz.

Now recognised as the standard work on the subject, Realm of St Stephen is a comprehensive history of medieval Eastern and Central Europe. Pál Engel traces the establishment of the medieval kingdom of Hungary from its conquest by the Magyar tribes in 895 until defeat by the Ottomans at the Battle of Mohacs in 1526. He shows the development of the dominant Magyars who, upon inheriting an almost empty land, absorbed the remaining Slavic peoples into their culture after the original communities had largely disappeared. Engel's book is an accessible and highly readable history. 'This is now the standard English language treatment of medieval Hungary - its internal history as well as its regional and European significance.' --- P W Knoll, University of Southern Carolina (From 'Choice') 'A lively and highly readable narrative ' --- Albrecht Classen, University of Arizona (From 'Mediaevistik')

Medieval Buda in Context discusses the character and development of Buda and its surroundings between the thirteenth and the sixteenth centuries, particularly its role as a royal center and capital city of the medieval Kingdom of Hungary. The twenty-one articles written by Hungarian and international scholars draw on a variety of primary sources: texts, both legal and literary; archaeological discoveries; architectural history; art history; and other studies of material culture. The essays also place Buda in the political, social, cultural and economic context of other contemporary central and eastern European cities. By bringing together the results of research undertaken in recent decades for an English-language readership, this volume offers new insights into urban history and the culture of Europe as a whole. Contributors are János M. Bak, Zoltán Bencze, Judit Benda, István Draskóczy, Antonín Kalous, István Kenyeres, Gábor Klaniczay, András Kubinyi, József Laszlovszky, Károly Magyar, Balázs Nagy, Szilárd Papp, James Plumtree, Martyn Rady, Valery Rees, Orsolya Réthelyi, Beatrix F. Romhányi, Enikő Spekner, Péter Szabó, Katalin Szende, András Vadas, András Végh, and László Veszprémy.

The absence in medieval Hungary of fief-holding and vassalage has often been cited by historians as evidence of Hungary's early 'deviation' from European norms. This new book argues that medieval Hungary was, nevertheless, familiar with many institutions characteristic of noble society in Europe. Contents include the origins of the Hungarian nobility and baronage, lordship and clientage, the role of the noble kindred, conditional landholding, the organization of the frontier, the administration of the counties, and the establishment of representative institutions.

In Rituals and Symbolic Communication in Medieval Hungary under the Árpád Dynasty (1000 - 1301) Dušan Zupka examines rituals as means of political and symbolic communication in medieval Central Europe, with a special emphasis on the rulers of the Árpád dynasty in the Kingdom of Hungary. Particular attention is paid to symbolic acts such as festive coronations, liturgical praises, welcoming of rulers (adventus regis), ritualised settlement of disputes, and symbolic rites during encounters between rulers. The power and meaning of rituals were understandable to contemporary protagonists and to their chroniclers. These rituals therefore played an essential role in medieval political culture. The book concludes with an outline of ritual communication as a coherent system.

In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned her body, the altars of her chapels, and her dining tables with sculptures, paintings, extravagant textiles, manuscripts, and jewelry—the exclusive accoutrements of royalty. Proctor-Tiffany analyzes the queen’s collection, maps the geographic trajectories of her gifts of art, and interprets Clémence’s generosity using anthropological theories of exchange and gift giving. Engaging with the art inventory of a medieval French woman, this lavishly illustrated microhistory sheds light on the material and social culture of the late Middle Ages. Scholars and students of medieval art, women’s studies, digital mapping, and the anthropology of ritual and gift giving especially will welcome Proctor-Tiffany’s meticulous research.

"Synagogues in Hungary 1782-1918" is the first comprehensive study that systematically covers all synagogues in Hungary from the Edict of Tolerance by Joseph II to the end of the First World War. Unlike prior attempts, dealing with Post-World-War-Two Hungary only, the geographical range of this study includes historic Hungary, today Austro-Hungarian successor states, within the mentioned chronological timespan. The study presents Hungarian architecture of synagogues in a chronological order; the author gives special attention to the boom of synagogue architecture and art from 1867 to 1918, a time also called "the modern Jewish Renaissance". However, the greatest contribution of this book is the innovative matrix method, which the author applies to determine the basic types of synagogues by using eight basic criteria. The book also deals with the problem of urban context, the position of the synagogue in the city and its immediate environment. There are two detailed case studies how communities built their synagogues and how were these received by the general public. The book ends with a theoretical summary that tries to determine the role of post-emancipation period synagogues in general architectural history.

One of the most important building projects in late medieval Hungary was the reconstruction of the parish and pilgrimage church of St Elizabeth in Kosice (present-day Slovakia). The burghers of this prosperous, free royal town decided to rebuild their main church shortly before 1400, and work continued, with several interruptions, into the late fifteenth century. Along with the ambitious and unusual design that emerged, far-reaching artistic connections with centres such as Prague and Vienna ensure the church's exceptional value for architectural history - not only within Hungary, but in the Central European region as a whole. It is this value as an art historical document that the present work seeks to exploit. It approaches the church's fabric as a source of information about patrons, masons, and congregations, attempting to locate the dynamics behind design choices made. This necessitates a detailed reconstruction of the building enterprise itself, before the focus shifts to the impact of the St Elizabeth's project both in northern Hungary and further afield (Transylvania, Lesser Poland), allowing the town lodge's remarkable achievements be set in inter-regional context.