"Synagogues in Hungary 1782-1918" is the first comprehensive study that systematically covers all synagogues in Hungary from the Edict of Tolerance by Joseph II to the end of the First World War. Unlike prior attempts, dealing with Post-World-War-Two Hungary only, the geographical range of this study includes historic Hungary, today Austro-Hungarian successor states, within the mentioned chronological timespan. The study presents Hungarian architecture of synagogues in a chronological order; the author gives special attention to the boom of synagogue architecture and art from 1867 to 1918, a time also called "the modern Jewish Renaissance". However, the greatest contribution of this book is the innovative matrix method, which the author applies to determine the basic types of synagogues by using eight basic criteria. The book also deals with the problem of urban context, the position of the synagogue in the city and its immediate environment. There are two detailed case studies how communities built their synagogues and how were these received by the general public. The book ends with a theoretical summary that tries to determine the role of post-emancipation period synagogues in general architectural history.

Jewish designers and architects played a key role in shaping the interwar architecture of Central Europe, and in the respective countries where they settled following the Nazi's rise to power. This book explores how Jewish architects and patrons influenced and reformed the design of towns and cities through commercial buildings, urban landscaping and other material culture. It also examines how modern identities evolved in the context of migration, commercial and professional networks, and in relation to the conflict between nationalist ideologies and international aspirations in Central Europe and beyond. Pointing to the production within cultural platforms shared by Jews and Christians, the book's research sheds new light on the importance of integrating Jews into Central European design and aesthetic history. Leading historians, curators, archivists and architects present their critical analyses further to 'design' the past and push forward a transformation in the historical consciousness of Central Europe. By reconsidering the seminal role of Central European émigré and exiled architects and designers in shaping today's global design cultures, this book further strengthens humanistic, progressive and pluralistic cultural trends in Europe today.

Monumental carved wooden Torah arks were an outstanding feature of east European synagogues between the seventeenth and the nineteenth centuries, yet virtually none survived the Second World War. Bracha Yaniv therefore breathes a new life into a lost genre with this extensively researched, meticulously documented, and richly illustrated book. She is the first to paint a vivid portrait of their history and to offer a detailed explanation of the motifs that adorned them.

Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history. Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.

The first comprehensive survey in English of Hungarian architecture, from prehistoric settlements to contemporary experiments. Perhaps most revealing to Western readers are the illustrations and line drawings, which document one of the most neglected but fascinating architectural traditions of Europe. 305 illustrations, 12 in color.

This mindset kept them apart and isolated from the Jewries of the Western world until overtaken by the tragedy of the Holocaust in the closing months of World War II.