The final chapter covers government-sponsored art in the 1930s, including murals in public buildings and the Index of American Design. Collected here are 160 illustrations of Florida art, 100 in color. The illustrated paintings were gathered from public and private collections all over the country, many reproduced here for the first time.

Celebrating Florida: Works of Art from the Vickers Collection illustrates in full color a generous selection of paintings and works on paper by some of the world's most significant artists who came to Florida from 1823 to 1950 to capture the "Sunshine State". Of particular interest to students of Florida history are two essays by noted historians Wendell Garrett and Erik Robinson, who discuss the "creation of Florida" and its birth as a state in 1845. Essays on each artist present an aesthetic, historical, social, and cultural overview - designed to clarify the significance of the works of art presented in this first-ever collection of Florida-based art. Essays on each artist with bibliographies by Henry Adams, Gary R. Libby, James Murphy, Erik Robinson, and David Swoyer help to explain the significance of individual works and their place in Florida's history and artistic record. Celebrating Florida: Works of Art from the Vickers Collection offers the most comprehensive study of Florida art currently available. It also serves as the catalog for a traveling exhibition curated at the Museum of Arts and Sciences in Daytona Beach, Florida, in honor of Florida's Sesquicentennial.

Captivating views of birdlife In photographs that surprise with their eye-catching composition and amaze with their detail, The Art of Birds captures the beauty of birds as most people never see them. Jim Miller focuses his camera lens on distinctive and spectacular species found in the wetlands and along the shorelines of Florida and the southeast, portraying their behaviors in their natural habitats. Ranging from striking portraits to high speed stop-action shots, the images showcase the splendor of large birds such as the anhinga, great blue heron, sandhill crane, snowy egret, osprey, and flamingo. They also depict the charm of smaller species including the ruddy turnstone, boat-tailed grackle, and the least bittern. Many of the photographs display brilliant plumage up close. Others show aspects of bird life related to courting, feeding, and flying. Accompanying the images are descriptions of the species by early naturalists and ornithologists, from William Bartram to John James Audubon to Arthur Cleveland Bent. The excerpts from their narratives and journals reveal bird populations and environments that we can only imagine today, providing an homage to Old Florida through the perspectives of some of its most astute and eloquent chroniclers. Miller's captivating photography encourages viewers to marvel at the elegant combination of form and function in bird species, perfected by processes of adaptation and selection over millions of years. The Art of Birds celebrates the creativity of nature, the joy of observation, and the richness of birdlife.

For thousands of years, the Indians of Florida created exquisite objects from the natural materials available to them - wood, bone, stone, clay, and shell. This stunning full-color book, the first devoted exclusively to the artistic achievements of the Florida aborigines, describes and pictures 116 of these masterpieces. A brief history of the consequences of European infiltration and later investigations by explorers and archaeologists sets the stage for consideration of the works themselves. They date from the Paleoindian period (ca. 9500-8000 B.C.) to the mid-sixteenth century and include utilitarian creations, instruments of personal adornment and magic, and objects indicating status, paying homage to ancestors, or aiding the dead in their journey into the next world.

Ice Age Florida: In Story and Art By: Robert W. Sinibaldi and illustrated by Hermann Trappman Florida's Ice Age was vastly different from what the North experienced. Ice Age Florida: In Story and Art investigates and illustrates the fascinating fossil record and history of the Gulf Coast compared to what most envision when the term Ice Age comes up. The author takes the reader along on his initial and developing interest in fossil diving and details his insatiable curiosity about the fauna of Florida's Ice Age, all vividly represented by the amazing artwork of Hermann Trappman.

"A superbly readable piece of cultural history. . . . Downs proves that graphics and narrative can be intertwined in an entertaining and informative historical presentation. . . . Delightful and intellectually enriching."--Southern Historian "Excellent. . . . Well-documented with both historical and anthropological sources, this is the best work to appear on a significant cultural characteristic of the Seminoles in quite some time. An excellent addition to the growing literature on the Seminole and Miccosukee tribes."--Tampa Tribune "Unfolds the meaning of Seminole-Miccosukee arts as metaphor for the people of the Everglades."--Joyce Herold, Denver Museum of Natural History The artistic tradition that in the past sustained Florida Indians helps identify them today as possessing a resilient, modern culture. In this richly illustrated account of the arts and crafts of the Florida Seminole and Miccosukee Indians, Dorothy Downs shows how artistic expression reflects and inspires history. Emphasizing the influence of drastic cultural changes on their artistic traditions, Downs traces Seminole and Miccosukee art from the eighteenth century to the present and demonstrates both the persistence of some prehistoric southeastern Indian designs and the impact of contact with Europeans. In addition to clothing and finger-woven or bead-embroidered accessories, their arts and crafts--most often practiced by women--include pottery, basketry, and doll making. Their most powerful artistic expression is found in the colorful and intricate patchwork patterns that have become their twentieth-century signature. Incorporating color and black-and-white photographs of these remarkable art pieces, Downs also details the "men's work" of silver and wood crafts and chickee building in a volume sure to interest scholars and the general public alike.

"Follow this professional gardening advice to end up with a balanced, attractive, easy-to-maintain Florida native garden. It is a gardening book to cherish."--Roger L. Hammer, author of Attracting Hummingbirds and Butterflies in Tropical Florida "Everything you need to know from just getting started to long-term development and maintenance of the native garden of your dreams."--Troy Springer, owner of Springer Environmental Services, Inc. "A great resource for learning some of the best approaches to gardening with natives."--Steven W. Woodmansee, CEO and biologist for Pro Native Consulting The standard dream home garden--the kind splashed across magazine covers--typically features emerald lawns and manicured flowerbeds. But most gardeners soon discover that those picture-perfect landscapes require hard work, persistent watering and fertilizing, and plenty of pesticides. As more homeowners free themselves from the shackles of regular lawn maintenance, they turn to native plants, which eventually start to look scruffy and scraggly. While there are plenty of guides for establishing a native landscape, there are few comprehensive resources for their maintenance. In this easy-to-read, practical, and honest approach to native plant landscaping, botanist and experienced gardener Ginny Stibolt shares techniques for living with a native landscape and personal lessons learned over the years. Dispelling the myth that native plants require no maintenance, she encourages readers with a simple upkeep schedule that is much more flexible than traditional suburban landscaping. She enumerates the many ecological rewards and covers the basics of gardening before delving into the removal of invasives and other unwanted plants, plant selection, planting methods, propagation, as well as the creation of manageable edges, meadows, groves, and wet sites. This is a must-read for novices and advanced gardeners alike. Stibolt's advice can be applied to small yards or large community properties. With just a little bit of effort and a reimagining of the ideal, gardeners can spend less time watering and weeding and more time enjoying their handiwork. And Mother Nature will thank them, too!

A visual guide to approximately 20 Florida art colonies and districts. The book will discusses in detail a variety of towns in Florida renowned as “Art Colonies,” together with several “Arts Districts” in both small towns and larger cities that have been designated by the local government and/or by developers as neighborhoods set aside to foster the arts. Many of the communities sponsor annual art festivals or shows that have been held for more than 40 years. The book features color photographs that capture the variety of art forms that are uniquely Florida and covers special aspects of art in Florida such as the great number of Florida artists, the influence of arts projects and social realism of the New Deal, mural painting in Florida, the “Highwaymen,” and the extremely rich 19th and 20th century history of Florida artists. Colonies and districts include: Bradenton Village of the Arts, Eau Gallie Arts District, St Petersburg Warehouse Arts District and Central Arts District, Tampa and Tallahassee.

"This book uses the eight large history murals, by artist Christopher Still, that decorate the walls of the House of Representatives to help tell the story of Florida. The broad themes of the paintings and many of the symbolic elements they contain serve to introduce some of the people and events that contributed to the state's vivid history. Contained within each chapter are brief comments and photographs that give a glimpse into the evolving role of Florida's lawmaking institutions."--Page [7].

Annotation. "Roberta Favis tells the story of the last two decades of the life and artistic career of Martin Johnson Heade (1819-1904), when the peripatetic painter settled permanently in St. Augustine, Florida. Providing generous illustrations in both black and white" Annotation. Roberta Favis tells the story of the last two decades of the life and artistic career of Martin Johnson Heade (1819-1904), when the peripatetic painter settled permanently in St. Augustine, Florida. Providing generous illustrations in both black and white and color, she reassesses his career and importance by focusing on this late period of his work and looking more closely at his local context and the contemporary issues particular to the state that became his home. The history of Heade's career in Florida is, like many Florida stories, a complicated interplay between the forces of tourism and development and the rich natural beauty of the state. Favis closely examines Heade's relation to the development of tourism in St. Augustine and uses his writings to show his sometimes conflicting attitudes toward development and conservation. He artistically celebrated the beauties of the state being touted as "the new Eden," but he was an active participant in the projects of Henry Flagler to transform St. Augustine into a mecca for northern tourists, while his writings expressed concern that the pristine environment and its inhabitants were already threatened. In words and in pictures, Heade spoke of the vitality, beauty, and the fragility of Florida. Combining his biography, art, and writing, Favis captures and early chapter in the history of art in Florida and brings to light an early and compelling advocate for the preservation of the state's natural riches. ... Adapted from jacket.