For thousands of years, the Indians of Florida created exquisite objects from the natural materials available to them - wood, bone, stone, clay, and shell. This stunning full-color book, the first devoted exclusively to the artistic achievements of the Florida aborigines, describes and pictures 116 of these masterpieces. A brief history of the consequences of European infiltration and later investigations by explorers and archaeologists sets the stage for consideration of the works themselves. They date from the Paleoindian period (ca. 9500-8000 B.C.) to the mid-sixteenth century and include utilitarian creations, instruments of personal adornment and magic, and objects indicating status, paying homage to ancestors, or aiding the dead in their journey into the next world.

"An exceptional book for popular consumption. . . . It is a wonderful synthesis, and will be avidly read by both professional archaeologists and the general public."--Marvin T. Smith, Valdosta State University Florida's Indians tells the story of the native societies that have lived in Florida for twelve millennia, from the early hunters at the end of the Ice Age to the modern Seminole, Miccosukee, and Creeks. When the first Indians arrived in what is now Florida, they wrested their livelihood from a land far different from the modern countryside, one that was cooler, drier, and almost twice the size. Thousands of years later European explorers encountered literally hundreds of different Indian groups living in every part of the state. (Today every Florida county contains an Indian archaeological site.) The arrival of colonists brought the native peoples a new world and great changes took place--by the mid-1700s, through warfare, slave raids, and especially epidemics, the population was almost annihilated. Other Indians soon moved into the state, including Creeks from Georgia and Alabama, who were the ancestors of the modern Seminole and Miccosukee Indians. Written for a general audience, this book is lavishly illustrated with full-color drawings and photographs. It skillfully integrates the latest archaeological and historical information about the Sunshine State's Native Americans, connecting the past and present with modern place-names, and it gives a proud voice to Florida's rich Indian heritage. Jerald T. Milanich, curator in archaeology at the Florida Museum of Natural History in Gainesville, is the author of Florida Indians and the Invasion from Europe (UPF, 1995) and Archaeology of Precolumbian Florida (UPF, 1994), among numerous other books.

Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.

From utilitarian arrowheads to beautiful stone effigy pipes to ornately-carved shell disks, the photographs and drawings in Sun Circles and Human Hands present the archaeological record of the art and native crafts of the prehistoric southeastern Indians, painstakingly compiled in the 1950s by two sisters who traveled the eastern United States interviewing archaeologists and collectors and visiting the major repositories. Although research over the last 50 years has disproven many of the early theories reported in the text—which were not the editors' theories but those of the archaeologists of the day—the excellent illustrations of objects no longer available for examination have more than validated the lasting worth of this popular book.

In a pictorial record of Florida's ancient Indians, an artist's detailed paintings and drawings based on historical evidence and his own research re-create the appearance of the lifestyles and cultures of the state's pre-Columbian peoples.

The magnificent art and decorative craftsmanship of the Indian tribes of North America appear in all of their colonial variety and complexity in this superb volume. Examples are included of the work of every major region in the areas now comprising the United States and Canada, of most of the numerically important or artistically pre-eminent tribes, and all of the major techniques employed by Indian artists. No reader of this book can long continue in a misapprehension of the stereotyped image of 'the Indian.' The varying cultures which developed on the North American continent - from the Eskimo hunters of the Arctic to the woodland League of the Iroquois, and from the Pueblo agriculturalists to the nomads of the Great Plains - are all represented. Each found its own ways of using available natural resources for utilitarian objects, for religious and ritual purposes, or for sheer aesthetic pleasure. The book abounds in beautiful examples of characteristics shell and quill work, pottery and weaving, deer and buffalo hide painting, carved stone pipes and tomahawks so commonly associated with Indian cultures. Less familiar are illustrations of mysterious stone effigy sculptures from the death-cults of the ancient Southeast; sophisticated carvings in stone and ivory from the Midwest; elaborate horse-trappings and costuming from the Great Plains; and a fascinating variety of masks. Dr. Dockstader draws upon a thorough knowledge of Indian life, custom and artistic tradition to relate this material to its sources in his introduction and in the extensive background comments accompanying each of the illustrations. He sees the art of the American Indian not as a subject for static sociological research, but as a living and continuing expression of a vital people, and he has included in this book a number of examples of recent and contemporary work by Indian artists.

The comprehensive book on Indian petroglyphs in the Southwest.

"An important achievement. Hudson and Milanich have collaborated on determining the route of de Soto in Florida for several years and this book represents their current conclusions. . . . The world became whole five hundred years ago and Florida was at center stage."--Dan F. Morse, University of Arkansas and Arkansas State University Hernando de Soto, the Spanish conquistador, is legendary in the United States today: counties, cars, caverns, shopping malls, and bridges all bear his name. This work explains the historical importance of his expedition, an incredible journey that began at Tampa Bay in 1539 and ended in Arkansas in 1543. De Soto's exploration, the first European penetration of eastern North America, preceded a demographic disaster for the aboriginal peoples in the region. Old World diseases, perhaps introduced by the de Soto expedition and certainly by other Europeans in the 16th and 17th centuries, killed many thousands of Indians. By the middle of the 18th century only a few remained alive. The de Soto narratives provide the first European account of many of these Indian societies as they were at the time of European contact. This work interprets these and other 16th century accounts in the light of new archaeological information, resulting in a more comprehensive view of the native peoples. Matching de Soto's route and camps to sites where artifacts from the de Soto era have been found, the authors reconstruct his route in Florida and at the same time clarify questions about the social geography and political relationships of the Florida Indians. They link names once known only from documents (e.g., the Uzita, who occupied territory at the de Soto landing site, and the Aguacaleyquen of north peninsular Florida) to actual archaeological remains and sites. Peering through the mists of centuries, Milanich and Hudson enlarge the picture of native groups of Florida at the point of European contact, allowing historians and anthropologists to conceive of these peoples in a new fashion. Jerald T. Milanich is curator of archaeology at the Florida Museum of Natural History, Gainesville. He is coeditor of First Encounters: Spanish Exploration in the Caribbean and the United States, 1492-1570 (UPF, 1989) and cocurator of the "First Encounters" exhibit that has traveled to major museums throughout the United States. He is the author or editor of a number of other books, including Florida Archaeology. Charles Hudson is professor of anthropology at the University of Georgia. He is the author or editor of nine books, including The Southeastern Indians, The Juan Pardo Expeditions, and Four Centuries of Southern Indians. In 1992 he was awarded the James Mooney Award from the Southern Anthropology Society.