On the surface this book spins a fisherman’s tall tale about a ribald angling contest between three middle-aged friends who love (and perhaps hate) each other: a preppy trilingual Machiavelli, an intellectual ghetto pool shark, and a brawny Texan who defies his own macho stereotype. All professional writers, the men have met every autumn for eighteen years at the Big Arsenic Springs on the Río Grande to fly-cast for trout and argue about life, literature, marriage, and eco-Armageddon. Their escapades reveal a spirited paean to a beautiful river gorge, and also a poignant cautionary fable about male friendship and cutthroat competition. As aging cripples them all, tragedy mars the tournament. In this insightful and bittersweet love story, masterful storyteller John Nichols brings to life northern New Mexico and three unforgettable characters.

I Got Mine: Confessions of a Midlist Writer is the memoir of Nichols’ extraordinary life, as seen through the lens of his writing. Everything that went into making him a writer and eventually found an outlet in his work—his education, family, wives, children, friends, enemies, politics, and place—is told from the point of view of his daily practice of writing. Beginning with his first novel, The Sterile Cuckoo, published in 1965 when he was just twenty-four, Nichols shares his highs and lows: his ambivalent relationship with money; his growing disenchantment with the hypocrisy of capitalism; and his love-hate relationship with Hollywood—including the years-long struggle of working with director Robert Redford on the film version of The Milagro Beanfield War, which was filmed around Truchas and featured many of Nichols’ northern New Mexico neighbors. Throughout I Got Mine Nichols spins a shining thread connecting his lifelong engagement with progressive political causes, his passionate interest in and identification with ordinary people, and his deep connection to the land.

‘Every time I leave the world of work, family and community to wade into a river with fly rod in hand, I enter a sacred space that sometimes finds expression in the written word.’ In Casting into Mystery, writer Robert Reid and wood engraver Wesley W. Bates—avid anglers, both—put ink to paper in homage to the venerable sport of fly fishing. Through text and image, they recall with fondness the ‘company of rivers’ each is grateful to know, providing a glimpse inside a sporting culture teeming with literature, art and music. Part memoir, part objet d’art and part field guide, Casting into Mystery will delight passionate fly fishing practitioners and armchair anglers alike.

A dazzling, darkly comic novel by the author of "The Sterile Cuckoo, The Voice of the Butterfly" looks at chaotic relationships fraught with conservation efforts. Funny and touching, Nichols's novel is a wild ride through the lunacies of the postmodern age.

Spanning forty years, the second book in John Nichols's New Mexico trilogy, The Magic Journey, tells the tale of how relentless progress transformed a rural backwater into a boomtown. Boom times came to the forgotten little southwestern town of Chamisaville just as the rest of America was in the Great Depression. They came when a rattletrap bus loaded with stolen dynamite blew sky-high, leaving behind a giant gushing hot spring. Within minutes, the town's wheeler-dealers had organized, and within a year, Chamisaville was flooded with tourists and pilgrims, and the wheeler-dealers were rich. At first, it was a magic time for Chamisaville—almost as if every day were a holiday. But the euphoria gradually dissipated, and the land-hungry developers, speculators, and interlopers moved in. Finally, the day came when Chamisaville's people found themselves all but displaced, their children no longer heirs to their land or their tradition. With mounting intensity, The Magic Journey reaches a climax that is tragically foreordained. A sensitive, vital, and honest chronicle of life in America's Southwest, it is also an incisive commentary on what America has become on its road to progress. The Magic Journey is part of John Nichols's New Mexico trilogy, which includes The Milagro Beanfield War and The Nirvana Blues.

“Very funny, very unpleasant, and very moving.” —Michael Palin Harry Christmas is unable to cope with the death of his wife and has been bouncing from one bad decision to the next. After a terrifying assault by the son of a woman he has conned, he makes up his mind to leave the country. Now Harry Christmas is on the run. On a mission to track down his wife’s ancestral village, Christmas arrives in Venezuela certain that his fortunes are about to improve. He’s dead wrong. Soon out of money and luck, he is forced into yet more deceit—with devastating consequences for those he has fooled. Lost, drunk, and lurching across rural Venezuela, Christmas reaches the point of breakdown. He wakes up in a village at the end of the world. He is hanging by one leg from a tree. Inspired by the mighty Lola Rosa, he tries to crawl out of his spiritual abyss and find a way to live amongst these fishermen and farmers—but love isn’t easy when you are a career liar still married to the dead. As the real trouble begins, can redemption survive? Published in the UK to great acclaim, A Bright Moon for Fools is a comic novel that is as funny as it is heartbreaking. Jasper Gibson’s debut marks the arrival of a bold new voice in fiction. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

In My Heart Belongs to Nature, Nichols records his forty-five-year connection to the Taos valley and its mountains, where he still lives.

The underground world of con men, winos, prostitutes, laborers, and artists has been an abundant source of material for great writers from Dickens to Bukowski. The underground world of Taos, New Mexico, is no different. In the late 1950s this mountain town was higher, brighter, poorer, and farther removed than London, Paris, or Los Angeles, but it was every bit as rich for the explorations of a young writer. Max Evans, the beloved New Mexican writer of such enduring classics of Western fiction as The Rounders and The Hi-Lo Country, returns to form with The King of Taos. Set in the late 1950s, the novel tells the stories of sharp-witted Zacharias Chacon, aspiring artist Shaw Spencer, and a circle of characters who drink, fight, love, argue, and—mostly—talk. Readers will enjoy this witty and moving evocation of unforgettable characters as they look for work, love, comfort, dignity, and bottomless oblivion.

The Milagro Beanfield War is the first book in John Nichols's New Mexico trilogy (“Gentle, funny, transcendent.” —The New York Times Book Review), later adapted to film by Robert Redford. Joe Mondragon, a feisty hustler with a talent for trouble, slammed his battered pickup to a stop, tugged on his gumboots, and marched into the arid patch of ground. Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories. Gradually, the small farmers and sheepmen begin to rally to Joe's beanfield as the symbol of their lost rights and their lost lands. And downstate in the capital, the Anglo water barons and power brokers huddle in urgent conference, intent on destroying that symbol before it destroys their multimillion-dollar land-development schemes. The tale of Milagro's rising is wildly comic and lovingly tender, a vivid portrayal of a town that, half-stumbling and partly prodded, gropes its way toward its own stubborn salvation.