Swearing plays an important role in everyday language. We swear in the streets, at school, universities, at work and at home, on the means of transport, with family and friends. People have used swear words for centuries and they will continue to use them. The Anatomy of Polish Offensive Words examines offensive and vulgar language of young Poles in their everyday life including its forms, uses, manifestations and the ways in which people censor their words and sentences. The book presents a novel viewpoint on people’s psyche since we observe how society reacts to other humans so as to impose taboos by censoring Polish language. This book is the first book written in English on Polish swearing intended for the international reader (both linguists and non-linguists) who can benefit from it. It offers an intriguing look into Polish swear words, their classification in terms of offensiveness both from the perspective of quantitative and qualitative research but also from the AI (Artificial Intelligence) viewpoint. Mixed methods research, i.e., a questionnaire-based study and a corpus-based study, makes the research original. The findings deepen our understanding of swearing and its role in language.

This book offers a precise and rigorous analysis of the meanings of offensive words in Chinese. Adopting a semantic and cultural approach, the authors demonstrate how offensive words can and should be systematically researched, documented and accounted for as a valid aspect of any language. The book will be of interest to academics, practitioners and students of sociolinguistics, language and culture, linguistic taboo, Chinese studies and Chinese linguistics.

Taking as its point of departure Omer Bartov’s acclaimed Anatomy of a Genocide, this volume brings together previously unknown accounts by three individuals from Buczacz. These rare narratives give personal glimpses into daily life in unsettled times: a Polish headmaster during World War I, a Ukrainian teacher and witness to both Soviet and German rule, and a Jewish radio technician, genocide survivor, and member of the Polish resistance. Together, they offer a prismatic perspective on a world remote from our own that nonetheless helps us understand how people not unlike ourselves responded to mass violence and destruction.

'A fabulous read' - Gillian Tett, author of Anthro-Vision: How Anthropology Can Explain Business and Life 'Learned but witty' - Nigel Barley, author of The Innocent Anthropologist: Notes from a Mud Hut An entertaining anthropological tour through the big answers to life’s little questions. Why do farts evoke laughter and disgust? Is the aversion to the left hand universal? Are dogs really humankind’s best friend? Why do we tip wait staff but not teachers? In Silent but Deadly: The Underlying Cultural Patterns of Everyday Behaviour, Kirsten Bell, an anthropologist who has lived in five countries on four continents—and learned about cultural gaffes by constantly committing them—places our everyday behaviours under the microscope. Boldly going where no anthropologist has gone before, no topic is too small or insignificant for Bell’s attention, whether it’s washing machines in kitchens, buying rounds at the pub, toilet paper, or searing. The kind of book Jared Diamond might write if he was more concerned with the meanings of bodily emissions than the collapse of civilizations, Silent but Deadly deciphers the cultural patterns that underlie our everyday quirks, foibles, and habits.

'A meticulous guide not only to the vagina but to changing perceptions of womanhood' OBSERVER 'An empowering and enlightening book' IRISH TIMES The vagina is the ultimate symbol of female power. Sexual power, creative power and the power to prevent harm. For too long, though, the true extent of vaginal power has been ignored, hidden and misrepresented. Raising the skirt: the unsung power of the vagina reveals this revolutionary view of female genitalia and points the way to a new understanding of what it means to be female. An inspiration for millennia, the vagina is actually a muscular marvel of engineering - sensitive and strong, fluid and flexible. Far from being a passive vessel, female genitalia control the most important role of all: the survival of the species. Originally published as THE STORY OF V: OPENING PANDORA'S BOX

In July 1980, two weeks before the Gdansk shipyard strikes, Roman Laba arrived in Poland as an American graduate student. He stayed there for almost two and a half years before he was arrested and expelled from the country for "activities noxious to the interests of the Polish state." Laba had set himself the ambitious task of documenting the history of Poland's free trade union. Martial law was in force for the last year of his stay, but even during that time he continued his rescue of the unique historical materials that contribute so much to Roots of Solidarity. The book uses this hard-earned information to challenge the commonly accepted view of the Polish intelligentsia as the driving force behind Solidarity and to demonstrate that the roots of the movement go back a decade earlier than the 1980 strikes. Laba presents compelling evidence that Solidarity emerged directly from the activities of workers in the 1970s along the Baltic coast. It was not the intellectual elite but these workers, independent of and unknown to the rest of Poland, who created three crucial strategies for struggle against oppression: the sit-down strike, the interfactory strike committee, and the demand for free trade unions independent of the party state. This concise and provocative work is divided into two parts. The first is a narrative of the creation of Solidarity. The second shows how workers' resistance to the Leninist state gradually generated new forms of democratic organizations and politics. Laba criticizes elitist ways of understanding social movements and also presents an unusual analysis of Solidarity's ritual symbolism. In addition, new evidence transforms our understanding of the role of the police and the army in a one-party state. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

After Words investigates how the suicide of an author informs critical interpretations of the author's works. Suicide itself is a form of authorship as well as a revision, both on the part of the author, who has written his or her final scene and revised the `natural' course of his or her life, and on the part of the reader, who must make sense of this final act of writing. Elizabeth Leake focuses on twentieth-century Italian writers Guido Mor-selli, Amelia Rosselli, Cesare Pavese, and Primo Levi, examining personal correspondence, diaries, and obituaries along with popular and academic commemorative writings to elucidate the ramifications of the authors' suicides for their readership. She argues that authorial suicide points to the limitations of those critical stances that exclude the author from the practice of reading. In this innovative and accessible assessment of some of the key issues of authorship, Leake shows that in the aftermath of suicide, an author's life and death themselves become texts to be read.