The mountain community of Amden am Walensee (Switzerland) was a place of social and artistic experiments as early as the beginning of the 20th century. In the last 15 years, many artists have been invited to exhibit in the Amden Atelier, a small farm, or to use the facilities for the production of a work of art. This publication includes all exhibitions and installations staged since 1999 and describes and discusses the individual art projects. The work is complemented by essays on the landscape, the place and its change of use to an exhibition space, on the curating concept and its development in recent years.

the albion gallery, london presents a large show of ink on canvas drawings made by joep van lieshout, the founder of atelier van lieshout, along with several large models, made by atelier van lieshout. the show is all about life and work in slavecity, a dystopian metropolis. joep van lieshout has been developing this project since 2005.together with the exhibition a publication of new and recent drawings of joep van lieshout will be presented. it is the first publication of drawings of joep van lieshout (19 color and 64 b&w illustrations). the book features a conversation between joep van lieshout and winy maas, architect and one of the founders of architect office MVRDV, based in rotterdam.

"The housing projects built in Camden in the 1960s and 1970s when Sydney Cook was borough architect are widely regarded as the most important urban housing built in the UK in the past 100 years. Cook recruited some of the brightest talent available in London at the time and the schemes, which included Alexandra Road, Branch Hill, Fleet Road, Highgate New Town and Maiden Lane, set out a model of housing that continues to command interest and admiration from architects to this day. The Camden projects represented a new type of urban housing based on a return to streets with front doors. In place of tower blocks, the Camden architects showed how the required densities could be achieved without building high, creating a new kind of urbanism that integrated with, rather than broke from, its cultural and physical context. This book examines how Cook and his team created this new kind of housing, what it comprised, and what lessons it offers for today. New colour photographs combine with original black and white photography to give a fascinating 'then and now' portrayal not just of the buildings but also of the homes within and the people who live there."--Site web de l'éidteur.

In the midst of spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices. The Chthulucene, Haraway explains, requires sym-poiesis, or making-with, rather than auto-poiesis, or self-making. Learning to stay with the trouble of living and dying together on a damaged earth will prove more conducive to the kind of thinking that would provide the means to building more livable futures. Theoretically and methodologically driven by the signifier SF—string figures, science fact, science fiction, speculative feminism, speculative fabulation, so far—Staying with the Trouble further cements Haraway's reputation as one of the most daring and original thinkers of our time.

New Tribal Labyrinth offers a survey of works from the eponymous ongoing project by Atelier Van Lieshout, the internationally recognized studio of Dutch artist Joep van Lieshout. This publication reflects on our extremely advanced and complex society, in which over-consumption and limited raw materials play a crucial role. In Atelier Van Lieshout's vision, this will lead to conflict and the subsequent emergence of a new world order, with groups of people organizing themselves in tribes instead of nation-states. This new tribal world will see a return to farming and industry--which currently both have been banished from our society--and a re-establishment of our relationship with materials which now has been lost. The book--published in collaboration with GRIMM gallery--is richly illustrated, showcasing not only the finished works of the artist but also how some of the pieces were made by van Lieshout and his team in their Rotterdam studio. Joep van Lieshout lives and works in Rotterdam. Since the early 1980s, he has produced objects primarily in brightly colored polyester, the material that would become his trademark in subsequent years. Over the years he has gained international recognition for objects that balance on the boundary between art, architecture, and design. These works of art are practical, uncomplicated, and substantial. Recurring themes in the work of van Lieshout are autarky, power, politics, and the more classical themes of life and death.

Suffrage and the Arts re-establishes the central role that artistic women and men-from jewellers, portrait painters, embroiderers, through to retailers of 'artistic' products-played in the suffrage campaign in the British Isles. As political individuals, they were foot soldiers who helped sustain the momentum of the movement and as designers, makers and sellers they spread the message of the campaign to new local, national and international audiences, mediating how suffrage activism was understood by society at large. Published to coincide with the centenary of the 1918 Representation of the People Act, which granted the vote to women over the age of thirty meeting a property qualification, this edited collection offers a range of new perspectives and readings of the outpouring of creative responses to the campaign. Contributors, who include historians, art historians, curators, museum professionals and suffrage experts, call upon the historiographical developments of the last thirty years, alongside new archival discoveries, to showcase the vibrancy of ongoing research in this area. Throughout, chapters investigate the wider socio-cultural backdrop to suffrage and the women's movement, the difficult choices that were made between professional, artistic aspirations and political commitment, and how institutional and informal networks influenced creative expression and participation in feminist politics. From shining light on the use of portraiture to bolster the cultural cachet of the militant Women's Social and Political Union, uncovering the links between Victorian interior design, enterprise and suffrage, through to questioning the supposed conservativism of women's art institutions during the campaign and in the inter-war era, Suffrage and the Arts is a timely and important collection which will contribute to a number of scholarly fields.

"This book is about the many ways in which people are creating new and more effective answers to the biggest challenges of our times: how to cut our carbon footprint; how to keep people healthy; and how to end poverty. It describes the methods and tools for innovation being used across the world and across different sectors – the public and private sectors, civil society and the household – in the overlapping fields of the social economy, social entrepreneurship and social enterprise. It draws on inputs from hundreds of organisations to document the many methods currently being used around the world." -- Back cover.

With contributions from Cheryl Strayed, Mark Cuban, Ta-Nahesi Coates, Melinda Gates, Joss Whedon, James Patterson, and many more -- this fascinating collection gives us a peek into 150 personal treasures and the secret histories behind them. All of us have that one object that holds deep meaning--something that speaks to our past, that carries a remarkable story. Bestselling author Bill Shapiro collected this sweeping range of stories--he talked to everyone from renowned writers to Shark Tank hosts, from blackjack dealers to teachers, truckers, and nuns, even a reformed counterfeiter--to reveal the often hidden, always surprising lives of objects.

68 artistas suizos e internacionales analizan a través de sus obras los valores cambiantes e identidades desplazadas como consecuencia de la globalización contemporánea.