New Tribal Labyrinth offers a survey of works from the eponymous ongoing project by Atelier Van Lieshout, the internationally recognized studio of Dutch artist Joep van Lieshout. This publication reflects on our extremely advanced and complex society, in which over-consumption and limited raw materials play a crucial role. In Atelier Van Lieshout's vision, this will lead to conflict and the subsequent emergence of a new world order, with groups of people organizing themselves in tribes instead of nation-states. This new tribal world will see a return to farming and industry--which currently both have been banished from our society--and a re-establishment of our relationship with materials which now has been lost. The book--published in collaboration with GRIMM gallery--is richly illustrated, showcasing not only the finished works of the artist but also how some of the pieces were made by van Lieshout and his team in their Rotterdam studio. Joep van Lieshout lives and works in Rotterdam. Since the early 1980s, he has produced objects primarily in brightly colored polyester, the material that would become his trademark in subsequent years. Over the years he has gained international recognition for objects that balance on the boundary between art, architecture, and design. These works of art are practical, uncomplicated, and substantial. Recurring themes in the work of van Lieshout are autarky, power, politics, and the more classical themes of life and death.

Humans’ first attempts to record their thoughts resulted in images painted in the decorated caves throughout Europe, known as Upper Paleolithic Art. As humans developed written alphabets to record their thoughts in words, the images they painted and the words they wrote competed for attention. As the “Sister Arts” tradition attests, words and pictures have developed along distinct, though related, lines. With the rise of New Media, however, the innovative inter-animation of words and pictures in the screen space of the computer deserves – and requires – artists and designers and rhetoricians to take a fresh look at the complexities of human communication, particularly the way in which words and pictures share commonalities. The range of image-texts, from cave to computer, from palimpsests to pixels, demands critical attention from modern designers who create innovative image-texts for New Media. Eloquent Design: Essays on the Rhetorics of Vision explores ancient image-making as a basis for understanding the modern uses of image-texts in New Media. Eloquent Design also considers the current state of imaginative design from the Sister Arts tradition to Gestalt theories of vision to social semiotics of image-texts. Moreover, Eloquent Design proposes a generative method for creating image-texts, a technique called “Rhetorical Vision.” Applications of the generative mode of Rhetorical Vision give rise to the innovative designs of palimpsests and experimental modes of writing, such as creative nonfiction. Essays in Eloquent Design outline a method for teaching Rhetorical Vision as the inter-animation of words and pictures.

Inspirational interviews with 28 world-renowned designers and architects shed light on the experiences that have influenced their lives and work. The regular feature What I’ve Learned in Frame magazine opens the door for readers to discover more about their favourite designers and architects. In candid interviews, these individuals reflect on the path their careers have taken them and the industry at large, offering the reader the possibility to take a shortcut and learn from their experiences. Revisiting a selection of these interviews for compilation into this new book, What I’ve Learned includes new material and further insights. The book also features the most important projects or products with which these established creatives made their name, but in a personal way, with the intricacies of real-life woven in. The creative conversations illustrated in this title demonstrate the strengths and inspirational vision of personalities such as Tadao Ando, Jaime Hayon, Hella Jongerius, Daniel Libeskind, Bernard Tschumi and Patricia Urquiola. Features - What I’ve Learned is based on the eponymous section in Frame magazine. - Established designers and architects reflect on their lives, careers and the industry, with their stories presented in the first person. - The book shows not just portraits of the creatives but also an overview of their best work, and the challenges they face. - Featured are personalities such as Tadao Ando, Jaime Hayon, Hella Jongerius, Daniel Libeskind, Bernard Tschumi and Patricia Urquiola.

Monthly current affairs magazine from a Christian perspective with a focus on politics, society, economics and culture.

the albion gallery, london presents a large show of ink on canvas drawings made by joep van lieshout, the founder of atelier van lieshout, along with several large models, made by atelier van lieshout. the show is all about life and work in slavecity, a dystopian metropolis. joep van lieshout has been developing this project since 2005.together with the exhibition a publication of new and recent drawings of joep van lieshout will be presented. it is the first publication of drawings of joep van lieshout (19 color and 64 b&w illustrations). the book features a conversation between joep van lieshout and winy maas, architect and one of the founders of architect office MVRDV, based in rotterdam.

Malice Is Out, Monsters Are Loose, and You're Having a Bad Hair Day -- Prima Can Help! - Detailed maps with all hidden items and treasure chests revealed - Complete stats for every monster and boss - Unlock the Potential of Stellar Magic - Every side quest covered - Every item, weapon, and armor piece included - Master the Judgment Ring Battle System - Find every Ring Fragment and Stellar spell

According to legend, anyone who wandered into the labyrinth in Ancient Crete never came out again. Some labyrinths may have offered patterns for an erotic spring dance. Those on the floors of Medieval cathedrals represent mathematical perfection–and walking their paths was a symbolic approach to the divine. From ancient Mediterranean coin patterns to the great French cathedral labyrinths to contemporary cornfield mazes, labyrinths and mazes have appeared all over the world, but never have so many been created as in today’s revival, on farms, and in parks, churches, hospitals, and spas across the country. In his charmingly quirky investigation of an image that has inspired countless beautiful patterns and mysterious practices, David Willis McCullough offers an irresistible way to enjoy their enduring appeal.

The race to explore the Congo's dwindling biodiversity and unlock its ancient secrets

Author Adrian Fisher explores the maze in history, describing puzzles created byt he Greeks, Romans, and Egyptians. He probes ancient and modern methods of design and the psychology of maze-solving. 100 full-color and 25 black-and-white photographs; 25 line drawings.

​This book presents the outcomes of the symposium “NEW METROPOLITAN PERSPECTIVES,” held at Mediterranea University, Reggio Calabria, Italy on May 26–28, 2020. Addressing the challenge of Knowledge Dynamics and Innovation-driven Policies Towards Urban and Regional Transition, the book presents a multi-disciplinary debate on the new frontiers of strategic and spatial planning, economic programs and decision support tools in connection with urban–rural area networks and metropolitan centers. The respective papers focus on six major tracks: Innovation dynamics, smart cities and ICT; Urban regeneration, community-led practices and PPP; Local development, inland and urban areas in territorial cohesion strategies; Mobility, accessibility and infrastructures; Heritage, landscape and identity;and Risk management,environment and energy. The book also includes a Special Section on Rhegion United Nations 2020-2030. Given its scope, the book will benefit all researchers, practitioners and policymakers interested in issues concerning metropolitan and marginal areas.