Current historiography on aspects of Bahamian history presents limited research on the African presence in the islands, irrespective of the fact that arguably 85% of the population of that country is represented by such persons. One primary objective of this book is to begin to more adequately address this literary ommission by presenting an initial comprehensive work on the subject. The book attempts to trace the origin of this migration by focusing on some of the primary dynamics of ethnicity within the context of the geo-politics and geo-economics of the emerging Atlantic world. It is hoped that the reader will emerge with a greater awareness of, and wider insight into Bahamian history, and, the Bahamian majority will leave with a greater sense of what it truly means to be a Bahamian....

"An excellent case study of a little-studied and poorly known community experiencing the processes of identity formation and culture change."--Brent R. Weisman, University of South Florida This is the first full-length ethnography of a unique community within the African diaspora. Rosalyn Howard traces the history of the isolated "Red Bays" community of the Bahamas, from their escape from the plantations of the American South through their utilization of social memory in the construction of new identity and community. Some of the many African slaves escaping from southern plantations traveled to Florida and joined the Seminole Indians, intermarried, and came to call themselves Black Seminoles. In 1821, pursued and harassed by European Americans through the First Seminole War, approximately 200 members of this group fled to Andros Island, where they remained essentially isolated for nearly 150 years. Drawing on archival and secondary sources in the United States and the Bahamas as well as interviews with members of the present-day Black Seminole community on Andros Island, Howard reconstructs the story of the Red Bays people. She chronicles their struggles as they adapt to a new environment and forge a new identity in this insular community and analyzes the former slaves' relationship with their Native American companions. Black Seminoles in contemporary Red Bays number approximately 290, the majority of whom are descended directly from the original settlers. As part of her research, Howard lived for a year in this small community, recording its oral history and analyzing the ways in which that history informed the evolving identity of the people. Her treatment dispels the air of mystery surrounding the Black Seminoles of Andros and provides a foundation for further anthropological and historical investigations.

This deeply researched, clearly written book is a history of black society and its relations with whites in the Bahamas from the close of the American Revolution to emancipation. Whittington B. Johnson examines the communities developed by free, bonded, and mixed-race blacks on the islands as British colonists and American loyalists unsuccessfully tried to establish a plantation economy. The author explores how relations between the races developed civilly in this region, contrasting it with the harsher and more violent experiences of other Caribbean islands and the American South. Interpreting church documents and Colonial Office papers in a new light, Johnson presents a more favorable conclusion than previously advanced about the conditions endured by victims of the African Diaspora and by Creoles in the Bahama Islands. He makes use of an impressive and important body of archival and secondary research. Race Relations in the Bahamas will be a book of great interest to southern historians, historians of slave societies and black communities, scholars of race relations, and general readers.

"Creatively drawing on documentary sources and oral histories, Tinker offers invaluable insights into the social, political, and economic forces that have helped shape the history of West Indian migrations to the Bahamas--a country that has often been overlooked in Caribbean migration studies."--Frederick H. Smith, author of Caribbean Rum Although the Bahamas is geographically part of the West Indies, its population has consistently rejected attempts to link Bahamian national identity to the histories of its poorer Caribbean neighbors. The result of this attitude has been that the impact of Barbadians, Guyanese, Haitians, Jamaicans, and Turks and Caicos islanders living in the Bahamas has remained virtually unstudied. In this timely volume, Keith Tinker explores the flow of peoples to and from the Bahamas and assesses the impact of various migrant groups on the character of the islands' society and identity. He analyzes the phenomenon of "West Indian elitism" and reveals an intriguing picture of how immigrants--both documented and undocumented--have shaped the Bahamas from the pre-Columbian period to the present. The result is the most complete and comprehensive study of migration to the Bahamas, a work that reminds us that Caribbean migration is about more than just the people who leave the islands for the continents of North America and Europe.

Patrick Manning follows the multiple routes that brought Africans and people of African descent into contact with one another and with Europe, Asia, and the Americas. In joining these stories, he shows how the waters of the Atlantic Ocean, the Mediterranean Sea, and the Indian Ocean fueled dynamic interactions among black communities and cultures and how these patterns resembled those of a number of connected diasporas concurrently taking shaping across the globe. Manning begins in 1400 and traces the connections that enabled Africans to mutually identify and hold together as a global community. He tracks discourses on race, changes in economic circumstance, the evolving character of family life, and the growth of popular culture. He underscores the profound influence that the African diaspora had on world history and demonstrates the inextricable link between black migration and the rise of modernity. Inclusive and far-reaching, The African Diaspora proves that the advent of modernity cannot be fully understood without taking the African peoples and the African continent into account.

"Provides new insights into how enslaved and freed Africans in the New World navigated racialized landscapes while honoring the memories of their dead."--Laurie A. Wilkie, coauthor of Sampling Many Pots: An Archaeology of Memory and Tradition at a Bahamian Plantation "Turner's unique hybrid approach makes this book a valuable resource in the study of the African diaspora."--Rosalyn Howard, author of Black Seminoles in the Bahamas The Anglican Church established St. Matthew's Parish on the eastern side of Nassau to accommodate a population increase after British Loyalists migrated to the Bahamas in the 1780s. The parish had three separate cemeteries: the churchyard cemetery and Centre Burial Ground were for whites, but the Northern Burial Ground was officially consecrated for nonwhites in 1826 by the Bishop of Jamaica. In Honoring Ancestors in Sacred Space, Grace Turner posits that the African-Bahamian community intentionally established this separate cemetery in order to observe non-European burial customs. Analyzing the landscape and artifacts found at the site, Turner shows how the community used this space to maintain a sense of social and cultural belonging despite the power of white planters and the colonial government. Although the Northern Burial Ground was covered by storm surges in the 1920s, and later a sidewalk was built through the site, Turner's fieldwork reveals a wealth of material culture. She points to the cemetery's location near water, trees planted at the heads of graves, personal items left with the dead, and remnants of food offerings as evidence of mortuary practices originating in West and Central Africa. According to Turner, these African-influenced ways of memorializing the dead illustrate W. E. B. Du Bois's idea of "double consciousness"--the experience of existing in two irreconcilable cultures at the same time. Comparing the burial ground with others in Great Britain and the American colonies, Turner demonstrates how Africans in the Atlantic diaspora did not always adopt European customs but often created a separate, parallel world for themselves. A volume in the Florida Museum of Natural History: Ripley P. Bullen Series

Current historiography on aspects of Bahamian history presents limited research on the African presence in the islands, irrespective of the fact that arguably 85% of the population of that country is represented by such persons. One primary objective of this book is to begin to more adequately address this literary ommission by presenting an initial comprehensive work on the subject. The book attempts to trace the origin of this migration by focusing on some of the primary dynamics of ethnicity within the context of the geo-politics and geo-economics of the emerging Atlantic world. It is hoped that the reader will emerge with a greater awareness of, and wider insight into Bahamian history, and, the Bahamian majority will leave with a greater sense of what it truly means to be a Bahamian....

In Jamaican dancehalls competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the aesthetic of Western artists with hip-hop culture in their portraiture. In Shine, Krista Thompson examines these and other photographic practices in the Caribbean and United States, arguing that performing for the camera is more important than the final image itself. For the members of these African diasporic communities, seeking out the camera's light—whether from a cell phone, Polaroid, or video camera—provides a means with which to represent themselves in the public sphere. The resulting images, Thompson argues, become their own forms of memory, modernity, value, and social status that allow for cultural formation within and between African diasporic communities.

This book examines the role music has played in the formation of the political and national identity of the Bahamas. Timothy Rommen analyzes Bahamian musical life as it has been influenced and shaped by the islands’ location between the United States and the rest of the Caribbean; tourism; and Bahamian colonial and postcolonial history. Focusing on popular music in the second half of the twentieth and early twenty-first centuries, in particular rake-n-scrape and Junkanoo, Rommen finds a Bahamian music that has remained culturally rooted in the local even as it has undergone major transformations. Highlighting the ways entertainers have represented themselves to Bahamians and to tourists, Funky Nassau illustrates the shifting terrain that musicians navigated during the rapid growth of tourism and in the aftermath of independence.