The diary also provides never-before-published pictures from wartime Ship Island, including photographs of members of Daniels' regiment, visiting ship captains, and Major Francis E. Dumas - the highest-ranking black officer to see combat during the war. A superb resource in themselves, these photographs will fascinate Civil War enthusiasts. The first published personal narrative by a regimental commander of free black troops, Thank God My Regiment an African One offers a unique glimpse into the daily lives of white leaders of the earliest black soldiers.

"Incredible!... Anyone interested in the hardship, frustration, and courage of soldiers at war will be enthralled by this book." -- James G. Hollandsworth, author of The Louisiana Native Guards Until now, Union army colonel Nathan W. Daniels has been a forgotten man with a forgotten regiment. The white commanding officer of the 2nd Louisiana Native Guard Volunteers, a black regiment, he was removed with his men from mainland military activity and confined to obscure duty on Ship Island, ten miles off the coast of Mississippi. However, as Daniels' intriguing diary documents, despite an unrenowned existence that has earned them little attention from historians, the 2nd Native Guards represent a pioneering stage in the history of black troops at war. The story of the Louisiana Native Guards is essentially the story of the first black commissioned officers in the Civil War. Ordered by General Benjamin F. Butler, the promotion of seventy-six educated, free blacks was an experimental step taken during the early days of black enlistment. However, within one year, nearly all the officers, including their white colonels, were forced out or had resigned in frustration. Daniels lived the tale of these removals and confided his thoughts to his diary, a rare surviving narrative from someone of his rank and position. Woven through daily entries of routine life on the military post are his comments about his responsibilities and frustrations of being caught between the black and white military worlds of the day. He vividly recalls a fierce skirmish on the mainland at East Pascagoula, Mississippi, in which his black troops, having fought superbly, suffered most of their casualties from apparently intentional "friendly" fire from the Union gunboat Jackson, sent there to protect them. In May, 1863, Daniels was arrested in New Orleans on seemingly trifling charges related to his duty on Ship Island. He continued his diary in the Federally occupied city, giving fascinating details of life there and chronicling his slow torture in the machinery of the military bureaucracy. He eventually separated from the army under circumstances that remain curious. The diary also provides never-before-published pictures from wartime Ship Island, including photographs of members of Daniels' regiment, visiting ship captains, and Major Francis E. Dumas -- the highest-ranking black officer to see combat during the war. A superb resource in and of themselves, these photographs will fascinate Civil War enthusiasts. The first published personal narrative by a regimental commander of free black troops, Thank God My Regiment an African One offers a unique glimpse into the daily lives of white leaders of the earliest black soldiers. It is a significant contribution to the ongoing documentation of the experience of black troops in the Civil War.

Modern American Spiritualism blossomed in the 1850s and continued as a viable faith into the 1870s. Because of its diversity and openness to new cultures and religions, New Orleans provided fertile ground to nurture Spiritualism, and many séance circles flourished in the Creole Faubourgs of Tremé and Marigny as well as the American sector of the city. Melissa Daggett focuses on Le Cercle Harmonique, the francophone séance circle of Henry Louis Rey (1831-1894), a Creole of color who was a key civil rights activist, author, and Civil War and Reconstruction leader. His life has so far remained largely in the shadows of New Orleans history, partly due to a language barrier. Spiritualism in Nineteenth-Century New Orleans focuses on the turbulent years between the late antebellum period and the end of Reconstruction. Translating and interpreting numerous primary sources and one of the only surviving registers of séance proceedings, Daggett has opened a window into a fascinating life as well as a period of tumult and change. She provides unparalleled insights into the history of the Creoles of color and renders a better understanding of New Orleans's complex history. The author weaves an intriguing tale of the supernatural, of chaotic post-bellum politics, of transatlantic linkages, and of the personal triumphs and tragedies of Rey as a notable citizen and medium. Wonderful illustrations, reproductions of the original spiritual communications, and photographs, many of which have never before appeared in published form, accompany this study of Rey and his world.

Recruited primarily from the gentle farmlands of central New York, the men of the Twenty-Sixth New York Volunteer Infantry were among the first to answer their nation's call during the Civil War. Death soon wrapped its cold arms around the regiment, whose losses were great. More often than not the Twenty-Sixth was placed in difficult or impossible tactical situations, which resulted in their being forced to leave the field in disorder. They did their best. This work covers the regiment's entire two-year term of enlistment from May 1861 to May 1863. It draws upon numerous unpublished letters and diaries from the collections of individuals, private libraries and public institutions, as well as contemporary newspapers and obscure government documents. Appendices cover the order of command within campaigns and post assignments. Also included is a regimental roster listing the 1,182 men who served in the Twenty-Sixth.

This four-volume set examines every social movement in American history - from the great struggles for abolition, civil rights, and women's equality to the more specific quests for prohibition, consumer safety, unemployment insurance, and global justice.

In The Allure of Blackness among Mixed-Race Americans, 1862–1916, Ingrid Dineen-Wimberly examines generations of mixed-race African Americans after the Civil War and into the Progressive Era, skillfully tracking the rise of a leadership class in Black America made up largely of individuals who had complex racial ancestries, many of whom therefore enjoyed racial options to identity as either Black or White. Although these people might have chosen to pass as White to avoid the racial violence and exclusion associated with the dominant racial ideology of the time, they instead chose to identify as Black Americans, a decision that provided upward mobility in social, political, and economic terms. Dineen-Wimberly highlights African American economic and political leaders and educators such as P. B. S. Pinchback, Theophile T. Allain, Booker T. Washington, and Frederick Douglass as well as women such as Josephine B. Willson Bruce and E. Azalia Hackley who were prominent clubwomen, lecturers, educators, and settlement house founders. In their quest for leadership within the African American community, these leaders drew on the concept of Blackness as a source of opportunities and power to transform their communities in the long struggle for Black equality. The Allure of Blackness among Mixed-Race Americans, 1862–1916 confounds much of the conventional wisdom about racially complicated people and details the manner in which they chose their racial identity and ultimately overturns the “passing” trope that has dominated so much Americanist scholarship and social thought about the relationship between race and social and political transformation in the nineteenth and twentieth centuries.

Inspired and informed by the latest research in African American, military, and social history, the fourteen original essays in this book tell the stories of the African American soldiers who fought for the Union cause. An introductory essay surveys the history of the U.S. Colored Troops (USCT) from emancipation to the end of the Civil War. Seven essays focus on the role of the USCT in combat, chronicling the contributions of African Americans who fought at Port Hudson, Milliken's Bend, Olustee, Fort Pillow, Petersburg, Saltville, and Nashville. Other essays explore the recruitment of black troops in the Mississippi Valley; the U.S. Colored Cavalry; the military leadership of Colonels Thomas Higginson, James Montgomery, and Robert Shaw; African American chaplain Henry McNeal Turner; the black troops who occupied postwar Charleston; and the experiences of USCT veterans in postwar North Carolina. Collectively, these essays probe the broad military, political, and social significance of black soldiers' armed service, enriching our understanding of the Civil War and African American life during and after the conflict. The contributors are Anne J. Bailey, Arthur W. Bergeron Jr., John Cimprich, Lawrence Lee Hewitt, Richard Lowe, Thomas D. Mays, Michael T. Meier, Edwin S. Redkey, Richard Reid, William Glenn Robertson, John David Smith, Noah Andre Trudeau, Keith Wilson, and Robert J. Zalimas Jr.

The Civil War brought many forms of upheaval to America, not only in waking hours but also in the dark of night. Sleeplessness plagued the Union and Confederate armies, and dreams of war glided through the minds of Americans in both the North and South. Sometimes their nightly visions brought the horrors of the conflict vividly to life. But for others, nighttime was an escape from the hard realities of life and death in wartime. In this innovative new study, Jonathan W. White explores what dreams meant to Civil War–era Americans and what their dreams reveal about their experiences during the war. He shows how Americans grappled with their fears, desires, and struggles while they slept, and how their dreams helped them make sense of the confusion, despair, and loneliness that engulfed them. White takes readers into the deepest, darkest, and most intimate places of the Civil War, connecting the emotional experiences of soldiers and civilians to the broader history of the conflict, confirming what poets have known for centuries: there are some truths that are only revealed in the world of darkness.

This study of military historiography examines the changing narrative of the Battle of New Orleans through two centuries of commemoration. Once celebrated on par with the Fourth of July, the anniversary of the Battle of New Orleans is no longer a day of reverence for most Americans. The United States’ stunning defeat of the British army on January 8th, 1815, gave rise to the presidency of Andrew Jackson, the Democratic Party, and the legend of Jean Laffite. Yet the battle has not been a national holiday since 1861. Joseph F. Stoltz III explores how generations of Americans have consciously revised, reinterpreted, and reexamined the memory of the conflict to fit the cultural and social needs of their time. Combining archival research with deep analyses of music, literature, theater, and film across two centuries of American popular culture, Stoltz highlights the myriad ways in which politicians, artists, academics, and ordinary people have rewritten the battle’s history. From Andrew Jackson’s presidential campaign to the occupation of New Orleans by the Union Army to the Jim Crow era, the continuing reinterpretations of the battle alienated whole segments of the American population from its memorialization. Thus, a close look at the Battle of New Orleans offers an opportunity to explore not just how events are collectively remembered across generations but also how a society discards memorialization that is no longer necessary or palatable.

During the Civil War, humans impacted plants and animals on an unprecedented scale as soldiers on both sides waged the most environmentally destructive war ever on American soil. In Flora and Fauna of the Civil War, Kelby Ouchley blends traditional and natural history to create a unique text that explores both the impact of the Civil War on the surrounding environment and the reciprocal influence of plants and animals on the war effort. After discussing the physical setting of the war and exploring humans' attitudes toward nature during the Civil War period, Ouchley presents the flora and fauna by individual species or closely related group in the words of the participants themselves. Collectively, no better sources exist to reveal human attitudes toward the environment in the Civil War era.