A history of the Black Power movement in the United States traces the origins and evolution of the influential movement and examines the ways in which Black Power redefined racial identity and culture. With the rallying cry of "Black Power!" in 1966, a group of black activists, including Stokely Carmichael and Huey P. Newton, turned their backs on Martin Luther King's pacifism and, building on Malcolm X's legacy, pioneered a radical new approach to the fight for equality. [This book] is a history of the Black Power movement, that storied group of men and women who would become American icons of the struggle for racial equality. In the book, the author traces the history of the men and women of the movement, many of them famous or infamous, others forgotten. It begins in Harlem in the 1950s, where, despite the Cold War's hostile climate, black writers, artists, and activists built a new urban militancy that was the movement's earliest incarnation. In a series of character driven chapters, we witness the rise of Black Power groups such as the Student Nonviolent Coordinating Committee and the Black Panthers, and with them, on both coasts of the country, a fundamental change in the way Americans understood the unfinished business of racial equality and integration. The book invokes the way in which Black Power redefined black identity and culture and in the process redrew the landscape of American race relations.

On the night of December 1,1900, Iowa farmer John Hossack was attacked and killed while he slept at home beside his wife, Margaret. On April 11, 1901, after five days of testimony before an all-male jury, Margaret Hossack was found guilty of his murder and sentenced to life in prison. One year later, she was released on bail to await a retrial; jurors at this second trial could not reach a decision, and she was freed. She died August 25, 1916, leaving the mystery of her husband's death unsolved. The Hossack tragedy is a compelling one and the issues surrounding their domestic problems are still relevant today, Margaret's composure and stoicism, developed during years of spousal abuse, were seen as evidence of unfeminine behavior, while John Hossack--known to be a cruel and dangerous man--was hailed as a respectable husband and father. Midnight Assassin also introduces us to Susan Glaspell, a journalist who reported on the Hossack murder for the Des Moines Daily, who used these events as the basis for her classic short story, " A Jury of Her Peers", and the famous play Trifles. Based on almost a decade of research, Midnight Assassin is a riveting story of loneliness, fear, and suffering in the rural Midwest.

Corporate America is no longer content doing what it does best, which is making money. These business behemoths are aggressively attempting to control the entire economic, cultural and political realms of American life. They have nearly succeeded. Most Americans would agree that corporate power should be prohibited from disrupting the natural rhythm of our democratic institutions. Yet we the people are thwarted from addressing the subject of corporate power, not because we do not wish to have the conversation, but because we have nobody to address the issue. Our political representatives, hostages as they are to corporate campaign donations and government lobbyists, cannot seriously debate the question of corporate power. Indeed, their very careers depend on corporate power. Meanwhile, the media, the so-called Fourth Estate, refuses to discuss the issue of excessive corporate power because the media itself is a corporation. At the same time, the consequences of excessive corporate power are becoming acutely obvious inside of the corporate universe. Today, fewer U.S. workers are spending more time on the job to produce a greater amount of products, while not receiving fair recompense. Meanwhile, wages for American workers, adjusted for inflation, have remained stagnant for the past 30 years, while U.S. vacation time in the United States is the lowest of all the industrial economies. The blatant lack of representation in the workplace is directly responsible for these shameful statistics. Just 7 percent of the American workforce today enjoys union representation, a percentage that pales in comparison with past generations. There is also the question of corporations disrupting the fabric of cultural life. Indeed, today Main Street U.S.A. is largely unrecognizable. This can be witnessed in everything from the preponderance of fast food restaurants and hyper-stores, to Corporate America's aggressive monopoly on all forms of entertainment, which is on a downward spiral to total degeneracy. Since corporate-owned cultural venues (e.g., television, film, books) have more influence over our children than do educational institutions, it should come as no surprise that violence and unsocial behavior is on the rise. History has already proven that no nation can survive for long once its moral fabric has been shredded. Finally, the symptoms of extreme levels of corporate power in our lives are becoming increasingly conspicuous in a variety of ways. From the rise of destructive behavior at home, to the sadistic treatment prisoners of war in foreign lands (read: Guantanamo Bay), to the reckless disregard for the collapse of the natural environment, something has gone awry in the heart of America (I call it 'corporate zombyism'). The nature of the problem suggests that the American psyche is being guided and influenced by less than respectable influences. Since it is Corporate America that is largely responsible for the degraded mental and physical content that we are now feeding the people, this institution must accept a large part of the blame for America's fall from grace. The time has come to tame this beast of burden; the time has come to remove corporate power from the halls of power. It is time for the American people - like their proud and independent ancestors who founded this country many years ago - to regain control of their country once again.

A provocative, comprehensive history of American executions from colonial days to the present.

Rainbow at Midnight details the origins and evolution of working-class strategies for independence during and after World War II. Arguing that the 1940s may well have been the most revolutionary decade in U.S. history, George Lipsitz combines popular culture, politics, economics, and history to show how war mobilization transformed the working class and how that transformation brought issues of race, gender, and democracy to the forefront of American political culture. This book is a substantially revised and expanded work developed from the author's heralded 1981 Class and Culture in Cold War America.

A New York Times bestseller, The Midnight Assassin is a sweeping narrative history of a terrifying serial killer--America's first--who stalked Austin, Texas in 1885. In the late 1800s, the city of Austin, Texas was on the cusp of emerging from an isolated western outpost into a truly cosmopolitan metropolis. But beginning in December 1884, Austin was terrorized by someone equally as vicious and, in some ways, far more diabolical than London's infamous Jack the Ripper. For almost exactly one year, the Midnight Assassin crisscrossed the entire city, striking on moonlit nights, using axes, knives, and long steel rods to rip apart women from every race and class. At the time the concept of a serial killer was unthinkable, but the murders continued, the killer became more brazen, and the citizens' panic reached a fever pitch. Before it was all over, at least a dozen men would be arrested in connection with the murders, and the crimes would expose what a newspaper described as "the most extensive and profound scandal ever known in Austin." And yes, when Jack the Ripper began his attacks in 1888, London police investigators did wonder if the killer from Austin had crossed the ocean to terrorize their own city. With vivid historical detail and novelistic flair, Texas Monthly journalist Skip Hollandsworth brings this terrifying saga to life.

A biography of the patriot who had many trades, among them silver work, engraving, and dentistry.

A New York Times Notable Book for 2011 A Library Journal Top Ten Best Books of 2011 A Boston Globe Best Nonfiction Book of 2011 Bestselling author Tony Horwitz tells the electrifying tale of the daring insurrection that put America on the path to bloody war Plotted in secret, launched in the dark, John Brown's raid on Harpers Ferry was a pivotal moment in U.S. history. But few Americans know the true story of the men and women who launched a desperate strike at the slaveholding South. Now, Midnight Rising portrays Brown's uprising in vivid color, revealing a country on the brink of explosive conflict. Brown, the descendant of New England Puritans, saw slavery as a sin against America's founding principles. Unlike most abolitionists, he was willing to take up arms, and in 1859 he prepared for battle at a hideout in Maryland, joined by his teenage daughter, three of his sons, and a guerrilla band that included former slaves and a dashing spy. On October 17, the raiders seized Harpers Ferry, stunning the nation and prompting a counterattack led by Robert E. Lee. After Brown's capture, his defiant eloquence galvanized the North and appalled the South, which considered Brown a terrorist. The raid also helped elect Abraham Lincoln, who later began to fulfill Brown's dream with the Emancipation Proclamation, a measure he called "a John Brown raid, on a gigantic scale." Tony Horwitz's riveting book travels antebellum America to deliver both a taut historical drama and a telling portrait of a nation divided—a time that still resonates in ours.

Hal Donaldson spent nights in the streets of eight cities, where he also rode with the police on the midnight shift. Read the riveting stories of his encounters with gang members, drug dealers, prostitutes, runaways, the homeless and more.

“One of the 50 Best Nonfiction Books of the Last 25 Years”—Slate On New Year’s Day 2013, two-time Pulitzer Prize winner Gene Weingarten asked three strangers to, literally, pluck a day, month, and year from a hat. That day—chosen completely at random—turned out to be Sunday, December 28, 1986, by any conventional measure a most ordinary day. Weingarten spent the next six years proving that there is no such thing. That Sunday between Christmas and New Year’s turned out to be filled with comedy, tragedy, implausible irony, cosmic comeuppances, kindness, cruelty, heroism, cowardice, genius, idiocy, prejudice, selflessness, coincidence, and startling moments of human connection, along with evocative foreshadowing of momentous events yet to come. Lives were lost. Lives were saved. Lives were altered in overwhelming ways. Many of these events never made it into the news; they were private dramas in the lives of private people. They were utterly compelling. One Day asks and answers the question of whether there is even such a thing as “ordinary” when we are talking about how we all lurch and stumble our way through the daily, daunting challenge of being human.