On a planet where men are contained in ghettoised isolation, women enjoy the fruits of a queer matriarchal utopia -- until a boy escapes and a young woman's perception of the world is violently interupted. Two old friends enjoy cocktails on a holiday resort planet where all is not as it seems. A bickering couple emigrate to a world that has worked out an innovative way to side-step the need for war, only to bring their quarrels (and something far more destructive) with them. And in the title story, Suzuki offers readers a tragic and warped mirroring of her own final days as the tyranny of enforced screen-time and the mechanistion of labour bring about a shattering psychic collapse. At turns nonchalantly hip and charmingly deranged, Suzuki's singular slant on speculative fiction would be echoed in countless later works, from Margaret Atwood and Harumi Murakami, to Black Mirror and Ex Machina. In these darkly playful and punky stories, the fantastical elements are always earthed by the universal pettiness of strife between the sexes, and the gritty reality of life on the lower rungs, whatever planet that ladder might be on.

Named a Most Anticipated Book of 2021 by Thrillist, The Millions, Frieze, and Metropolis Japan The first English language publication of the work of Izumi Suzuki, a legend of Japanese science fiction and a countercultural icon At turns nonchalantly hip and charmingly deranged, Suzuki's singular slant on speculative fiction would be echoed in countless later works, from Margaret Atwood and Harumi Murakami, to Black Mirror and Ex Machina. In these darkly playful and punky stories, the fantastical elements are always earthed by the universal pettiness of strife between the sexes, and the gritty reality of life on the lower rungs, whatever planet that ladder might be on. Translated by Polly Barton, Sam Bett, David Boyd, Daniel Joseph, Aiko Masubuchi, and Helen O'Horan.

Having just finished school, the summer of 2009 presents endless possibilities for 17-year-old goth Jez. Living with her alcoholic mother in a government rental in Canberra's outer-suburbs, with little money or future prospects, her time is spent with emo Lukey trying to conjure quick fixes for their boredom - tatts, piercings, drinking, Xbox, weed and pills. Alienated and intimidated when Lukey becomes sexually involved with the effervescent Melbournite Laura, Jez renews a friendship with her neighbour, Casey, who's working as a stripper and raking the money in. When Casey's bikie punk brother Cash enters the picture, Jez is besotted, though also terrified with good reason. At the same time, Jez's mum hooks up with a local bartender placing a strain on their already fragile relationship. Over the summer, Jez runs a gauntlet of new experiences and discovers she is not quite ready for the world outside her neighbourhood. Filled with humour, brilliant observations and shocking revelations, Snake Bite is a contemporary Puberty Blues.

Since childhood, Susan Jacoby, the New York Times bestselling author of The Age of American Unreason, was sure that her father was keeping a secret. At age twenty, just before beginning her writing career as a reporter for the Washington Post, she learned the truth: Robert Jacoby, a Catholic convert with a Catholic wife, was also a Jew. In Half-Jew, Jacoby grapples with the hidden identity cloaked by the persona of a successful accountant and member of St. Thomas Aquinas Church in East Lansing, Michigan—and with the secrets and lies that had marked her family’s history for three generations on two continents. Beginning in 1849 when her great-grandfather arrived in America as a political refugee, Jacoby traces her lineage through the lives of her great-uncle Harold, the distinguished astronomer whose map of the constellations is etched on the ceiling of Grand Central Terminal; her uncle, the bridge champion Oswald Jacoby, her aunt Edith, also a Catholic convert and eventually a reformer within the church; and, of course her father himself. At the core of story is the psychic damage that accrues across generations when people conceal their true ethnic and religious origins. Featuring a new afterword, Half-Jew is a meticulously researched, emotionally poignant examination of the dark legacy of European and American anti-Semitism as well as a tender-hearted account of a daughter coming to understand her father, herself, and her family’s true legacy.

Winner of the 2023 UJ Prize Winner of the 2023 Sunday Times Literary Award An extraordinary, ambitious, globe-spanning novel about what we owe our consciences Fleeing her moribund marriage in Cape Town, Beth accepts a diplomatic posting to Shanghai. In this anonymous city she hopes to lose herself in books, wine, and solitude, and to dodge whatever pangs of conscience she feels for her fealty to a South African regime that, by the 21st century, has betrayed its early promises. At night, she hears the sound of typing, and then late one evening Zhao arrives at her door. They explore hidden Shanghai and discover a shared love of Langston Hughes--who had his own Chinese and African sojourns. But then Zhao vanishes, and a typewritten manuscript--chunk by chunk--appears at her doorstep instead. The truths unearthed in this manuscript cause her to reckon with her own past, and the long-buried story of what happened to Kay, her fearless, revolutionary friend... Connecting contemporary Shanghai, late Apartheid-era South Africa, and China during the Great Leap Forward and the Tiananmen uprising--and refracting this globe-trotting and time-traveling through Hughes' confessional letters to a South African protege about the poet's time in Shanghai--How to Be a Revolutionary is an amazingly ambitious novel. It's also a heartbreaking exploration of what we owe our countries, our consciences, and ourselves.

The Enchanters vs. Sprawlburg Springs is a satirical, riotous story of a band trapped in suburbia and bent on changing the world. A frenzied "scene" whips up around them as they gain popularity, and the band members begin thinking big. It's a hilarious, crazy send-up of self-destructive musicians.

Taking on a subject that is still largely avoided in Japan, this powerful thriller explores the threat posed by an emperor, even in a ceremonial role, to a democratic government. Set in a fictional island country, the novel is told from the perspective of a group of young adults who are embroiled in their private problems of friendship, work, an...

“A near-miraculous, brilliant debut.”—George Saunders, Man Booker Prize–winning author of Lincoln in the Bardo “In one exquisitely crafted story after the next, Will Mackin maps the surreal psychological terrain of soldiers in a perpetual war.”—Phil Klay, National Book Award–winning author of Redeployment WINNER OF THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION The eleven stories in Will Mackin’s mesmerizing debut collection draw from his many deployments with a special operations task force in Iraq and Afghanistan. They began as notes he jotted on the inside of his forearm in grease pencil and, later, as bullet points on the torn-off flap of an MRE kit. Whenever possible he incorporated those notes into his journals. Years later, he used those journals to write this book. Together, the stories in Bring Out the Dog offer a remarkable portrait of the absurdity and poetry that define life in the most elite, clandestine circles of modern warfare. It is a world of intense bonds, ancient credos, and surprising compassion—of success, failure, and their elusive definitions. Moving between settings at home and abroad, in vivid language that reflects the wonder and discontent of war, Mackin draws the reader into a series of surreal, unsettling, and deeply human episodes: In “Crossing the River No Name,” a close call suggests that miracles do exist, even if they are in brutally short supply; in “Great Circle Route Westward Through Perpetual Night,” the death of the team’s beloved dog plunges them into a different kind of grief; in “Kattekoppen,” a man struggles to reconcile his commitments as a father and his commitments as a soldier; and in “Baker’s Strong Point,” a man whose job it is to pull things together struggles with a loss of control. Told without a trace of false bravado and with a keen, Barry Hannah–like sense of the absurd, Bring Out the Dog manages to capture the tragedy and heroism, the degradation and exultation, in the smallest details of war. Praise for Bring Out the Dog “Cuts through all the shiny and hyped-up rhetoric of wartime, and aggressively and masterfully draws a picture of the brutal, frightening, and even boring moments of deployment. . . . The Things They Carried, Redeployment, and now Bring Out the Dog: war stories for your bookshelf that will last a very long time, and serve as reminders of what America was, is, and can still become.”—Chicago Review of Books

“A delicate, layered exploration of family, trauma, and memory . . . An intriguing introduction to a significant voice in contemporary Japanese fiction.” —Kirkus Reviews Two tales about memory, loss and love, both told with stylistic inventiveness and breath-taking sensitivity. Taichi was forced to stop working almost a decade ago and since then he and his wife Natsuko have been getting by on her wages. But Natsuko is a woman accustomed to hardship. When her own family’s fortune dried up years during her childhood, she lived a surreal hand-to-mouth existence shaped by her mother’s refusal to accept her family’s new station in life. When Natsuko sees an ad for a spa and recognizes the place as the former luxury hotel where she spent time as a child, she decides to take her sick husband, despite the cost. But the overnight visit triggers hard but ultimately redemptive memories relating to the complicated history of her family. Modelled on a classic story by Junichiro Tanizaki, Ninety-Nine Kisses is the second story in this book and it portrays in touching and lyrical fashion the lives of the four unmarried sisters in a historical, close-knit neighbourhood of contemporary Tokyo. “Magical.” —The Guardian, Most Anticipated Fiction of 2021 “An ethereal novel combining two tales exploring memory, love, and loss.” —Vogue (UK) “Kashimada’s writing is exceptional.” —The Spectator “While Kashimada’s stories, like Murakami’s, resist easy interpretation, the former revel in the beauty of experience, whether sorrowful or joyous, affirming life in all its strangeness, horror and mystery.” —The Times Literary Supplement (UK) “Only Kashimada can create this kind of world.” —Yoko Ogawa, author of The Memory Police

"Bracing and beautiful . . . Every human should read it." —The New York Times A New York Times Book Review Editors' Choice and 2017 Critics' Pick One of Barack Obama's Favorite Books of 2017 At the age of sixty, Cory Taylor is dying of melanoma-related brain cancer. Her illness is no longer treatable: she now weighs less than her neighbor’s retriever. As her body weakens, she describes the experience—the vulnerability and strength, the courage and humility, the anger and acceptance—of knowing she will soon die. Written in the space of a few weeks, in a tremendous creative surge, this powerful and beautiful memoir is a clear-eyed account of what dying teaches: Taylor describes the tangle of her feelings, remembers the lives and deaths of her parents, and examines why she would like to be able to choose the circumstances of her death. Taylor’s last words offer a vocabulary for readers to speak about the most difficult thing any of us will face. And while Dying: A Memoir is a deeply affecting meditation on death, it is also a funny and wise tribute to life.