The Enchanters vs. Sprawlburg Springs is a satirical, riotous story of a band trapped in suburbia and bent on changing the world. A frenzied "scene" whips up around them as they gain popularity, and the band members begin thinking big. It's a hilarious, crazy send-up of self-destructive musicians.

After three novels, dynamic and masterful young writer Christian TeBordo, has finally collected his best short stories in The Awful Possibilities. A girl among kidney thieves masters the art of forgetting. A motivational speaker skins his best friend to impress his wife. A man outlines the rules and regulations for sadistic child-rearing. A teen in Brooklyn, Iowa, deals with the fallout of his brother's rise to hip hop fame. Populated with the people we've all heard whispering in hallways, mumbling in diners, shouting in the apartment next door, these brilliantly strange set pieces explode the boundaries of short fiction and locate the awe in the awful possibilities we could never have imagined.

A collection of short stories featuring people coping with the consequences of poor decisions includes "Not Even the Zookeeper Can Keep Control," "Bicycle Kick," and "Christmas Spirit."

The people of Pie Time are suffering from God’s Finger, a mysterious plague that leaves its victims dead with a big hole through their chests. In each hole is a random consumer product. Mano Medium, a sensitive, young cigarette-factory worker in love, does his part by quitting the factory to work double-time as Pie Time’s replacement barber and butcher, and by holding the things found in the holes of the newly dead. However, the more people die, the bigger Mano becomes. XO, the power-hungry corporation bent on overtaking Pie Time, and Father Mothers, the bumbling priest, have their own ideas about how to capitalize on God’s Finger. By contrast, and powered by honoring his own lost loves, Mano fights to resist this exploitation by teaching death to those who can’t afford to survive it. As Pie Time and Mano both grow irrevocably, Mano must make a decision about how he can best fit into his own life. With a large cast of unusual characters, each struggling with their own complex and tangled relationships to death, money, and love, Mammother is a fabulist's tale of how we hold on and how we let go in a rapidly growing world.

In this striking novel-in-stories, a series of strange apocalypses have hit America. Entire neighborhoods drown in mud, glass rains from the sky, birds speak gibberish, and parents of young children disappear. Millions starve while others grow coats of mold. But a few are able to survive and find a light in the aftermath, illuminating what we've become. In ''the Disappeared,''a father is arrested for missing free throws, leaving his son to search alone for his lost mother. A boy swells to fill his parents' ransacked attic in ''the Ruined Child.'' Rendered in a variety of narrative forms, from a psychedelic fable to a skewed insurance claim questionnaire, Blake Butler's full-length fiction debut paints a gorgeously grotesque version of America, bringing to mind both Kelly Link and William H. Gass, yet imbued with Butler's own vision of the apocalyptic and bizarre.

In I’m Fine, But You Appear to Be Sinking the strange and the mundane collide. These are stories of strange experiences set in familiar places, and of familiar experiences set in strange places. Many of the pieces in I’m Fine take place close to home, in suburban neighborhoods, or rural communities. The settings are conventional, yet something unexpected, or even magical, is occurring. In one piece, a couple speculates about random objects that appear without reason in their backyard. In another, neighbors try to figure out if a local meth dealer is keeping a live tiger captive on his property. In other pieces, it’s the setting that’s fantastical, but the characters’ reactions that remain ordinary, like in the titular story where a journalist lost at sea and hunted by a mythical ocean creature admits to struggling with loneliness and isolation in much the same way he does even when he’s safe at home. Although they are not directly linked by any specific character, the pieces in this collection are bound through reoccurring imagery and a shared theme of protagonists in emotional peril. There are unexpected appearances and disappearances, movement of inanimate objects, the search for something lost, the finding of something unusual. There are prophesies, dreams, unidentifiable creatures, and environmental catastrophes on a scale both large and small. There are action figures and octopuses, sullen teenagers and missing cats. At their core, these stories are imbued with mystery, oddity, humor, and empathy. They each stand on their own, but mean considerably more when read together.

Sometimes, it's just easier to think I'm not the freak. I'm just in an alien world. . . Being Charles James Stewart, Jr., AKA Charlie the Second, means never "fitting in." Tall, gangly and big-eared, he could be a poster boy for teenage geeks. An embarrassment to his parents (he's not too crazy about them, either), Charlie is a virtual untouchable at his high school, where humiliation is practically an extracurricular activity. Charlie has tried to fit in, but all of his efforts fail on a glorious, monumental scale. He plays soccer--mainly to escape his home life--but isn't accepted by his teammates who basically ignore him on the field. He still confuses the accelerator with the brake pedal and as a result, has not only failed his driving exam six times, but also almost killed himself and his driving instructor. He can't work on his college essay without writing a searing tell-all. But what's freaking Charlie out the most is that while his hormones are raging and his peers are pairing off, he remains alone with his fantasies. But all of this is about to change when a new guy at school begins to liven things up on the soccer team--and in Charlie's life. For the first time in his seventeen years, Charlie will learn how it feels to be a star, well, at least off the field. But Charlie discovers that even cool guys have problems as he embarks on a deliciously sexy, risk-filled journey from which there is no turning back. . . The Screwed Up Life of Charlie the Second is a funny, honest and engaging book, told with attitude and style. Drew Ferguson is a talented writer with great comic timing, and an eye for the absurd." --Bart Yates, author of The Brothers Bishop and The Distance Between Us "Drew Ferguson's debut novel is equally funny and smart, and will strike eerily familiar chords in anyone who remembers the edgy, frustrating, sex-obsessed days and nights of high school. You'll love his narrator, Charlie, and you'll also love this book." --Scott Heim, author of Mysterious Skin and We Disappear "Look out Napoleon Dynamite, here comes Charlie the Second! In this page-turning laugh riot, Drew Ferguson captures the voice of Today's Teen conquering the daily drudge that is Life in the Midwest. Colorfully candid, unapologetically explicit, yet touchingly tender, The Screwed Up Life of Charlie the Second serves as a reminder to those who've escaped from Small Town USA as to the reasons why!" --Frank Anthony Polito, author of Band Fags! "A terrific debut novel. Drew Ferguson is one of the most authentic new voices in contemporary fiction." --Steve Kluger, author of Almost Like Being in Love "Written in a fact-paced diary format, Ferguson has created a beautiful and moving novel that literally has you laughing out loud one moment and shedding tears the next." --Arthur Wooten, author of On Picking Fruit and Fruit Cocktail "Lots of blurbs in lots of books promise "laugh-out-loud hilarity." This book delivers. With Charlie the Second, Drew Ferguson has created a memorable and original character undergoing the perils, confusion, and humiliation of adolescence. Between onanistic sexcapades that would make Alexander Portnoy blush, The Screwed Up Life of Charlie the Second is an engagingly accurate portrayal of the highs and lows of growing up and figuring out who you are." --Brian Costello, author of The Enchanters vs. Sprawlburg Springs

From award-winning novelist Patrick Somerville comes this genre-busting novel-in-stories that leaps between small-town suburbs and the outer reaches of outer-space. A cast of outcasts—including the world's angriest mercenary, a sad surrealist, and a messianic alcoholic lawyer—bind together in this surprisingly warm exploration of love and identity in the post-millennial world.

Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.

How far would you go to have real freedom? To have true autonomy of both mind and body? The narrator of Failure to Comply wants self-determination at all costs, and they want you to know what it did, in fact, cost them. Their story is just a little hard to convey, as they're not entirely sure where, or even when, they are. Set in a dystopian, post-apocalyptic future, this literary sci-fi novel presents a world where humans have been unshackled from disease and their basest desires thanks to the genetic engineering and societal supervision of RSCH—an inscrutable entity with unimaginable power (including the ability to literally shape reality). In RSCH's march toward perfecting the species, however, there are "deviants" (including LGBTQ+ people and people with disabilities) who are fighting for a different vision of humanity. But where can they find hope when horror abounds, projected into their own bodies and minds by RSCH?