After seventeen years as dictator of Chile, in 1990 Augusto Pinochet ceremoniously handed the presidential sash to the leader of his legal opposition to formalize the peaceful transition to civilian rule in that country. Among the many idiosyncrasies of this extraordinary transfer of political power, the most memorable is the month-long, nationally televised campaign of uncensored political advertising known as the Franja de Propaganda Electoral—the “Official Space for Electoral Propaganda.” Produced by Pinochet’s supporters and the legal opposition, the 1988 Franja campaign set out to encourage voters to participate in a plebiscite that would define the democratic future of Chile. Harry L. Simón Salazar presents a valuable historical account, new empirical research, and a unique theoretical analysis of the televised Franja campaign to examine how it helped the Chilean people reconcile the irreconcilable and stabilize a contradictory relationship between what was politically implausible and what was represented as true and viable in a space of mediated political culture. This contribution to the field of political communication research will be useful for scholars, students, and a general public interested in Latin American history and democracy, as well as researchers of media, communication theory, and cultural studies. Television, Democracy, and the Mediatization of Chilean Politics also helps inform a more critical understanding of contemporary hyper-mediated political movements such as the Arab Spring, Occupy Wall Street, Black Lives Matter, and the particularly germane phenomenon of Trumpism.

Augusto Pinochet's regime permanently altered Chilean politics during his seventeen years as dictator of Chile. By the late 1980s, Pinochet's hold on power remained unyielding, political reconciliation with the military was unimaginable, and civil war seemed inevitable. Notwithstanding the lack of substantive political change, on March 11, 1990, Pinochet ceremoniously handed the presidential sash to the leader of his legal opposition, Patricio Aylwin, thus initiating a peaceful transition to civilian rule in Chile. My dissertation examines the context and content of the Franja de Propaganda Electoral of 1988. What loosely translates as "official space for electoral propaganda"--was a nationally televised, largely uncensored, 30-minute political program, representing the two sides of the 1988 Plebiscito; the NO campaign in opposition to the military regime, and the pro-Pinochet SÍ campaign. The Franja Electoral became a mediated space of Chilean politics, just beyond the repressive reach of the Pinochetista regime, within which a seemingly impossible transition was not only articulated, but also, through which, a transformation of Chilean political culture was engendered. To help explain this transformation, I draw from a conceptual framework known as mediatization theory, to examine the Franja Electoral as a sample case for the mediatization of Chilean politics. I propose that this case is best understood as an historical, political, and theoretical process, rooted in the cultural assimilation of an imagined political configuration. The mediatization of Chilean politics was a process that would ultimately help reconcile a contradictory relationship between what was politically viable as a social and historical course of action, with what was represented as acceptable in a mediated, televisual space of political culture. Furthermore, this project helps in the recovery of an exceptionally rare, complete collection of the 1988 Franja Electoral, and includes one of only a handful of content analyses performed on this important audio-visual material. Finally, my use of mediatization theory involves the incorporation of Cultural Historical Activity Theory (CHAT), to analyze the Franja Electoral as an artifact of Chilean political culture--a mediated representation of an enduring qualitative alteration in the meaning of Democracy in Chile.

The first book-long analysis of the 'mediatization of politics', this volume aims to understand the transformations of the relationship between media and politics in recent decades, and explores how growing media autonomy, journalistic framing, media populism and new media technologies affect democratic processes.

Assessing his work in the context of film aesthetics, philosophy, history, adaptation studies and cultural studies, this is the first book-length English-language anthology about this important director's cinema, offering a wide range of perspectives by a diverse range of international scholars.

This volume explores the relationship between place, traumatic memory, and narrative. Drawing on cases from Africa, Asia, Europe, Oceania, and North and South America, the book provides a uniquely cross-cultural and global approach. Covering a wide range of cultural and linguistic contexts, the volume is divided into three parts: memorial spaces, sites of trauma, and traumatic representations. The contributions explore how acknowledgement of past suffering is key to the complex inter-relationship between the politics of memory, expressions of victimhood, and collective memory. Contributors take note of differing aspects of memorial culture, such as those embedded in war memorials, mass grave sites, and exhibitions, as well as journalistic, literary and visual forms of commemorations, to investigate how narratives of memory can give meaning and form to places of trauma.

Revelation is resistance literature, written to instruct early Christians on how to live as followers of Jesus in the Roman Empire. The Nonviolent Apocalypse uses modern examples and scholarship on nonviolence to help illuminate Revelation’s resistance, arguing that Revelation’s famously violent visions are actually acts of nonviolent resistance to the Empire. The visions form part of Revelation’s proclamation of God’s way as a just and life-giving alternative to the system constructed by Rome. Revelation urges its readers to pursue this radical form of living, engaging in nonviolent resistance to all that stands in the way of God’s vision for the world.

China in the Era of Social Media discusses how social media is changing the world in an unprecedented way through speed, scope, and depth. In the last decade or so, social media in China has witnessed the most explosive growth in the world. Being the most populous nation in the world, it has the most social media users in the world as well. This book examines the current situation and unique characteristics of Chinese social media, the significance of social media in the country’s social transformation, and particularly its influences on political change in the nation. The main goal of this book is to explore how social media has been affecting and thus changing China’s political system, the ruling communist ideology, and the state-run media, as well as its public discourse and public opinions. Scholars of Asian studies, political science, and communications will find this book particularly interesting.

Media and Public Relations Research in Post-Socialist Societies tracks the birth, development, and contemporary expansion of communication research, with a focus on public relations and media research in post-socialist societies. This collection illuminates the current state of media and communication studies in Eastern Europe, Central Europe, and Central Asia. Contributors discuss and demonstrate various issues of disciplinary roots and tensions, institutional constraints, study development, and contemporary status. This book also illustrates diverse types of traditional and contemporary communication studies from humanities and social science perspectives, ranging from linguistics to health communication. This collection focuses on both traditional and modern scholarship that has arisen due to international scholarly efforts, the advent of technology, and national research interests. Readers will have the opportunity to intellectually discuss the conceptual, theoretical, and practical issues that have occurred within the past twenty years regarding public relations, mass communication, and media studies in post-socialist societies. The analyses in this book lead readers to consider potential resolutions to some of the current dialectical tensions that are affecting post-socialist communication studies and contemplate how reflecting on these tensions informs the broader field of communication worldwide.

Transcultural Images in Hollywood Cinema discusses how cinema, particularly Hollywood, impacts the cultural identities we construct for ourselves in order to make sense of who we are in the world. The politics of representation in cinema influence the boundaries of ethnic and racial characteristics and invent cultural and symbolic meanings that create a conventional image throughout the world. The transnational perspective, dissolves, fragments, and decentralizes this image, leaving the nationalist understanding of identity to a hybrid form. Cultures and identities that are expanded across borders form a mosaic by combining their local characteristics with those of the host cultures. This book examines the transnational and transcultural characteristics of Hollywood cinema. The narrative, cinematographic, and aesthetic structures of Hollywood cinema are turned upside down as chapters analyze gender, social, cultural, and economic-political contexts. Scholars of international communication, film, and social sciences will find this book particularly interesting.

"This book captures contemporary debates around indigenous languages and social change communication. Contributors bring together voices from the margins to engage in dialogue about common social change issues in Latin America, Africa, and Asia"--