(Sitar). The Hal Leonard Sitar Method is designed for anyone just learning to play the sitar. This comprehensive and easy-to-use beginner's guide serves as an introduction to sitar and its technique, as well as the practice, theory, and history of raga music. This deluxe edition includes 42 audio tracks for demonstration and play-along, plus over two hours of video lessons. Lessons include: choosing an instrument; tuning; postures; right- and left-hand technique; Indian notation; raga forms; melodic patterns; bending strings; hammer-ons, pull-offs, and slides; Tabla and Tanpura practice tracks; changing strings; and much more!

Students of Indian music are well aware of the emphasis their gurus place on the development of correct technique through rigorous practice. This book focuses on sitar technique and shows how that technique comes into play during the improvisatory music-making endeavours of master sitarists. A series of systematic descriptions and analyses reveals how instrumental technique acts as a generative structure at the broad level and provides a corpus of factors of variation at the specific level. A unique feature of this study is the inclusion of musical transcriptions detailing not only the line of melody, but also the physical gestures (techniques) necessary to produce melody. Though technically complex in appearance, these transcriptions and the accompanying analyses provide valuable information to students interested in learning Sitar and to musicologists and ethnomusicologists inquiring into the basic improvisational processes that underlie contemporary styles of Sitar performance.

Instructions and patterns for twenty-five quilted and applique pillow covers to liven up your interior decor.

The sitar has been popular since the 1960s. Since that time it has always had a considerable mystique among musicians. It also has an undeserved reputation for being difficult to play. This book/CD set cuts though the mystique and misapprehensions and presents the material in a simple fashion that is easily understood both by Indians and non-Indian musicians alike.Learning the Sitar begins with basic background information, including a discussion of Indian music, the history of the instrument, the parts and other important terms It then moves on to basic exercises and finally finishes with some simple compositions in Bilawal, Kalyan and Kafi. This is covered in a mix of staff notation as well as traditional Indian Sargam notation.

"A handy reference to master the art of playing the sitar. The sitar is an extremely popular Indian stringed instrument having a pumpkin gourd at one end, 19-20 frets, 7 main strings and 11 sympathetic strings"--Page 4 of cover

A simple and clear book for students starting to learn sitar,originally published through the iniciative of the InternationalInstitute for Comparative Music Studies and Documentation,Berlin. This book explains the basics of sitar and proposesexercises to control the instrument. It contains also photosand illustrations.Acharya Manfred M. Junius, born in Germany in 1929, studiedIndian Classical Music and Musicology for 18 years invarious centres of India, and sat at the feet of great masters.He has given many recitals all over India and abroad. Thoughborn a foreigner, he is widely recognized in India as anauthority in Indian Classical Music. He is also a qualifiedAyurvedic medicine practitioner and teacher.

The Silk Road: A Very Short Introduction is a new look at an ancient subject: the silk road that linked China, India, Persia and the Mediterranean across the expanses of Central Asia. James A. Millward highlights unusual but important biological, technological and cultural exchanges over the silk roads that stimulated development across Eurasia and underpin civilization in our modern, globalized world.

This book is perhaps the first comprehensive guide to understanding all the aspects and finer nuances of Hindustani classical music. It is aimed at the serious listener, that is, someone who may not have had any formal lessons himself in this performing art, but who, nevertheless, has picked up an initial interest in listening to classical music, and is, therefore, seeking to know more about its underlying structure, system and traditions. By explaining in a straightforward and extremely readable style, the basic features of Indian music, how time and melody are structured, the main principles of r?ga delineation and development, and the various genres and styles of vocal as well as instrumental performances, the book aims to enhance the serious listener’s understanding of Hindustani music, and heighten his appreciation of this art form. This book includes a glossary of musical terms, a select discography and a select bibliography.

The music of north India has attained its world renown largely through its most prominent stringed instruments, the sitar and the sarod. This work bring together material from written, oral and pictorial sources to trace the early history of the instruments, their innovators and their music.