Summary: What role should Australian literature play in the school curriculum? What principles should guide our selection of Australian texts? To what extent should concepts of the nation and a national identity frame the study of Australian writing? What do we imagine Australian literature to be? How do English teachers go about engaging their students in reading Australian texts? This volume brings together teachers, teacher educators, creative writers and literary scholars in a joint inquiry that takes a fresh look at what it means to teach Australian literature. The immediate occasion for the publication of these essays is the implementation of The Australian Curriculum: English, which several contributors subject to critical scrutiny. In doing so, they question the way that literature teaching is currently being constructed by standards-based reforms, not only in Australia but elsewhere.

Australia and New Zealand, united geographically by their location in the South Pacific and linguistically by their English-speaking inhabitants, share the strong bond of hope for cultural diversity and social equality--one often challenged by history, starting with the appropriation of land from their Indigenous peoples. This volume explores significant themes and topics in Australian and New Zealand literature. In their introduction, the editors address both the commonalities and differences between the two nations' literatures by considering literary and historical contexts and by making nuanced connections between the global and the local. Contributors share their experiences teaching literature on the iconic landscape and ecological fragility; stories and perspectives of convicts, migrants, and refugees; and Maori and Aboriginal texts, which add much to the transnational turn. This volume presents a wide array of writers--such as Patrick White, Janet Frame, Katherine Mansfield, Frank Sargeson, Witi Ihimaera, Christina Stead, Allen Curnow, David Malouf, Les Murray, Nam Le, Miles Franklin, Kim Scott, and Sally Morgan--and offers pedagogical tools for teachers to consider issues that include colonial and racial violence, performance traditions, and the role of language and translation. Concluding with a list of resources, this volume serves to support new and experienced instructors alike.

Required Reading examines for the first time what students have read and studied in the disciplines of English and literary studies at Australian schools and universities after 1945. On the basis of this primary evidence, the authors challenge enduring myths of curriculum history, the history of literary studies, critical theory, and cultural studies. They fill out the picture of how students were encouraged to read: when, where, and in which particular pedagogical and wider social and historical contexts. They relate dramatic changes to curriculum frameworks and syllabi, teaching and learning methods, social and cultural values and assumptions, and the academic discipline of literary studies itself. Required Reading shows, finally, how flawed assumptions about the nature and history of English and Literature have, since the 1980s, obstructed the advancement of knowledge within both fields of scholarly endeavour. Contributors include: Tim Dolin, Joanne Jones, Patricia Dowsett, John Yiannakis, Ian Reid, Jacqueline Manuel, Don Carter, Wayne Sawyer, Larissa McLean Davies, Brenton Doecke, Prue Gill, Terry Hayes, Jenny de Reuck, Susan K Martin, Tully Barnett, Kate Douglas, Alice Healy-Ingram, Georgina Arnott, and Claire Jones. (Series: Literary Studies) [Subject: Australian Studies, Literary Studies, Education]

"This research-based book is intended as a 'companion' or reference to enhance pre-service and practising teachers' knowledge about how literature is created. Offering practical insights, it supports teachers' understanding of the writer's craft related to the quality literary texts they read with their students. While the major emphasis is on the Literature Strand and its sub strands, the book takes the three strands of the Australian Curriculum: English as a starting point for the book's content and offers explanations, interpretations and examples for each strand."--Publisher.

We are living in a time of radical change, and ideas about teaching and learning are changing too: what knowledge do students need now and in the future, and how can we nourish this? By encouraging a broader and deeper knowledge of this country, its history, people, art and literature, Australian Literature for Young People not only familiarises readers with landmarks in Australian literature but addresses key contemporary concerns such as the need to be creative and imaginative, to think across disciplines, and to communicate and collaborate. Primary and secondary teachers, parents and pre-service education students will be inspired to explore Australia's distinctive literary heritage for themselves, and to embrace their very significant role in encouraging children in reading. Research discussed in this book shows that reading is important not only as the key to education but as part of health and wellbeing. Growing understandings of the structures and aesthetics of literature and deeper engagement with its rich ideas help young people become true global citizens.Key features:A comprehensive, research-based approach drawing on contemporary sources.Engages with Australia's Indigenous heritage throughout, noting the contribution it makes and should make across the educational spectrum.Makes reference to Western literary heritages and to those of other Asia-Pacific countries.'Muse points' promote creativity and imagination by asking readers to engage with chapter content - and beyond.Poetics chapter explores the characteristics of Australian literature.Appropriate for senior school students, including those undertaking the International Baccalaureate.

Literary Praxis: A Conversational Inquiry into the Teaching of Literature explores the teaching of literature in secondary schools. It does this from the vantage point of educators in a range of settings around the world, as they engage in dialogue with one another in order to capture the nature of their professional commitment, the knowledge they bring to their work as literature teachers, and the challenges of their professional practice as they interact with their students. The core of the book comprises accounts of their day-to-day teaching by Dutch and Australian educators. These teachers do more than capture the immediacy of the here-and-now of their classrooms; they attempt to understand those classrooms relationally, exploring the ways in which their professional practice is mediated by government policies, national literary traditions and existing traditions of curriculum and pedagogy. They thereby enact a form of literary ‘praxis’ that grapples with major ideological issues, most notably the impact of standards-based reforms on their work. Educators from other countries then comment on the cases written by the Dutch and Australian teachers, thus taking the concept of ‘praxis’ to a new level, as part of a comparative inquiry that acknowledges the richly specific character of the cases and resists viewing teaching around the world as though it lends itself unproblematically to the same standards of measurement (as in the fetish made of PISA). They step back from a judgmental stance, and try to understand what it means to teach literature in other educational settings than their own. The essays in this collection show the complexities of literature teaching as a form of professional praxis, exploring the intensely reflexive learning in which teachers engage, as they induct their students into reading literary texts, and reflect on the socio-cultural contexts of their work.

From beyond the black stump to the Australian Alps; in schools on stations, missions, mines and over the air, it takes a special kind of person to be an outback teacher. Back then, not only did we have to teach the three Rs but also sewing, arts and craft, music, physical education - you name it. Plus there were the duties of gardener, cleaner, nurse, registrar, office administrator, free milk dispenser, librarian and, on occasions, school bus driver. Oh, and in one school I was even responsible for 'mother craft'. And being male and just nineteen, as I was at the time, you might imagine my surprise when a young girl asked me, 'Sir, what's the best milk for babies?' Master storyteller Bill 'Swampy' Marsh has travelled the width and breadth of Australia to bring together yet another memorable collection of stories. This time he has met with many of our extraordinary outback teachers and their students whose recollections so perfectly capture those special days of growing up in the bush.

This is an essential, practical resource for pre- and in-service educators on creating contexts for success for Aboriginal and Torres Strait Islander students. Based on the latest research and practice, this book provides an in-depth understanding of the colonised context within which education in Australia is located, with an emphasis on effective strategies for the classroom. Throughout the text, the authors share their personal and professional experiences providing rich examples for readers to learn from. Taking a strengths-based approach, this book will support new and experienced teachers to drive positive educational outcomes for Aboriginal and Torres Strait Islander students.

In recent years, Australian literature has experienced a revival of interest both domestically and internationally. The increasing prominence of work by writers like Christos Tsiolkas, heightened through television and film adaptation, as well as the award of major international prizes to writers like Richard Flanagan, and the development of new, high-profile prizes like the Stella Prize, have all reinvigorated interest in Australian literature both at home and abroad. This Companion emerges as a part of that reinvigoration, considering anew the history and development of Australian literature and its key themes, as well as tracing the transition of the field through those critical debates. It considers works of Australian literature on their own terms, as well as positioning them in their critical and historical context and their ethical and interactive position in the public and private spheres. With an emphasis on literature’s responsibilities, this book claims Australian literary studies as a field uniquely positioned to expose the ways in which literature engages with, produces and is produced by its context, provoking a critical re-evaluation of the concept of the relationship between national literatures, cultures, and histories, and the social function of literary texts.