This is the first complete translation of Tandai shŠshin roku, which provides the best source for an understanding of the eighteenth-century Japanese literary figure Ueda Akinari (1734-1809) – a man of many talents and wide-ranging interests: haikai and waka poet, writer of fiction, commentator on Japanese classical texts, doctor of Confucian medicine, keen student of history and botany, tea connoisseur and amateur potter. In this highly personal work dating from his last year, when he was almost blind and in poor health, Akinari allows his writing brush to wander at will, giving his unvarnished opinions on contemporary and historical people and events, commenting on various social customs, criticizing friend and foe alike, defending the existence of the supernatural and sharing his love of nature. Akinari’s candour, humour, curiosity of mind and impressive erudition make Tandai shŠshin roku an unusual and interesting text that has long deserved to be better known.

A Stanford University Press classic.

This is a guide to the full range of Japanese history and civilisation, from the dawn of its prehistory to modern times, providing information on society and institutions, commerce and industry, sciences, sports, and politics, with particular emphasis on religion, material culture, and the arts.

The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.

This book examines the history of the Japanese Red Cross Society (JRCS) and through it offers a new account of the humanitarian movement in modern Japan. Michiko Suzuki argues that contrary to its typical portrayal, the JRCS was not wholly subordinate to the government and the Imperial Family, nor was it derivative of Western values and institutional models. Instead, the JRCS operated within a transnational discourse, both contributing to and borrowing from peacetime and wartime international humanitarianism. Grounded in extensive research in the JRCS archives and archives outside Japan, this book explores the melding of Western and Japanese humanitarian traditions and organizational forms. Suzuki examines the role of grassroots efforts in the steady growth of the JRCS, showing how the society became Japan’s largest international organization by the First World War, as well as its pioneering role in Red Cross disaster relief. She traces the inclusion of non-Western national societies in the International Red Cross and Red Crescent Movement and the evolution of the JRCS from a national into a transnational organization with branches in Japan’s overseas empire as well as in the Asia Pacific and the Americas. A comprehensive chronicle of the JRCS, Humanitarian Internationalism Under Empire provides a fresh vantage point on major historical questions relating to Japanese modernization and internationalism before the Second World War.

Ninjutsu is the most renowned and misunderstood of all martial arts. The long history of ninjutsu is often murky; surrounded by mystery and legend. Here, for the first time, is an in-depth, factual look at the entire art of ninjutsu, including the emergence of the ninja warriors and philosophy in feudal Japan; detailed historical events; its context in the development of other schools of martial arts; and the philosophies and exercises of the school today. Based on more than ten years of study and translation of authentic Japanese texts, including many that have never before been translated, this is the most comprehensive and accurate study on the art of ninjutsu ever written outside of Japan. This ninja book includes studies of ninjutsu history, philosophy, wisdom, and presents a wide range of information from authors, historians, chronicles and scrolls in order to foster a deep understanding of this "shadowy" art. For those who train in ninjutsu, for other martial art practitioners, for historians, and for anyone with interest in Japanese feudal history or Japanese martial arts, The Ninja: Ancient Shadow Warriors of Japan shines a light on this enigmatic subject.

Japan’s Renaissance is a detailed and exhaustively researched account of the regime of Japan’s second shogunate, and also an agile comparative analysis of the political economy of the period with other Renaissance systems. The book argues that the development of shogunal power in fourteenth- and fifteenth-century Japan was similar to the evolution of monarchic power in France and England during the same period. Contrary to the received wisdom that the government of the Ashikaga shoguns was the low point of premodern Japan, this book demonstrates that it was the incubator for many developments and the administrative technology which reached their maturity in the Tokugawa period. Applying the ideas of political economy to medieval Japanese history makes this book an essential companion for all Japan and East Asia specialists, students of comparative feudalism and monarchical development, as well as educated generalists who are interested in premodern Japan. The book is illustrated with antique maps and Japanese paintings of the period which add to the reader's understanding of this dramatic age in Japan’s history.