Japan’s Renaissance is a detailed and exhaustively researched account of the regime of Japan’s second shogunate, and also an agile comparative analysis of the political economy of the period with other Renaissance systems. The book argues that the development of shogunal power in fourteenth- and fifteenth-century Japan was similar to the evolution of monarchic power in France and England during the same period. Contrary to the received wisdom that the government of the Ashikaga shoguns was the low point of premodern Japan, this book demonstrates that it was the incubator for many developments and the administrative technology which reached their maturity in the Tokugawa period. Applying the ideas of political economy to medieval Japanese history makes this book an essential companion for all Japan and East Asia specialists, students of comparative feudalism and monarchical development, as well as educated generalists who are interested in premodern Japan. The book is illustrated with antique maps and Japanese paintings of the period which add to the reader's understanding of this dramatic age in Japan’s history.

For decades after World War II, Japan chose to focus on soft power and economic diplomacy alongside a close alliance with the United States, eschewing a potential leadership role in regional and global security. Since the end of the Cold War, and especially since the rise of Prime Minister Shinzo Abe, Japan's military capabilities have resurged. In this analysis of Japan's changing military policy, Andrew L. Oros shows how a gradual awakening to new security challenges has culminated in the multifaceted "security renaissance" of the past decade. Despite openness to new approaches, however, three historical legacies—contested memories of the Pacific War and Imperial Japan, postwar anti-militarist convictions, and an unequal relationship with the United States—play an outsized role. In Japan's Security Renaissance Oros argues that Japan's future security policies will continue to be shaped by these legacies, which Japanese leaders have struggled to address. He argues that claims of rising nationalism in Japan are overstated, but there has been a discernable shift favoring the conservative Abe and his Liberal Democratic Party. Bringing together Japanese domestic politics with the broader geopolitical landscape of East Asia and the world, Japan's Security Renaissance provides guidance on this century's emerging international dynamics.

Renaissance in Japan is a superb survey of Japan's literary giants—forerunners of today's modern Japanese writers. Called the "Kyoto epoch," the age in which these writers lived was the period in which Japanese cultural development made many of its greatest advances. In these years of the early Tokugawa era, the old aristocratic culture was confronted with the new plebeian awakening, giving rise to dynamic social developments, in effect a peaceful revolution. The humanistic movement that emerged during this period is epitomized in and popular arts and letters by such famous figures as Basho, the pilgrim poet; Saikaku, novelist of the gilded age, and Chikamatsu, Japan's greatest playwright. In that stirring period Basho wrote such undying poetry as: "The lark sings through the long spring day, but never enough for its heart's content." Saikaku noted that "love is darkness, but in the land of love the darkest night is bright as noon." Chikamatsu wrote wisely that "art is something which lies in the slender margin between the real and the unreal." In Japan it was the beginning of the end of the feudal Dark Ages—even though the political ramifications would not be manifest until the advent of the Meiji Restoration.

First published in 1981, Japan's Renaissance is a detailed and exhaustively researched account of the regime of Japan's second shogunate, and also an agile comparative analysis of the political economy of the period with other Renaissance systems. The book argues that the development of shogunal power in fourteenth- and fifteenth-century Japan was similar to the evolution of monarchic power in France and England during the same period. Contrary to the received wisdom that the government of the Ashikaga shoguns was the low point of premodern Japan, this book demonstrates that it was the incubator for many developments and the administrative technology which reached their maturity in the Tokugawa period. Applying the ideas of political economy to medieval Japanese history makes this book an essential companion for all Japan and East Asia specialists, students of comparative feudalism and monarchical development, as well as educated generalists who are interested in premodern Japan. The book is illustrated with antique maps and Japanese paintings of the period which add to the reader's understanding of this dramatic age in Japan's history.

"Drawing on a significant archive of primary sources and critical writings, 'Kyoto’s Renaissance' is the first volume in English to take an in-depth look at Kyoto’s modern transformation – how it came to reinvent itself after its ‘collapse’ at the time of the Meiji Restoration of 1868 and relocation of the imperial court to Tokyo. Following a contextualised introduction, which also includes a scholarly appraisal of recent and contemporary studies on the city - in both English and Japanese – nine chapters focus on the most notable historical elements that sustain Kyoto as a quintessentially modern ‘ancient capital’ today. The topics examined are the Emperor System, Festivals and Pageants, Buddhism, the Reorganization of Urban Space, Celebrating Heian, Kyoto’s Forest Policy, Industrialization, Nihonga and trends in Modern Pottery. 'Kyoto’s Renaissance' represents current Japanese scholarship at its best and will be welcomed both as an informed reference book on today’s city and as a benchmark reference for further wide-ranging research."--taken from publisher web site.

Revenge Drama in European Renaissance and Japanese Theatre is a collection of essays that both explores the tradition of revenge drama in Japan and compares that tradition with that in European Renaissance drama. Why are the two great plays of each tradition, plays regarded as defining their nations and eras, Kanadehon Chushingura and Hamlet, both revenge plays? What do the revenge dramas of Europe and Japan tell us about the periods that produced them and how have they been modernized to speak to contemporary audiences? By interrogating the manifestation of evil women, ghosts, satire, parody, and censorship, contributors such as Leonard Pronko, J. Thomas Rimer, Carol Sorgenfrei, Laurence Kominz explore these issues.

"Rise of a Japanese Chinatown is the first English-language monograph on the history of a Chinese immigrant community in Japan. It focuses on the transformations of that population in the Japanese port city of Yokohama from the Sino–Japanese War of 1894–1895 to the normalization of Sino–Japanese ties in 1972 and beyond. Eric C. Han narrates the paradoxical story of how, during periods of war and peace, Chinese immigrants found an enduring place within a monoethnic state.This study makes a significant contribution to scholarship on the construction of Chinese and Japanese identities and on Chinese migration and settlement. Using local newspapers, Chinese and Japanese government records, memoirs, and conversations with Yokohama residents, it retells the familiar story of Chinese nation building in the context of Sino-Japanese relations. But it builds on existing works by directing attention as well to non-elite Yokohama Chinese, those who sheltered revolutionary activists and served as an audience for their nationalist messages. Han also highlights contradictions between national and local identifications of these Chinese, who self-identified as Yokohama-ites (hamakko) without claiming Japaneseness or denying their Chineseness. Their historical role in Yokohama’s richly diverse cosmopolitan past can offer insight into a future, more inclusive Japan."