The great work of Welsh literature, translated in full for the first time in over 100 years by two of its country's foremost poets Tennyson portrayed him, and wrote at least one poem under his name. Robert Graves was fascinated by what he saw as his work's connection to a lost world of deeply buried folkloric memory. He is a shapeshifter; a seer; a chronicler of battles fought, by sword and with magic, between the ancient kingdoms of the British Isles; a bridge between old Welsh mythologies and the new Christian theology; a 6th-century Brythonic bard; and a legendary collective project spanning the centuries up to The Book of Taliesin's compilation in 14th-century North Wales. He is, above all, no single 'he'. The figure of Taliesin is a mystery. But of the variety and quality of the poems written under his sign, of their power as exemplars of the force of ecstatic poetic imagination, and of the fascinating window they offer us onto a strange and visionary world, there can be no question. In the first volume to gather all of the poems from The Book of Taliesin since 1915, Gwyneth Lewis and Rowan Williams's accessible translation makes these outrageous, arrogant, stumbling and joyful poems available to a new generation of readers.

Collects newspaper columns written by Wright and his assistants on their work and their ideas.

The most pivotal and yet least understood event of Frank Lloyd Wright’s celebrated life involves the brutal murders in 1914 of seven adults and children dear to the architect and the destruction by fire of Taliesin, his landmark residence, near Spring Green, Wisconsin. Unaccountably, the details of that shocking crime have been largely ignored by Wright’s legion of biographers—a historical and cultural gap that is finally addressed in William Drennan’s exhaustively researched Death in a Prairie House: Frank Lloyd Wright and the Taliesin Murders. In response to the scandal generated by his open affair with the proto-feminist and free love advocate Mamah Borthwick Cheney, Wright had begun to build Taliesin as a refuge and "love cottage" for himself and his mistress (both married at the time to others). Conceived as the apotheosis of Wright’s prairie house style, the original Taliesin would stand in all its isolated glory for only a few months before the bloody slayings that rocked the nation and reduced the structure itself to a smoking hull. Supplying both a gripping mystery story and an authoritative portrait of the artist as a young man, Drennan wades through the myths surrounding Wright and the massacre, casting fresh light on the formulation of Wright’s architectural ideology and the cataclysmic effects that the Taliesin murders exerted on the fabled architect and on his subsequent designs. Best Books for General Audiences, selected by the American Association of School Librarians, and Outstanding Book, selected by the Public Library Association

A magnificent epic of cataclysmic upheaval and heroic love in a breathless age of mythic wonders It was a time of legend, when the last shadows of the mighty Roman conqueror faded from the captured Isle of Britain. While, across a vast sea, bloody war shattered a peace that had flourished for two thousand years in the doomed kingdom of Atlantis. From the award-winning author of THE DRAGON KING TRILOGY comes a majestic tale of breathtaking scope and haunting beauty. It is the remarkable adventure of Charis—the courageous princess from Atlantis who escapes the terrible devastation of her land—and of the fabled seer and druid prince Taliesin, singer at the dawn of the age. A story of an incomparable love that joins two astonishing worlds amid the fires of chaos, and spawns the miracles of Merlin . . . and Arthur the king! TALIESIN “Reminiscent of C. S. Lewis . . . Highly recommended.” —Library Journal

Taliesin, Chief Bard of Britain and Celtic shaman, was a historical figure who lived in Wales during the latter half of the sixth century. His verse is established as a direct precursor to the Arthurian Legends--and Taliesin himself, is said to be the direct forebear to Merlin. The author presents completely new translations of Taliesin's major poems in their entirety, uncovering the meanings behind these great works for the first time.

A special highlight is the chapter on Wright's collection of Asian art, which was reputed at one time to be among the largest and finest in the United States, and today consists of screens, woodblock prints, sculpture, ceramics, rugs, and textiles.

Taliesin -- the country estate built by Frank Lloyd Wright between 1911 and 1959 -- has been a self-sufficient farm complex, a boarding school, a world-class architectural studio, and a fellowship for the study of architecture. What was it like to be a part of this vibrant community, to work in close association with the preeminent American architect? Author Frances Nemtin, currently the long-time manager and designer of the Taliesin flower gardens, joined the fellowship in 1946 after she met Wright while arranging a show of his work. Rich in anecdote and precise in description, her charmingly discursive tour of the fellowship includes rarely seen photographs and paintings from the fellowship archives evoking the beauty of Taliesin in all seasons, and the excitement of living in proximity to genius.

Frank Lloyd Wright was renowned during his life not only as an architectural genius but also as a subject of controversy—from his radical design innovations to his turbulent private life, including a notorious mass murder that occurred at his Wisconsin estate, Taliesin, in 1914. But the estate also gave rise to one of the most fascinating and provocative experiments in American cultural history: the Taliesin Fellowship, an extraordinary architectural colony where Wright trained hundreds of devoted apprentices and where all of his late masterpieces—Fallingwater, Johnson Wax, the Guggenheim Museum—were born. Drawing on hundreds of new and unpublished interviews and countless unseen documents from the Wright archives, The Fellowship is an unforgettable story of genius and ego, sex and violence, mysticism and utopianism. Epic in scope yet intimate in its detail, it is a stunning true account of how an idealistic community devolved into a kind of fiefdom where young apprentices were both inspired and manipulated, often at a staggering personal cost, by the architect and his imperious wife, Olgivanna Hinzenberg, along with her spiritual master, the legendary Greek-Armenian mystic Georgi Gurdjieff. A magisterial work of biography, it will forever change how we think about Frank Lloyd Wright and his world.

An “immensely valuable” dual biography of the iconic American architect and the city that transformed his career in the early twentieth century (Francis Morrone, New Criterion). Frank Lloyd Wright took his first major trip to New York in 1909, fleeing a failed marriage and artistic stagnation. He returned a decade later, his personal life and architectural career again in crisis. Booming 1920s New York served as a refuge, but it also challenged him and resurrected his career. The city connected Wright with important clients and commissions that would harness his creative energy and define his role in modern architecture, even as the stock market crash took its toll on his benefactors. Anthony Alofsin has broken new ground by mining the Wright archives held by Columbia University and the Museum of Modern Art. His foundational research provides a crucial and innovative understanding of Wright’s life, his career, and the conditions that enabled his success. The result is at once a stunning biography and a glittering portrait of early twentieth-century Manhattan.