A special highlight is the chapter on Wright's collection of Asian art, which was reputed at one time to be among the largest and finest in the United States, and today consists of screens, woodblock prints, sculpture, ceramics, rugs, and textiles.

An “immensely valuable” dual biography of the iconic American architect and the city that transformed his career in the early twentieth century (Francis Morrone, New Criterion). Frank Lloyd Wright took his first major trip to New York in 1909, fleeing a failed marriage and artistic stagnation. He returned a decade later, his personal life and architectural career again in crisis. Booming 1920s New York served as a refuge, but it also challenged him and resurrected his career. The city connected Wright with important clients and commissions that would harness his creative energy and define his role in modern architecture, even as the stock market crash took its toll on his benefactors. Anthony Alofsin has broken new ground by mining the Wright archives held by Columbia University and the Museum of Modern Art. His foundational research provides a crucial and innovative understanding of Wright’s life, his career, and the conditions that enabled his success. The result is at once a stunning biography and a glittering portrait of early twentieth-century Manhattan.

Collects newspaper columns written by Wright and his assistants on their work and their ideas.

The Building Blocks series presents icons of modern architecture as interpreted by Ezra Stoller, whose photography has defined the way postwar architecture has been viewed by architects, historians, and the public at large. Taken just after the completion of each project, these photographs provide a unique historical record of the buildings in use, documenting people, fashions, and furnishings of the period.

Taliesin -- the country estate built by Frank Lloyd Wright between 1911 and 1959 -- has been a self-sufficient farm complex, a boarding school, a world-class architectural studio, and a fellowship for the study of architecture. What was it like to be a part of this vibrant community, to work in close association with the preeminent American architect? Author Frances Nemtin, currently the long-time manager and designer of the Taliesin flower gardens, joined the fellowship in 1946 after she met Wright while arranging a show of his work. Rich in anecdote and precise in description, her charmingly discursive tour of the fellowship includes rarely seen photographs and paintings from the fellowship archives evoking the beauty of Taliesin in all seasons, and the excitement of living in proximity to genius.

For his critics and biographers, the 1930s have always been the most challenging period of Frank Lloyd Wright's career. This account uses the architect's long-inaccessable archives at Taliesin West to provide a balanced evaluation of Wright in the 1930s. It separates Wright's design activities from his self-promotion and places his philosophy of individualism within the context of the times.

Nestled among the cactus thickets and dry washes of the Arizona desert lies an intriguing landscape of architectural experiments. Sometimes encompassing a paloverde tree or suspended many feet above the desert floor, these small dwellings, conceived by architecture students as alternatives to tents and dormitory rooms, embrace¿and in their own way, celebrate¿the natural, rugged terrain surrounding Frank Lloyd Wright¿s Taliesin West. The earliest shelters were created by adventurous apprentices at the Taliesin Fellowship, a school for architects established by Frank Lloyd Wright in the mid-1930s. After Wright¿s death, a more conventional school¿the Frank Lloyd Wright School of Architecture¿was established, and the practice of designing and building a personal dwelling became a unique feature of the school¿s curriculum. Wright insisted that there would be no armchair architects at his school; apprentices would learn through hard work and first-hand experience. The response to this directive has been astonishingly creative. In addition to honing their design and drafting skills, students comb the desert for dwelling sites; consider the effects of extreme temperature change and winter rain; gather construction materials from surrounding hills and dry riverbeds; and thoroughly explore what Wright termed organic architecture. Collected in Under Arizona Skies are photographs and architectural plans of the most exemplary student shelters built at Taliesin West, as well as personal accounts written by Victor E. Sidy, Dean of the Frank Lloyd Wright School of Architecture, and Bruce Brooks Pfeiffer, Director of the Frank Lloyd Wright Archives.

Weaves a narrative from Olgivanna's previously unpublished autobiography, together with vignettes from her other writings books, newspaper columns, and presentations.

Frank Lloyd Wright was renowned during his life not only as an architectural genius but also as a subject of controversy—from his radical design innovations to his turbulent private life, including a notorious mass murder that occurred at his Wisconsin estate, Taliesin, in 1914. But the estate also gave rise to one of the most fascinating and provocative experiments in American cultural history: the Taliesin Fellowship, an extraordinary architectural colony where Wright trained hundreds of devoted apprentices and where all of his late masterpieces—Fallingwater, Johnson Wax, the Guggenheim Museum—were born. Drawing on hundreds of new and unpublished interviews and countless unseen documents from the Wright archives, The Fellowship is an unforgettable story of genius and ego, sex and violence, mysticism and utopianism. Epic in scope yet intimate in its detail, it is a stunning true account of how an idealistic community devolved into a kind of fiefdom where young apprentices were both inspired and manipulated, often at a staggering personal cost, by the architect and his imperious wife, Olgivanna Hinzenberg, along with her spiritual master, the legendary Greek-Armenian mystic Georgi Gurdjieff. A magisterial work of biography, it will forever change how we think about Frank Lloyd Wright and his world.