Annotation Fakir Mohan Senapati's Six Acres and a Third, originally published in 1901 as Chha Mana Atha, is a wry, powerful novel set in colonial India.

The essays in this volume seek to explore the genre of the short story in India and its relationship with English language and literature. Various aspects of the question are taken up the impact of colonialism; the way English has shaped (or not) short story writing; why, how and in what contexts English words are used, feminist perspectives in the writings of women; the Indian diaspora; the teaching of the short story to Indian students and so on.

K. C. Das is deservedly one of the most celebrated writers in India today. He writes primarily in Oriya, the language of his native state of Orissa, where he was born in 1924. A civil servant by profession, Das pursued a second career as a writer of stories, poems, and essays. The stories in this collection take place in an urban setting. The characters are mainly middle class, making them more accessible to North American readers than other examples of contemporary Indian fiction. These are not simple stories. They are about “divides,” about gaps between realities and imagination. In complex shifts between direct dialogue, interior monologue, and interior or imagined dialogue, Das lovingly but mercilessly exposes his characters' thoughts, self-deceptions, and the games they play with each other. These are stories about human weaknesses, the fallibility of human relationships, and the strategies we adopt to cope with our failures. They are about coming to terms with unpleasant, sometimes shocking truths about ourselves and others.

Articles previously published in several journals on the Oriya fiction writer.

Prayaschita (The Penance) is the last of Fakir Mohan Senapati's four novels and the third and the last in his 'trilogy of crime and justice', to use the epithet coined by the eminent Senapati scholar John Boulton. Prayaschita was published in 1915, just three years before the death of the novelist.

A collection of 20 stories from India's rich folklore heritage. From wicked magicians to wise old priests, charming princes and beautiful princesses, to greedy tigers and wily jackals, these magical tales are full of adventure and trickery, and infused with deeper messages about morality, Life and the world around us. Founded on the work of folklorist, Joseph Jacob, and from tales from India's Mughul period, award-winning author Bali Rai's lively retellings are a delight for readers of all ages. The book includes endnotes with a glossary, additional information as well as ideas for activities that children can do to explore the stories further.

This important collection showcases the most sensitive short fiction on the subject of the girl child by some of India's finest writers. The stories cut across social, economic and regional divides to reveal what life is like for a girl growing up in India. And they raise a crucial question: will our society ever rise above its innate hypocrisies and change the way it regards its women? To read these stories is to feel pain, bewilderment, outrage, compassion and a sudden surge of hope at finding love and tenderness where one least expects it.

K. C. Das is deservedly one of the most celebrated writers in India today. He writes primarily in Oriya, the language of his native state of Orissa, where he was born in 1924. A civil servant by profession, Das pursued a second career as a writer of stories, poems, and essays. The stories in this collection take place in an urban setting. The characters are mainly middle class, making them more accessible to North American readers than other examples of contemporary Indian fiction. These are not simple stories. They are about “divides,” about gaps between realities and imagination. In complex shifts between direct dialogue, interior monologue, and interior or imagined dialogue, Das lovingly but mercilessly exposes his characters' thoughts, self-deceptions, and the games they play with each other. These are stories about human weaknesses, the fallibility of human relationships, and the strategies we adopt to cope with our failures. They are about coming to terms with unpleasant, sometimes shocking truths about ourselves and others.