A comprehensive collection of photographs, interviews, and profiles of the most influential Black actresses who have worked in film, television, and theater Foreword by Gabrielle Union Marcellas Reynolds, the author of Supreme Models, presents the first-ever art book dedicated to celebrating Black actresses and exploring their experiences in acting. Through stunning photographs, personal interviews, short biographies, and career milestones, Supreme Actresses chronicles the most influential Black actresses who have worked in film, television, and theater. From Hattie McDaniel, the first actress of color to win an Academy Award for Best Supporting Actress in 1939, to Dorothy Dandridge, the first actress of color to be nominated for an Academy Award for Best Actress in 1954. And from Ethel Waters, the first African American actress to be featured on an American sitcom in 1950, to Cicely Tyson, the first African American star of a TV drama in 1963. The performances by these talented actresses are ingrained into our memories. We experienced laughter, love, and loss with these women. But how did they begin their acting careers? Who were the first Black actresses who paved the way? What are their defining moments? What effects did racial prejudice have on their careers? Supreme Actresses remembers and celebrates the groundbreaking women who have been influencing culture for decades, reshaping the very standards of beauty in modern society.

“This coffee-table book is the first-ever collection of works devoted to celebrating black models. Fashion devotees will find glorious images of supers such as Iman, Tyra Banks, Naomi Campbell, Joan Smalls, and Adwoa Aboah alongside interviews and personal essays.” —Vogue Filled with revealing essays, interviews, and stunning photographs, Supreme Models pays tribute to black models past and present: from the first to be featured in catalogs and on magazine covers, like Iman, Donyale Luna, and Beverly Johnson, to the supermodels who reigned in the nineties—Tyra Banks, Naomi Campbell, and Veronica Webb. The book also observes the newest generation of models—Adut Akech, Jourdan Dunn, and Joan Smalls—who are shaking up the fashion industry by speaking out about racial prejudice while becoming social media sensations. Written by celebrity fashion stylist and journalist Marcellas Reynolds, Supreme Models features more than 70 women from the last 75 years. Reynolds writes, “I hope that everyone who reads this book learns something about the models included within—and more about the business of fashion and modeling. But what I want most is for Supreme Models to be a source for the little boys, or girls, who like my childhood self, need to see themselves represented in a positive light.” The book, filled with gorgeous photographs of the women, details their most memorable campaigns, covers, editorials, and runway shows. Black models have been influencing fashion and pop culture for decades, reshaping beauty standards and boundaries. Supreme Models is a celebration of their monumental impact.

From one of America's most renowned film scholars: a revelatory, perceptive, and highly readable look at the greatest silent film stars -- not those few who are fully appreciated and understood, like Chaplin, Keaton, Gish, and Garbo, but those who have been misperceived, unfairly dismissed, or forgotten. Here is Valentino, "the Sheik," who was hardly the effeminate lounge lizard he's been branded as; Mary Pickford, who couldn't have been further from the adorable little creature with golden ringlets that was her film persona; Marion Davies, unfairly pilloried in Citizen Kane; the original "Phantom" and "Hunchback," Lon Chaney; the beautiful Talmadge sisters, Norma and Constance. Here are the great divas, Pola Negri and Gloria Swanson; the great flappers, Colleen Moore and Clara Bow; the great cowboys, William S. Hart and Tom Mix; and the great lover, John Gilbert. Here, too, is the quintessential slapstick comedienne, Mabel Normand, with her Keystone Kops; the quintessential all-American hero, Douglas Fairbanks; and, of course, the quintessential all-American dog, Rin-Tin-Tin. This is the first book to anatomize the major silent players, reconstruct their careers, and give us a sense of what those films, those stars, and that Hollywood were all about. An absolutely essential text for anyone seriously interested in movies, and, with more than three hundred photographs, as much a treat to look at as it is to read.

During the 1960s, many models, Playboy centerfolds, beauty queens, and Las Vegas showgirls went on to become "decorative actresses" appearing scantily clad on film and television. This well illustrated homage to 75 of these glamour girls reveals their unique stories through individual biographical profiles, photographs, lists of major credits and, frequently, in-depth personal interviews. Included are Carol Wayne, Edy Williams, Inga Neilsen, Thordis Brandt, Jo Collins, Phyllis Davis, Melodie Johnson, and many equally unforgettable faces of sixties Hollywood.

Elvis Presley musicals, beach romps, biker flicks, and alienated youth movies were some of the most popular types of drive-in films during the sixties. The actresses interviewed for this book (including Celeste Yarnall, Lana Wood, Linda Harrison, Pamela Tiffin, Deanna Lund, Diane McBain, Judy Pace, and Chris Noel) all made their mark in these genres. These fantastic femmes could be found either twisting on the shores of Malibu, careening down the highway on a chopper, being serenaded by Elvis, or taking on the establishment as hip coeds. As cult figures, they contributed greatly to that period of filmmaking aimed at the teenage audience who frequented the drive-ins of America. They frolicked, screamed, and danced their way into B-movie history in such diverse films as Eve, Teenage Millionaire, The Girls on the Beach, Dr. Goldfoot and the Bikini Machine, Three in the Attic, Wild in the Streets, and Paradise, Hawaiian Style. This book is a celebration of the actresses' careers. They have for the most part been overlooked in other publications documenting the history of film. Fantasy Femmes addresses their film and television careers, focusing on their view of the above genres, their candid comments and anecdotes about their films, the people they worked with, and their feelings in general regarding their lives and the choices they made. The book is well illuminated and contains a complete list of film and television credits.

An award-winning historian surveys the astonishing cast of characters who helped turn Manhattan into the world capital of commerce, communication and entertainment --

Four young Black sisters come of age during the American Civil War in So Many Beginnings, a warm and powerful YA remix of the classic novel Little Women, by national bestselling author Bethany C. Morrow. North Carolina, 1863. As the American Civil War rages on, the Freedpeople's Colony of Roanoke Island is blossoming, a haven for the recently emancipated. Black people have begun building a community of their own, a refuge from the shadow of the "old life." It is where the March family has finally been able to safely put down roots with four young daughters: Meg, a teacher who longs to find love and start a family of her own. Jo, a writer whose words are too powerful to be contained. Beth, a talented seamstress searching for a higher purpose. Amy, a dancer eager to explore life outside her family's home. As the four March sisters come into their own as independent young women, they will face first love, health struggles, heartbreak, and new horizons. But they will face it all together. Praise for So Many Beginnings: A Little Women Remix "Morrow’s ability to take the lingering stain of slavery on American history and use it as a catalyst for unbreakable love and resilience is flawless. That she has remixed a canonical text to do so only further illuminates the need to critically question who holds the pen in telling our nation’s story." —Booklist, starred review "Bethany C. Morrow's prose is a sharpened blade in a practiced hand, cutting to the core of our nation's history. ... A devastatingly precise reimagining and a joyful celebration of sisterhood. A narrative about four young women who unreservedly deserve the world, and a balm for wounds to Black lives and liberty." —Tracy Deonn, New York Times-bestselling author of Legendborn "A tender and beautiful retelling that will make you fall in love with the foursome all over again." —Tiffany D. Jackson, New York Times-bestselling author of White Smoke and Grown