“This coffee-table book is the first-ever collection of works devoted to celebrating black models. Fashion devotees will find glorious images of supers such as Iman, Tyra Banks, Naomi Campbell, Joan Smalls, and Adwoa Aboah alongside interviews and personal essays.” —Vogue Filled with revealing essays, interviews, and stunning photographs, Supreme Models pays tribute to black models past and present: from the first to be featured in catalogs and on magazine covers, like Iman, Donyale Luna, and Beverly Johnson, to the supermodels who reigned in the nineties—Tyra Banks, Naomi Campbell, and Veronica Webb. The book also observes the newest generation of models—Adut Akech, Jourdan Dunn, and Joan Smalls—who are shaking up the fashion industry by speaking out about racial prejudice while becoming social media sensations. Written by celebrity fashion stylist and journalist Marcellas Reynolds, Supreme Models features more than 70 women from the last 75 years. Reynolds writes, “I hope that everyone who reads this book learns something about the models included within—and more about the business of fashion and modeling. But what I want most is for Supreme Models to be a source for the little boys, or girls, who like my childhood self, need to see themselves represented in a positive light.” The book, filled with gorgeous photographs of the women, details their most memorable campaigns, covers, editorials, and runway shows. Black models have been influencing fashion and pop culture for decades, reshaping beauty standards and boundaries. Supreme Models is a celebration of their monumental impact.

St. John Paul II propelled the Church into a new era of fruitful contemplation about the dignity and value of women, often reiterating how women — specifically as women — reveal the image of God in the world. But his final contribution to that topic may be his most profound. Just months before he passed into eternity, he summed up his decades of teaching on the topic: “To you, women, falls the task of being sentinels of the Invisible!” In these eye-opening pages, author Melissa Maleski shows how this final bold admonition succinctly embodies the Catholic Church's entire, consistent vision of women as powerful, vital agents for good. Drawing not only on the works of John Paul II and on those of the Church Fathers but also on the example of scores of holy women in the Bible plus the Blessed Virgin Mary and the many female saints of the Church, these pages offer profound and practical insights into the fundamental strengths and habits that distinguish womanhood as a particular way of being human, while giving authentic witness to the divine image of our Creator. Be warned: here you'll encounter no outdated, sentimental ode to “feminine genius.” On the contrary, reaching across time and space, Maleski's straightforward, engaging prose introduces you to the bracing, universal truths of the Church about the inherent strength and supreme vocation of womanhood, equipping you to counter forcefully our secular culture's distorted views of personhood, the human body, gender, sexuality, and the profound, God-ordained complementarity of men and women. Along the way, you'll come to learn: How women, specifically as women, reveal the image of God in the world The full truth about the vital place of womanhood in the Church and in the world “Sentinels of the Invisible”: what the phrase means and why it's so important How womanhood as a “supreme vocation” is part of every personal vocation Why the devil has a special fear of womanhood and a particular hatred of women Why the devil always seeks to promote an imbalance of power between the sexes How modern notions of sexuality and gender pervert God's image and His plan for creation How marriage and religious life empower women rather than oppress them Why St. John Paul II called women “Guardians of the Gospel Message” And much more, in our confused times, to show forth for you “the supreme vocation of women”!

Two leading scholars of the Supreme Court explain and predict its decision making.

Foregrounding religious, racialized and gendered disputes, Decision Making and Controversies in State Supreme Courts examines state supreme court decision making during controversies. Using case studies within Alabama, Louisiana, and Wisconsin, Salmon Shomade identifies and analyses the predominant factors influencing decision making in times of court contention. In this book, Shomade assesses how the justices’ interpersonal dynamics and controversial issues of religion, race, and gender impact their decision making. Specifically, the book focuses on former Alabama Chief Justice Roy Moore and the Ten Commandments monument crisis, Louisiana Chief Justice Bernette Johnson and her elevation dispute, and former Wisconsin Justice David Prosser and his conflicts with two female colleagues. The book contributes to the literature on decision making in state appellate courts by building upon established models utilized for assessing these courts.

Sumptuously illustrated, engaging, and insightful, Mary Wilson’s book charts the glittering story of The Supremes, as it showcases their glamorous and iconic ensembles. As Motown’s leading act in the 1960s, The Supremes became synonymous with glamorous, elegant, coordinated ensembles. Supreme Glamour presents founding member Mary Wilson’s unparalleled collection, showcasing thirty-two of the group’s most eye-catching gowns, meticulously reassembled and photographed on the Grammy Museum stage. Detailed captions accompany each photograph, providing information about the design, fabric, and embellishments of each ensemble, as well as the occasion on which each was first worn. In addition to the fashion history of The Supremes, the book chronicles the evolution of the group and celebrates the cultural icons they became. Engaging and insightful narrative text by Mary Wilson and close personal friend Mark Bego is interspersed among hundreds of archival photos. Packed with anecdotes and insights, Mary Wilson tells the complete story of The Supremes, both on- and off- stage, from their founding in Detroit in 1959 as The Primettes to their 1964 breakthrough hit, “Where Did Our Love Go,” and from the departure of Diana Ross to The Supremes’ disco hits of the 1970s. Supreme Glamour builds a complete picture of the charm, sophistication, and magic of The Supremes.

The U.S. Supreme Court is a public policy battleground in which organized interests attempt to etch their economic, legal, and political preferences into law through the filing of amicus curiae ("friend of the court") briefs. In Friends of the Supreme Court: Interest Groups and Judicial Decision Making, Paul M. Collins, Jr. explores how organized interests influence the justices' decision making, including how the justices vote and whether they choose to author concurrences and dissents. Collins presents theories of judicial choice derived from disciplines as diverse as law, marketing, political science, and social psychology. This theoretically rich and empirically rigorous treatment of decision-making on the nation's highest court, which represents the most comprehensive examination ever undertaken of the influence of U.S. Supreme Court amicus briefs, provides clear evidence that interest groups play a significant role in shaping the justices' choices.

The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.

David Shapiro is the author of You're Not Much Use to Anyone and creator of the Pitchfork Reviews Reviews blog.

In this classic portrait of Dwight D. Eisenhower the soldier, bestselling historian Stephen E. Ambrose examines the Allied commander’s leadership during World War II. Ambrose brings Eisenhower’s experience of the Second World War to life, showing in vivid detail how the general’s skill as a diplomat and a military strategist contributed to Allied successes in North Africa and in Europe, and established him as one of the greatest military leaders in the world. Ambrose, then the Associate Editor of the General’s official papers, analyzes Eisenhower’s difficult military decisions and his often complicated relationships with powerful personalities like Churchill, de Gaulle, Roosevelt, and Patton. This is the definitive account of Eisenhower’s evolution as a military leader—from its dramatic beginnings through his time at the top post of Allied command.

The first monograph on the iconic independent New York street fashion label Supreme. In April 1994, Supreme opened its doors on Lafayette Street in downtown Manhattan and became the home of New York City skate culture. Challenging the dominance of the established Wes Coast skater scene and the new conservatism of 1990s New York, Supreme defined the aesthetic of an era of rebellious cool that reached from skaters to fashionistas and hip hop heads. Over the last sixteen years, the brand has stayed true to its roots while collaborating with some of the most groundbreaking artists and designers of its generation, and with stores in Los Angeles and Japan has become an international icon of independent counter-cultural style. This definitive monograph - with written contributions from contrasting arbiters of style, Aaron Bondaroff and Glenn O'Brien, and including an interview between founder James Jebbia and the artist KAWS - brings together the disparate elements of the brand's output, from legendary advertising campaigns to especially commissioned skateboard designs, photographs, and artworks, and a comprehensive index of their products to date. Including collaborations with Jeff Koons, Richard Prince, Damien Hirst, Public Enemy, Lou Reed, and Futura 2000 among many others, this richly illustrated book is a survey of sixteen years of contemporary street fashion and culture reflected in the pioneering work of one of New York's most influential independent labels.