First established 150 years ago, Chicago Sinai is one of America’s oldest Reform Jewish congregations. Its founders were upwardly mobile and civically committed men and women, founders and partners of banks and landmark businesses like Hart Schaffner & Marx, Sears & Roebuck, and the giant meatpacking firm Morris & Co. As explicitly modern Jews, Sinai’s members supported and led civic institutions and participated actively in Chicago politics. Perhaps most radically, their Sunday services, introduced in 1874 and still celebrated today, became a hallmark of the congregation. In Sundays at Sinai, Tobias Brinkmann brings modern Jewish history, immigration, urban history, and religious history together to trace the roots of radical Reform Judaism from across the Atlantic to this rapidly growing American metropolis. Brinkmann shines a light on the development of an urban reform congregation, illuminating Chicago Sinai’s practices and history, and its contribution to Christian-Jewish dialogue in the United States. Chronicling Chicago Sinai’s radical beginnings in antebellum Chicago to the present, Sundays at Sinai is the extraordinary story of a leading Jewish Reform congregation in one of America’s great cities.

A collection of reports from archaeological excavations and surveys carried out, some by the author himself, since the diverse Sinai desert was opened up to Israeli researchers in 1967. The excavations include Nabotean sites and fortresses, an Iron Age fortress and an 8th-century BCE Israelite settlement. There is also a landscape survey of the hills of Northwestern Sinai. The smaller second section contains studies of `Desert Kites', triangular hunting enclosures, in the Sinai and Southern Negev, Sinai rock inscriptions and past and present desert nomads.

This book examines the way Christians in Jerusalem prayed and how their prayer changed in the face of foreign invasions and the destruction of their places of worship.

Reflections on the Sunday readings from leading Catholic biblical scholar, Henry Wansbrough OSB

In King’s Vibrato Maurice O. Wallace explores the sonic character of Martin Luther King Jr.’s voice and its power to move the world. Providing a cultural history and critical theory of the black modernist soundscapes that helped inform King’s vocal timbre, Wallace shows how the qualities of King’s voice depended on a mix of ecclesial architecture and acoustics, musical instrumentation and sound technology, audience and song. He examines the acoustical architectures of the African American churches where King spoke and the centrality of the pipe organ in these churches, offers a black feminist critique of the influence of gospel on King, and outlines how variations in natural environments and sound amplifications made each of King’s three deliveries of the “I Have a Dream” speech unique. By mapping the vocal timbre of one of the most important figures of black hope and protest in American history, Wallace presents King as the embodiment of the sound of modern black thought.

This volume of essays is concerned with ancient and modern Jewish and Christian views of the revelation at Sinai. The theme is highlighted in studies on the Dead Sea Scrolls, Paul, Josephus, rabbinic literature, art and philosophy. The contributions demonstrate that Sinai, as the location of the revelation, soon became less significant than the narratives that developed about what happened there. Those narratives were themselves transformed, not least to explain problems regarding the text's plain sense. Miraculous theophany, anthropomorphisms, the role of Moses, and the response of Israel were all handled with exegetical skills mustered by each new generation of readers. Furthermore, the content of the revelation, especially the covenant, was rethought in philosophical, political, and theological ways. This collection of studies is especially useful in showing something of the complexity of how scriptural traditions remain authoritative and lively for those who appeal to them from very different contexts.