Studies of China and Chineseness since the Cultural Revolution Volume 2: Micro Intellectual History through De-central LensesWhy have the influences of the Great Proletarian Cultural Revolution (roughly 1966-1976) in contemporary China been so pervasive, profound, and long-lasting? This book posits that the Revolution challenged everyone to decide how they can and should be themselves.Even scholars who study the Cultural Revolution from a presumably external vantage point must end up with an ideological position relative to whom they study. This amounts to a focused curiosity toward the Maoist agenda rivaling its alternatives. As a result, the political lives after the Cultural Revolution remain, ulteriorly and ironically, Maoist to a ubiquitous extent.How then can we cleanse, forget, neutralize, rediscover, contextualize, realign, revitalize, or renovate Maoism? The authors contend that all must appropriate ideologies for political and analytical purposes and adapt to how others use ideological discourses. This book then invites its readers to re-examine ideology contexts for people to appreciate how they acquire their roles and duties. Those more practiced can even reversely give new meanings to reform, nationalism, foreign policy, or scholarship by shifting between Atheism, Maoism, Confucianism, and Marxism, incurring alternative ideological lenses to de-/legitimize their subject matter.

"One reason why the influences of the Great Proletarian Cultural Revolution (roughly 1966-1976) in contemporary China have been so pervasive, profound, and long-lasting is that it challenged everyone to decide how she can and should be herself. Even scholars who study the Cultural Revolution from a presumably external vantage point must end up with an ideological position relative to whom they study. This amounts to a focused curiosity toward the Maoist agenda rivaling its alternatives. As a result, the political lives after the Cultural Revolution remain, ulteriorly and ironically, Maoist to a ubiquitous extent - how then can we cleanse, forget, neutralize, rediscover, contextualize, realign, revitalize, or renovate Maoism? All must appropriate ideologies for political and analytical purposes and adapt to how others use ideological discourses. The contexts of ideology are thus under constant reexamination for people to appreciate how they acquire their roles and duties. Those more practiced can even reversely give new meanings to reform, nationalism, foreign policy, or scholarship by shifting between Atheism, Maoism, Confucianism, and Marxism, incurring alternative ideological lenses to de-/legitimize their subject matter."--

Zusammenfassung: This book investigates India-ASEAN partnership and their overlapping perspective on the Indo-Pacific region and big powers' contestation and competition in this region providing specific nuances and newer insights. It is policy-oriented and examines the confluence of ASEAN's Outlook for Indo-Pacific (AOIP) and India's Indo-Pacific Oceans Initiative (IPOI). It brings out various contemporary geopolitical drivers that highlight the hidden complementarities and gaps in India-ASEAN multi-sectoral connectivity and its future. The book provides a balanced assessment of evolving trends, undergirded by theoretical debates and empirical analyses with diverse sub-regional and country perspectives of the intersection between the potential for regional convergence, domestic capacity issues, and security interests. It is thus of immense use for thinktanks and media commentators, policy makers, and researchers of Indo-Pacific & Asian affairs, international relations, and China-US relations, interested in evolving contours of Indo-Pacific geopolitics. Swaran Singh is a professor in Jawaharlal Nehru University (New Delhi). He is president of Association of Asia Scholars, director India for Washington-based The Millennium Project's South Asia Foresight Network, Fellow of Canadian Global Affairs Institute (Calgary), Member of Governing Body of Society of Indian Ocean Studies (New Delhi) and formerly visiting professor in department of political science, University of British Columbia (Vancouver), Australian National University (Canberra), Science Po (Bordeaux), University of the Philippines (Manila) and several other universities across China and other parts of Asia. He has supervised 40 PhDs and 50 MPhil degrees and sits on various selection committee and editorial/advisory boards of prestigious journals. He is a well published author and regularly for CGTN and other radio and television discussion. Reena Marwah is a professor in Jesus and Mary College, Delhi University. She is the recipient of several national and international fellowships including the McNamara Fellowship of the World Bank, Asia fellowship of the Asian Scholarship Foundation and the ICSSR Senior Fellowship. She has been a Consultant for the World Bank and UN Women. She is the founding editor of Millennial Asia, a quarterly Scopus journal on Asian Studies of the Association of Asia Scholars. She has published over twenty books and several research papers and articles in national and international journals

The book Becoming Human: Li Zehou’s Ethics offers a critical introduction and in-depth analysis of Li Zehou’s moral philosophy and ethics. Li Zehou, who is one of the most influential contemporary Chinese philosophers, believes that ethics is the most important philosophical discipline. He aims to revive, modernize, develop, and complement Chinese traditional ethics through what he calls “transformative creation” (轉化性的創造). He takes Chinese ethics, which represents the main pillar of Chinese philosophy, as a vital basis for his elaborations on certain aspects of Kant’s, Marx’s and other Western theoreticians’ thoughts on ethics, and hopes to contribute in this way to the development of a new global ethics for all of humankind.

Published in China in 2010, Revolution and Its Narratives is a historical, literary, and critical account of the cultural production of the narratives of China's socialist revolution. Through theoretical, empirical, and textual analysis of major and minor novels, dramas, short stories, and cinema, Cai Xiang offers a complex study that exceeds the narrow confines of existing views of socialist aesthetics. By engaging with the relationship among culture, history, and politics in the context of the revolutionary transformation of Chinese society and arts, Cai illuminates the utopian promise as well as the ultimate impossibility of socialist cultural production. Translated, annotated, and edited by Rebecca E. Karl and Xueping Zhong, this translation presents Cai's influential work to English-language readers for the first time.

This is a path-breaking book. Characteristically readable, controversial and full of insights, Nove identifies a workable socialist programme, achievable in the lifetime of a child born today, that avoids far-fetched or utopian assumptions. This text has been immensely influential in the West, and is available in translation in China, Hungary and the Soviet Union. Alec Nove begins by demonstrating why Marx's theories provide a misleading guide to the issues facing economists under any realistically conceivable socialism. He goes on to discuss the problems experinced by communist-ruled countries, especially the Soviet Union, and to suggest possible remedies and solutions. Nove also examines problems of transition, in the context of Western industrialised countries and the Third World. He concludes by outlining a possible efficienct and human socialism, and examines objections to these ideas from the Left and the Right.

Since the Cultural Revolution, data have been uncovered to illuminate that tumultuous decade. In this volume 13 scholars examine the gap between the ideology of the Revolution and the harsh and contradictory reality of its outcome. They focus particularly on the violence, coercion, and constant tension between the need for centralization to enforce policies and the need for decentralizing decision-making if those goals were to be achieved.

This volume is the most extensive social and cultural history of twentiethcentury Huangmei Opera to date. A regional Chinese theater originating in the Anqing countryside, Huangmei Opera gained popularity with the success of the 1950s play and movie, Tianxian pei 天仙配 (Married to a Heavenly Immortal). Through a case study of this work, the author juxtaposes the complex process of rewriting and revising the play and movie against the rapidly changing cultural and ideological climate of the Communist theater reform movement. As a result, the traditional theme of filial piety becomes a struggle over class and free love. This volume features a full translation of the original play and its revision in the 1950s, as well as selected articles by scriptwriters, directors, performers, and critics. These primary sources allow readers to gain access to inside views of the contemporaries and their political and artistic concerns. "Wilt Idema is one of the most important scholars in Chinese literary and cultural studies. Few in the academia can emulate him in both the spectrum of specializations and the depth of scholarship. From Yuan drama to Ming fiction, and traditional folk culture to modern performing arts, Idema’s work demonstrates a Sinologist's dedication, erudition, and originality at its best. Tianxian pei is arguably the most popular play in midtwentieth century China. In his book, Idema discusses the play’s roots and ramifications, its incarnations in multiple genes and medial forms, and its significance in modern Chinese cultural politics. His critical insight is illuminating and his translational expertise impeccable. The Metamorphosis of Tianxian pei is a major contribution to the studies of Chinese folklore, literature, theatre, and media." by David Derwei Wang, Harvard University

A special issue of PUBLIC CULTURE, this volume of essays examines modernity from transnational and transcultural perspectives, holding that within different cultures, there are different starting points of the transition to modernity that lead to differen