'Telling October' chronicles the construction of an official 'foundation narrative' by the Soviet Union as the new state sought to legitimise itself by portraying the October Revolution as the inevitable culmination of a historical process.

Published in China in 2010, Revolution and Its Narratives is a historical, literary, and critical account of the cultural production of the narratives of China's socialist revolution. Through theoretical, empirical, and textual analysis of major and minor novels, dramas, short stories, and cinema, Cai Xiang offers a complex study that exceeds the narrow confines of existing views of socialist aesthetics. By engaging with the relationship among culture, history, and politics in the context of the revolutionary transformation of Chinese society and arts, Cai illuminates the utopian promise as well as the ultimate impossibility of socialist cultural production. Translated, annotated, and edited by Rebecca E. Karl and Xueping Zhong, this translation presents Cai's influential work to English-language readers for the first time.

The Constitutional Revolution of 1906 opened the way for enormous change in Persia, heralding the modern era and creating a model for later political and cultural movements in the region. Broad in its scope, this multidisciplinary volume brings together essays from leading scholars in Iranian Studies to explore the significance of this revolution, its origins, and the people who made it happen. As the authors show, this period was one of unprecedented debate within Iran’s burgeoning press. Many different groups fought to shape the course of the Revolution, which opened up seemingly boundless possibilities for the country’s future and affected nearly every segment of its society. Exploring themes such as the role of women, the use of photography, and the uniqueness of the Revolution as an Iranian experience, the authors tell a story of immense transition, as the old order of the Shah subsided and was replaced by new institutions, new forms of expression, and a new social and political order.

Sandinista Narratives is an analysis of the role of agency in the Nicaraguan Revolution and its aftermath. Jean-Pierre Reed argues that the insurrection in Nicaragua was shaped by political contingency, action-specific subjectivity, and popular culture. He also examines how Sandinista ideology contributed to state-building in Nicaragua while tracing the role of post-revolutionary Sandinismo as a political identity.

Why do revolutions happen? Decades of social science research have brought us little closer to understanding where, when and amongst whom they occur. In this groundbreaking book, Eric Selbin argues that we need to look beyond the economic, political and social structural conditions to the thoughts and feelings of the people who make revolutions. In particular, he argues, we need to understand the stories people relay and rework of past injustices and struggles as they struggle in the present towards a better future. Ranging from the French Revolution to the Battle for Seattle, via Russia, China, Cuba, Vietnam and Nicaragua, Selbin makes the case that it is myth, memory and mimesis which create, maintain and extend such stories. Revolution, Rebellion, Resistance identifies four kinds of enduring revolutionary story - Civilizing and Democratizing, The Social Revolution, Freedom and Liberation and The Lost and Forgotten - which do more than report on events, they catalyse changing the world.

Treating China's Cultural Revolution as much more than a political event, this innovative volume explores its ideological dimensions. The contributors focus especially on the CR's discourse of heroism and messianism and its demonization of the enemy as reflected in political practice, official literature, and propaganda art, arguing that these characteristics can be traced back to hitherto-neglected undercurrents of Chinese tradition. Moreover, while most studies of the Cultural Revolution are content to point to the discredited cult of heroism and messianism, this book also explores the alternative discourses that have flourished to fill the resulting vacuum. The contributors analyze the intense intellectual and artistic ferment in post-Mao China that embody resistance to CR ideology, as well as the urgent quest for authentic individuality, new forms of social cohesion, and historical truth. Contributions by: Anne-Marie Brady, Woei Lien Chong, Lowell Dittmer, Monika Gaenssbauer, Nick Knight, Stefan R. Landsberger, Nora Sausmikat, Barend J. ter Haar, Natascha Vittinghoff, and Lan Yang.

In the spring of 1676, Nathaniel Bacon, a hotheaded young newcomer to Virginia, led a revolt against the colony's Indian policies. Bacon's Rebellion turned into a civil war within Virginia--and a war of extermination against the colony's Indian allies--that lasted into the following winter, sending shock waves throughout the British colonies and into England itself. James Rice offers a colorfully detailed account of the rebellion, revealing how Piscataways, English planters, slave traders, Susquehannocks, colonial officials, plunderers and intriguers were all pulled into an escalating conflict whose outcome, month by month, remained uncertain. In Rice's rich narrative, the lead characters come to life: the powerful, charismatic Governor Berkeley, the sorrowful Susquehannock warrior Monges, the wiley Indian trader and tobacco planter William Byrd, the regal Pamunkey chieftain Cockacoeske, and the rebel leader himself, Nathaniel Bacon. The dark, slender Bacon, born into a prominent family, soon earned a reputation in America as imperious, ambitious, and arrogant. But the colonial leaders did not foresee how rash and headstrong Nathaniel Bacon could be, nor how adept he would prove to be at both inciting colonists and alienating Indians. As the tense drama unfolds, it becomes apparent that the struggle between Governor Berkeley and the impetuous Bacon is nothing less than a battle over the soul of America. Bacon died in the midst of the uprising and Governor Berkeley shortly afterwards, but the profoundly important issues at the heart of the rebellion took another generation to resolve. The late seventeenth century was a pivotal moment in American history, full of upheavals and far-flung conspiracies. Tales From a Revolution brilliantly captures the swirling rumors and central events of Bacon's Rebellion and its aftermath, weaving them into a dramatic tale that is part of the founding story of America.

This volume considers the relationship between the development of evolution and its historical representations by focusing on the so-called Darwinian Revolution. The very idea of the Darwinian Revolution is a historical construct devised to help explain the changing scientific and cultural landscape that was ushered in by Charles Darwin’s singular contribution to natural science. And yet, since at least the 1980s, science historians have moved away from traditional “great man” narratives to focus on the collective role that previously neglected figures have played in formative debates of evolutionary theory. Darwin, they argue, was not the driving force behind the popularization of evolution in the nineteenth century. This volume moves the conversation forward by bringing Darwin back into the frame, recognizing that while he was not the only important evolutionist, his name and image came to signify evolution itself, both in the popular imagination as well as in the work and writings of other evolutionists. Together, contributors explore how the history of evolution has been interpreted, deployed, and exploited to fashion the science behind our changing understandings of evolution from the nineteenth century to the present.

Published in China in 2010, Revolution and Its Narratives is a historical, literary, and critical account of the cultural production of the narratives of China's socialist revolution. Through theoretical, empirical, and textual analysis of major and minor novels, dramas, short stories, and cinema, Cai Xiang offers a complex study that exceeds the narrow confines of existing views of socialist aesthetics. By engaging with the relationship among culture, history, and politics in the context of the revolutionary transformation of Chinese society and arts, Cai illuminates the utopian promise as well as the ultimate impossibility of socialist cultural production. Translated, annotated, and edited by Rebecca E. Karl and Xueping Zhong, this translation presents Cai's influential work to English-language readers for the first time.

As state control of private life in China has loosened since 1980, citizens have experienced an unprecedented family revolution—an overhaul of family structure, marital practices, and gender relationships. While the nuclear family has become a privileged realm of romance and individualism symbolizing the post-revolutionary “freedoms” of economic and affective autonomy, women’s roles in particular have been transformed, with the ideal “iron girl” of socialism replaced by the feminine, family-oriented “good wife and wise mother.” Problems and contradictions in this new domestic culture have been exposed by China's soaring divorce rate. Reading popular “divorce narratives” in fiction, film, and TV drama, Hui Faye Xiao shows that the representation of marital discord has become a cultural battleground for competing ideologies within post-revolutionary China. While these narratives present women’s cultivation of wifely and maternal qualities as the cure for family disintegration and social unrest, Xiao shows that they in fact reflect a problematic resurgence of traditional gender roles and a powerful mode of control over supposedly autonomous private life.