When published, this work on the Book of Lamentations opened a new wave of studies on that much neglected biblical book. After a fresh translation, followed by acute analyses of the acrostic form and literary genres, the author develops the two-fold theology of "doom" and "hope" that reverberates through the five laments composed during the exile to cope with the fall of Jerusalem. Created for public performance, the poems artfully alternate the voices of the poet and the community, personified by turns as a forlorn widow (Fair Zion) and as an afflicted man (Jacob/Israel). The book attributes the catastrophe in part to the moral and social failures of Judah's leadership, but it also finds the enormity of the suffering beyond moral or theological explanation.

The books of Lamentations, Habakkuk, and Zephaniah are rich with God’s truth concerning our need of redemption. But hope and mercy have the fi nal word as God promises to bless those who turn back to him in faith and repentance. This accessible study takes readers through these books over the course of 12 weeks. The prophecies, though far removed from our historical context, are deeply relevant and applicable to today’s contemporary issues—offering hope for restoration in our fallen world. Part of the Knowing the Bible series.

The American church avoids lament. But lament is a missing, essential component of Christian faith. Soong-Chan Rah's prophetic exposition of the book of Lamentations provides a biblical and theological lens for examining the church's relationship with a suffering world. Hear the prophet's lament as the necessary corrective for Christianity's future.

Set in the highlands of the Mexican state of Chiapas, The Book of Lamentations tells of a fictionalized Mayan uprising that resembles many of the rebellions that have taken place since the indigenous people of the area were first conquered by European invaders five hundred years ago. With the panoramic sweep of a Diego Rivera mural, the novel weaves together dozens of plot lines, perspectives, and characters. Blending a wealth of historical information and local detail with a profound understanding of the complex relationship between victim and tormentor, Castellanos captures the ambiguities that underlie all struggles for power. A masterpiece of contemporary Latin American fiction from Mexico’s greatest twentieth-century woman writer, The Book of Lamentations was translated with an afterword by Ester Allen and introduction by Alma Guillermoprieto.

Knowable Word offers a foundation on why and how to study the Bible. Through a running study Genesis 1, this new edition illustrates how to Observe, Interpret, and Apply the Scripture-and gives the vision behind each step.

"An emerging field of study that explores the Hispanic minority in the United States, Latino Studies is enriched by an interdisciplinary perspective. Historians, sociologists, anthropologists, political scientists, demographers, linguists, as well as religion, ethnicity, and culture scholars, among others, bring a varied, multifaceted approach to the understanding of a people whose roots are all over the Americas and whose permanent home is north of the Rio Grande. Oxford Bibliographies in Latino Studies offers an authoritative, trustworthy, and up-to-date intellectual map to this ever-changing discipline."--Editorial page.

Most contemporary interpretations of the biblical book of Lamentations focus on the figure of the "suffering man" as a role model for submission in the face of God's punishment for sin. Yet such a model offers small consolation to survivors of the Holocaust or other mass atrocities and also ignores chapters 1 and 2 of Lamentations, in which the personification of Zion laments her sufferings and demands a response on behalf of her dying children. In Surviving Lamentations, Tod Linafelt offers an alternative reading of Lamentations in light of the "literature of survival" (works written by survivors of catastrophe) as well as literary and philosophical reflections on "the survival of literature." He refocuses attention on the figure of Zion as a manifestation of a basic need to give voice to suffering, and traces the afterlife of Lamentations in Jewish literature, in which text after text attempts to provide the response to Zion's lament that is lacking in Lamentations itself. Seen through Linafelt's eyes, Lamentations emerges as uncannily relevant to contemporary discourse on survival.

The book of Lamentations is a challenge to its readers. Its ambiguous theology, strident protestations against its deity, and haunting imagery confound interpreters. This monograph engages the enigma of Lamentations by assessing its theology. It does so, however, neither by tracing a single theological perspective through the book nor by reconstructing the history of the composition of the book. Rather, Heath Thomas assesses the poetry of Lamentations by offering a close analysis of each poem in the book. He reconsiders the acrostic as the foundational structure for the poetry, reads the book as an intentionally composed whole, and assesses the pervasive use of repetition, metaphor, and allusion. For the first time in the field, the analysis here is grounded on the insights of the Italian semiotician Umberto Eco. Drawing upon Eco's distinction between 'open' and 'closed' textualities, Thomas argues that Lamentations represents a distinctively 'open' text, one that presents its reader with a myriad of surprising avenues to interpret the poetry. This distinctive approach avoids a polarization in the portrait of God in Lamentations, arguing that its poetry neither justifies God outright nor does it exonerate God's people in the exilic age. Rather, it enables these theological visions to interrelate with each another, inviting the reader to make sense of the interaction. The ambiguous theological vision of Lamentations, then, is not a problem that the reader is intended to overcome but an integral feature in the construction of meaning. This original monograph offers a new perspective on how the poetry informs our appreciation of theological thought in the exilic age.